Issue edited by John Wilcock. Essays "Some Call Them Sugar-Pigs," by John Bryan; illustration by Denis Lebois-Quarez; "Soweto," by Lee Harris; "Banned at Border," by Lannes Kenfield; "The Missing Singer," by Israel G. ... [details]
Exhibition catalogue published in conjunction with show held February 7 - March 9, 1974. Brief essay by Harry Holtzman. Includes biography and exhibition checklist. Printed in black-and-white. [details]
Monograph on the life and work of Piet Mondrian. Edited by Milton S. Fox. Text by Michel Seuphor and Georg Schmidt. Includes index, bibliography, biography and artist's exhibition history. 606 illustrations, of which 34 are in full-color and tipped-in. [details]
Exhibition catalogue published in conjunction with show held at the Haags Gemeentemuseum, The Hague, December 18, 1994 - April 30, 1995; the National Gallery of Art, Washington, DC, June 11 - September 4, 1995; and The Museum of Modern Art, New York, October 1, 1995 - January 23, 1996. ... [details]
Anthology of the writings of art critic Hilton Kramer. "In the eight years since he became art news editor of The New York Times, Hilton Kramer has emerged as perhaps the most perceptive and influential art critic in America. ... [details]
"This book consists of pictures and essays : pictures of one hundred modern drawings, broadly defined as works on paper, in The Museum of Modern Art, New York; and essays on the subject of each of these drawings and, collectively, of the modern drawing itself and its place in modern art. ... [details]
Catalogue raisonné of The Société Anonyme and the Dreier Bequest at Yale University. The Société Anonyme, founded in 1920 by Marcel Duchamp, Katherine Dreier and Man Ray, was responsible for introducing contemporary European Art to the American public. ... [details]
Issue edited by Herbert George. Essays "Sites/Non-Sites: Smithson's Influence on Recent Landscape Projects," by Roelof Louw; "Statue in the Air," by Jirí Kolár; "Cross Out or Add," by Jirí Kolár; "Writings," by Piet Mondrian; "Natural Phenomena as Public Monuments," by Alan Sonfist; "Chapter 4 from PLEASURE," by Barbara Baracks; "My Molding, Flowing Conception of Image, and How It Affects the Universe," by Bernie Maisner; "Berkeley and Bullfighting," by Bruce Boice; "DEAN MARTIN/entertainment as Theater," by Dan Graham; "Past Tense," by Dorothy Dehner; "Two Lives," by Dorothy Dehner; "The Grotesque and the Classical in Sculpture," by Seymour Lipton; "Contexts," by Rosemary Mayer and Nancy Wilson Kitchel; "Fishing," by Dorothy Alexander; "What a Journey (Horror Trip to Poland)," by Harold Vogl; "A Parable," by Steve Martinot; "Tracings," by Jacki Apple; "Abstract architectural Space - The Empty Building," by Will Insley; "Man (=1, That is, Plus or Minus Being = X)," by Cioni Carpi; "Four Poems," by Barbara Kruger; "She Makes the Wrong Choices," by Barbara Kruger; "For Granny (1881 - ) Whose Lamps are Going Out: A Short Lecture on the Effects of Afterimages," by Alice Aycock; "Billy Builder, or The Painfull Machine," by Carl Andre. ... [details]
Exhibition catalogue published in conjunction with show held at the Seattle Art Museum, May 29 - September 12, 2004 and at the High Museum of Art, Atlanta, Georgia, October 19, 2004 - January 16, 2005. ... [details]