Exhibition catalogue published in conjunction with show held in 1985. Essays by Phyllis Tuchman and Donald Kuspit, foreward by exhibition curator Linda Weintraub. Artists inlcude: Cecile Abish, Vito Acconci, Carl Andre, Eleanor Antin, Stephen Antonakos, Richard Artschwager, John Baldessari, Robert Barry, Jennifer Bartlett, Mel Bochner, Chris Burden, Christo, Walter de Maria, Dan Flavin, Hamish Fulton, Robert Grosvenor, Hans Haacke, Michael Heizer, Eva Hesse, Nancy Holt, Douglas Huebler, Peter Hutchinson, Patrick Ireland, Robert Irwin, Patricia Johanson, Donald Judd, Ellsworth Kelly, Alain Kirili, Rockne Krebs, Sol LeWitt, Roy Lichtenstein, Piero Manzoni, Gordon Matta-Clark, Anthony McCall, John McCracken, Robert Morris, Robert Murray, Forrest Myers, Barnett Newman, Richard Nonas, Dennis Oppenheim, Nam June Paik, Beverly Pepper, Leon Polk Smith, Robert Rauschenberg, George Rickey, Dorothea Rockburne, Charles Ross, Fred Sandback, Richard Serra, Alan Shields, Robert Smithson, Tal Streeter, Michelle Stuart, Paul Thek, Robert Watts, William Wegman, Lawrence Weiner, Robert Whitman, La Monte Young and Marian Zazeela. ... [details]
Collection of recipes put together by Barbara Moore. With contributions from numerous Fluxus artists, including Olga Adorno, Elza Behrman, George Brecht, Frannie Breer, Remy Charlip, Philip Corner, Sari Dienes, Letty Eisenhauer, Robert Filliou, Albert M. ... [details]
Catalogue published in conjunction with the New Music Across America Festival held in 14 U.S cities, two Canadian cities, and two European cities in 1992. Edited and with an introduction by Iris Brooks. ... [details]
Exhibition catalogue published in conjunction with show held April 13 - May 27, 2010. Texts by curator Judith Goldman. Documents the history of the Robert and Ethel Scull collection. Artists include: Milet Andrejevic, Lee Bontecou, John Chamberlain, William Crozier, Willem de Kooning, Walter de Maria, Mark di Suvero, Philip Guston, Robert Indiana, Neil Jenney, Alfred Jensen, Jasper Johns, Franz Kline, Alfred Leslie, Roy Lichtenstein, Robert Morris, Bruce Nauman, Barnett Newman, Claes Oldenburg, Larry Poons, Robert Rauschenberg, Larry Rivers, James Rosenquist, Mark Rothko, Lucas Samaras, George Segal, Frank Stella, Clifford Still, Myron Stout, John Tweddle, Cy Twombly, Andy Warhol, Tom Wesselmann and Peter Young. ... [details]
Essential source book of documentation of the Conceptual Art, Land Art, Earth Art, Arte Povera, Minimal Art, Performance Art, Video Art movements. Documents the activities, day by day, month by month, year by year of artists including Vito Acconci, Bas Jan Ader, Dennis Adrian, Carl Andre, Eleanor Antin, Keith Arnatt, Art-Language, Richard Artschwager, Michael Asher, David Askevold, John Baldessari, Robert Barry, Frederick Barthelme, N. ... [details]
Set of four exhibition catalogues for the yearly show "Art in Process" at Finch College Museum of Art, Contemporary Study Wing, New York, New York. Each show was organized and curated by Elayne Varian. ... [details]
Issue no. 10/12 of Das Kunstwerk covering the New York art scene, with snapshots of the New York contemporary art and gallery scene in the mid-60s featuring photos of artists at work in their studios and work on display. ... [details]
Exhibition catalogue published in conjunction with show of the personal art collection of Juliana Force held at the Whitney Museum of American Art, September 24 - October 30, 1949. Text by Juliana Force, Herman More, Lloyd Goodrich, John Sloan, Guy Pène du Bois, Alexander Brook, Forbes Watson. ... [details]
Critical theory by Andrew Graham-Dixon. "... Graham-Dixon argues decisively against the preconception that the British are not a visual people. Starting with a revelatory account of the almost unknown masterpieces of the Catholic Middle Ages, [Dixon] celebrates the beauty and the brilliance of Britain's artistic heritage - from Thomas Gainsborough to Damien Hirst, William Hogarth to David Hockney, John Constable to Henry Moore. ... [details]
"How can an art exhibition function as a stand-in for the artists and their studios? How can a gallery project provide greater insight into an artist's practice, the way the formality of a slide lecture or the intimacy of a studio visit can? How can the back-story of the work on display be understood, without being solely reliant on a curatorial statement, catalogue essay or press release? This exhibition allows art to be understood as an ongoing and slippery practice, and less the finite, linear and object-oriented one assumed by the standard exhibition format. ... [details]