Issue edited by Tim Griffin. Essays "Passages: Branden W. Joseph on Billy Klüver," by Branden W. Joseph; "Books: Arthur C. Danto on Francisco de Goya," by Arthur C. Danto; "Film: Sven Lütticken on Lars von Trier's 'Dogville,'" by Sven Lütticken; "Film: James Quandt on 'The Five Obstructions,'" by James Quandt; "Sound: Jan Tumlir on Matmos," by Jan Tumlir; "News: Steven Henry Madoff on James Cuno," by Steven Henry Madoff; "News: Jennifer Allen on the Palais de Tokyo," by Jennifer Allen; "News: Rachel Withers on Jens Hoffmann," by Rachel Withers; "Top Ten," by Trisha Donnelly; "Historical Fiction: The Art of Matthew Buckingham," by Tacita Dean; "1000 Words: Liisa Roberts," by Margaret Sundell; "Inside the Light Cube: Pierre Huyghe's 'Streamside Day Follies' and the Rise of Video Projection," by David Joselit; "In Conversation: John Baldessari & Jeremy Blake," introduction by Tim Griffin; "Rules of Engagement: Art and Experimental Communities," by Carlos Basualdo and Reinaldo Laddaga; "Wall to Wall: The Art of Kristina Braen," by Andrea Kroksnes; "Openings: hobbypopMUSEUM," by Alison M. ... [details]
Critical theory. "Introduction by Paul O'Neill, Annie Fletcher. This sleek and serious anthology of new curatorial writing features contributions from leading international curators, artists and critics including Julie Ault, Søren Andreasen & Lars Bang Larsen, Carlos Basualdo, Dave Beech & Mark Hutchinson, Irene Calderoni, Anshuman Das Gupta & Grant Watson, Clémentine Deliss, Eva Diaz, Claire Doherty, Okwui Enwezor, Annie Fletcher, Liam Gillick, Jens Hoffmann, Robert Nickas, Hans Ulrich Obrist, Sarah Pierce, Simon Sheikh, Mary Anne Staniszewski, Andrew Wilson and Mick Wilson. ... [details]
"This 456-page volume, published in conjunction with the Walker Art Center and MCA Chicago''s exhibition Merce Cunningham: Common Time (February 8–September 10, 2017), reconsiders the choreographer and his collaborators as an extraordinarily generative interdisciplinary network that preceded and predicted dramatic shifts in performance, including the development of site-specific dance, the use of technology as a choreographic tool, and the radical separation of sound and movement in dance. ... [details]