Edited by Morgan Fisher and Michael L. Smith. Essays " "Connections: The Work of Charles and Ray Eames": A Review," by Richard Armstrong; "In Completion Drawing," by Robert Janz; "Some Introductory Remarks," by Morgan Fisher; "Ways and Means," by Beverly O'Neill; "A Letter from Stan Brakhage," by unattributed artists; "The Don and Maureen Campbell diagram to be applied in any metaphoric manner they wish," by John Knight; "Six Films by Ken Feingold," by David James; "Special FX Breakdown," by Michael McMillen; "Portions of Sidewinder's Delta: Construction Details," by Pat O'Neill; "Talking with Jack Goldstein," by Morgan Fisher. [details]
Edited by Debra Burchett and Bridget Johnson. Cover by Ed Ruscha. Essays "For An Art Against the Mythology of Everyday Life," by Martha Rosler; "Exploring the Mathematical Option in Art," by Bernar Venet; "No Money Back Anytime," by Kristine Stiles; "A Diamond is Forever," by Gregory Battcock; "Chymical Wedding," by Carole Caroompas; "To Pico," by Peter Schjeldahl; "Conceptual Art and the Continuing Quest for a New Social Context," by Robert Morgan; "The Level of Water," by Lawrence Weiner; "A The A The," by Alan Sondheim; "Conceptual Comments," by Douglas Huebler; "On Art Writing/Part I," by Clair Wolfe; "L Three Leers/W Three Whys," by John Baldessari; "Media: TeleVisions," by Christopher Knight; "The Dinner Party," by Melinda Wortz; "With a Dinner Party You Get Cheerleaders," by Suzanne Muchnic; "Photographs from the Dinner Party," by Ruth Askey; "The Chelsea Girls Return," by David James; "Photography: Two Photographic Books: Speaking About the Process of Making," by James Hugunin; "Painting: Back to Back," by Melinda Wortz. [details]
Fall 1984 issue of Journal, edited by Lane Relyea. Contents include: "Judy Fiskin's Photographs," by Richard Armstrong; "The Hydrogen Jukebox: Terror, Narcissism and Art," by Peter Schjeldahl; "Crepe de Chine," by Kim MacConnel; "Paragraphs Toward an Essay Entitled 'Restoration Comedies,'" by Howard Singerman; "A New-Found Career," by Martha Rosler; "Images That Understand Us: A Conversation with David Salle and James Welling;" "The Poltergeist," by David Askevold and Mike Kelley; "Pastel, Juice and Gunpowder: The Pico Iconography of Ed Ruscha," by Robert C. ... [details]
Issue edited by Bice Curiger. Contents include: "Jay Sanders Reads John Knight," by Jay Sanders and John Knight; " "Coexistence, Yes, Equivalence, No." Francesco Bonami in conversation with H.D. Buchloh; "What Do You Plan to Do Next?," John Baldessari in conversation with James Welling; "Revealing Concealing," by Rainer Fuchs; "With Baldessari's Marilyn," by Alexander van Grevenstein; "The Problem with Library Taxonomy," Carol Bove in conversation with Philip Smith; "The Wormhole Theory," by Martin Herbert; "Style and Pastiche," Carol Bove in conversation with Bettina Funcke; "Shadow Play,"by Tom McDonough; "About Overlapping Cultural Histories of Production in Art, Design, and Fashion," by Josiah McElheny in conversation with Lynne Cooke; "Play and Display," by Branden W. ... [details]
"The Pennsylvania Academy of the Fine Arts, Philadelphia, America's oldest museum and school of fine arts, was founded in 1805. Today, the Academy boasts one of the nation's finest collections of American art and a roster of alumni representing the greatest artists this country has produced. ... [details]
Issue edited by Al Goldstein. Essays "Screw You," by Pete Dvarackas; artwork by John Holmes, Eddie Wolfram, Chas. Henry, Henry Charles, Robert Knight, Terry Pastor, Michael Mycock, David Frye, and John Holmes; "Sex Scene," edited by Bruce David; "The Lavender 'Art' of Sado-Masochism," by Gail Bryce; "Fuckbooks: Ann Landers' Secret Shame!" by Michael Perkins; "The Body Boondocks of New Jersey," by Tim McKenna; "Dirty Diversions: Bitches Behind Bars!" by Al Goldstein; "Naked City," edited by Anthony Gambino; "Mail Order Madness," by John Milton. [details]
Issue edited by Jim Buckley. Essays "Screw You: 'American Morality - Nixon Style'," by Al Goldstein; "I'm Available & You Can Fuck Me... Here's How!" by Sylvia Stern; "Fuck Is a Many Splendored Word," by Allan Ball; illustration by Peter Bramley; "What a 'Friend' We Have in Jesus," by Samuel Knight; "Sex Scene: Playmen's Playthings," edited by Bruce David; "Rumpleforeskin: Rampant Realism," by Paul Krassner; "Shitlist," by Jim Buckley; "Raunchy Rejects," by Mala Droit; "Homosexual Citizen: Shangri-La for Fairies," by Lige & Jack; "Fuckbooks: One-Eyed Hag Gives Hash Head Head," by Michael Perkins; "Dirty Diversions: Horny Days Are Here Again," by Al Goldstein; "Naked City," by Anthony Gambino; "Mail Order Madness," by John Milton. [details]
June / July 1974 issue of the periodical Straight Turkey. Published by Pat Yoshida and edited by Timothy Silverlake. Includes interviews between Claire S. Copley and Ger van Elk, Raul Guerrero and Sandy Ballatore and interviews with John Knight and John Baldessari. ... [details]
Exhibition in the form of a book published April - May, 2020. "Without a place to go to experience art and without a place to go to share art. Thinking the next best thing to an object is not an online viewing room but a page. ... [details]
Issue guest edited by Tom Ford in collaboration with Gucci. Issue consists of a battery operated light-box featuring image overlays by artists. Artists include Christopher Bucklow, Christopher Giglio, Paul Graham, Andreas Gursky, Hiromix, Roni Horn, Toyo Ito, Lee Jenkins, Craig Kalpakjian, Nick Knight, Alexander McQueen, Raymond Meier, Hayao Miyazaki, Phil Poynter, Thomas Ruff, Luis Sanchis, Peter Saville, John Schabel, Alyson Shotz, Sam Taylor-Wood, Mario Testino, Wolfgang Tillmans, Inez van Lamsweerde, Vinoodh Matadin, Viktor & Rolf, Jane and Louise Wilson. [details]