"How can an art exhibition function as a stand-in for the artists and their studios? How can a gallery project provide greater insight into an artist's practice, the way the formality of a slide lecture or the intimacy of a studio visit can? How can the back-story of the work on display be understood, without being solely reliant on a curatorial statement, catalogue essay or press release? This exhibition allows art to be understood as an ongoing and slippery practice, and less the finite, linear and object-oriented one assumed by the standard exhibition format. ... [details]
Issue edited by Joseph Masheck. Essays "False Objects: Duplicates, Replicas and Types," by John Perreault; "Elizabeth Murray's Dandyish Abstraction," by Donald B. Kuspit; "Chicago Dialectic," by C.L. Morrison; "To Be or To Act: On the Problem of Content in Nonobjective Art," by Andréi B. ... [details]
Issue edited by Joseph Masheck. Essays "Art in Relation to Architecture/Architecture in Relation to Art," by Dan Graham; "Semiology, Sensuousness and Ian Wallace," by Eric Cameron; "The Big Show: The First Exhibition of the Society of Independent Artists, Part I," by Francis Naumann; "Mentalism Versus Painting," by Ross Neher; "Natural Structures: Michael Singer's Sculpture and Drawings," by Margaret Sheffield; "Another Look at Edvard Munch," by Deborah Perlberg; "Painting = Colored Space," by Andréi B. ... [details]
Issue edited by Joseph Masheck. Essays "Mark Tobey's Paintings of New York," by Fred Hoffman; "The Language of Forms and Colors," by Andréi B. Nakov; "Planar Straight Line and the Primary Plane," by Erik Saxon; "Snow-bound Camera," by Regina Cornwell; "Bernard Berenson, Twenty Years After," by James Beck; "The Big Show: The First Exhibition of the Society of Independent Artists, Part 2," by Francis Naumann; "Toward a Theory/Practice of Painting in France," by Paul Rodgers; "Books: On Reading Architecture," by Grahame Shane. ... [details]
Issue edited by Joseph Masheck. Essays "What's All This About Photography?" by Richard Hennessy ; "Pictures of Art," by Joseph Masheck ; "Seeing Burgoyne Diller," by Deborah Rosenthal ; "Cy Twombly: Major Changes in Space, Idea, Line," by Margaret Sheffield ; "Jeremy Gilbert-Rolfe's 'North Group' Paintings," by Hal Foster ; "Howard Buchwald: Perspective Once Again a Problematic," by Donald B. ... [details]
Issue edited by Joseph Masheck. Essays "Leon Polk Smith: The Completely Self-Referential Object," by Ted Castle; "Neo-Neo," by Joseph Masheck; "Space and Subectivity: Four Painters," by Anita Feldman; "Stealing Time: An Ontological Odyssey," by Peter Plagens; "Avant-Garde Issues in Seventies Music," by Thomas DeLio; "Clinton Hill," by Jeremy Gilbert-Rolfe; "Books: Where the English Draw the Line," by Stephen Bann. ... [details]
Issue edited by Joseph Masheck. Essays "Situation Esthetics: Impermanent Art and the Seventies Audience"; "John Gutmann: A Transported Vision," by Carol Squiers; "Beuys: The Twilight of the Idol," by Benjamin H. ... [details]
Issue edited by Ingrid Sischy. Essays "Projects" by William Wegman, Jenny Holzer, Peter Nadin, Art & Language, Gilbert & George, Judy Rifka, Ed Ruscha ; "Seeing Between the Pages," by Ronny Cohen ; "Art Magazines and Magazine Art," by Clive Phillpot ; "Projects," by Kim MacConnel, Heresies, Victor Burgin, Laurie Anderson, Michelle Stuart, Anne and Patrick Poirier, Just Another Asshole, Richard Long, Joseph Beuys, Dan Graham ; "Copy," by Edit deAk. ... [details]
Issue edited by Ingrid Sischy. Essays "A Letter to Peder Bonnier from Lucio Pozzi"; "'Some Place Enormously Moveable' - The Collaboration of Arakawa and Madeline H. Gins," by Robert Creeley; "Long Walks," by Nancy Foote; "Malcolm Morley: Talking About Seeing," by Klaus Kertess; "Suzanne Harris: The Energy of Time," by Ted Castle; "In the Streets of China," by Joel Meyerowitz; "Working n the Streets of Shanghai and Guilin," by Charles Simonds; "The Ten Frustrations, or, Waving and Smiling Across the Great Cultural Abyss," by Lucy R. ... [details]
Issue edited by Ingrid Sischy. Essays "Energism: An Attitude," by Ronny H. Cohen; "Picasso: The Surrealist Realist, Excerpts from a Coversation between Roland Penrose and Dominique Bozo"; "Passive Action/Active Passion," by Conrad Atkinson; "Independent Video: The First Fifteen Years," by Barbara London; "A Chronology of Video Activity in the United States: 1965-1980," by Barbara London with Lorraine Zippay; "Random Access Information," by Nam June Paik; "Breaking the Silence: The Spectator as Speaker," by Kenneth Baker; "St. ... [details]