Issue edited by Michelle Kuo. Essays "Books: J. Hoberman on 'Mad' Magazine's Early Imitators," by J. Hoberman; "Film: Michael Wood on Grant Gee's 'Patience (After Sebald),'" by Michael Wood; "News: Elizabeth Schambelan talks with Curator Carolyn Christov-Bakargiev About Documenta 13," by Elizabeth Schambelan; "Slant: Ken Okiishi on Forrest Bess," by Ken Okiishi; "Slant: Elizabeth Mangini on Arte Povera in Naples," by Elizabeth Mangini; "Top Ten," by Adriana Lara; "Summer 2012 Exhibitions: 45 Shows Worldwide"; "Graham Bader on 'Roy Lichtenstein: A Retrospective,'" by Graham Bader; "Image of the People: Mike Kelley (1954-2012)," by Ann Goldstein, Michael Smith, Tony Oursler, Paul McCarthy, Jim Shaw, and Kim Gordon; "Magnificent Obsession: The Films of Werner Schroeter," by James Quandt; "False Front: The Art of Ming Wong," by Joan Kee; "A Room of Their Own: Three Views on the Whitney Biennial," by David Rimanelli, Amy Taubin, and David Velasco; "1000 Words: Kraftwerk," by Michelle Kuo; "After Effects: The Art of Anja Kirschner and David Panos," by Martin Herbert; "Openings: Dave Miko," by Sam Pulitzer. ... [details]
Issue edited by Bice Curiger. Essays "Penta's Parabolas," by Juri Steiner; "A Conversation in the Green Room," by Oursler / Leipold / Neri; "Tony Oursler's Alters," by Lynne Cooke; "Like Water," by Frances Richard; "A Conversation with Raymond Pettibon," by Jim Lewis; "Untitled," by Hilton Als; "Surfing with Raymond," by Ralph Rugoff; "Raymond Pettibon Reads," by Thyrza Nichols Goodeve; "Thomas Shütte," by Adrian Searle; "A Public for the Space," by Bartomeu Mari; "Lily Lies," by Hans Rudolf Reust; "Lost at Sea," by Neville Wakefield; "Installations," by Ulrich Loock; "Shütte's Innocents," by Elizabeth Janus; "Juggling with Gravity," by Max Wechsler; "Les Infos du Paradis," by Susan Morgan; "Cumulus from America," by Nancy Princenthal; "Cumulus aus Europa," by Lionel Bovier and Christophe Cherix. ... [details]
Issue edited by Bice Curiger. Contents include: "Richard Hawkins: Infinitely Desired," by Philipp Kaiser; "The Best-Laid Plans: On Accidentally Not Reading Tomma Abts," by Suzanne Hudson; "Some Similarities," a conversation between Tomma Abts and Vincent Fecteau; "Choosing to Choose," by Jan Verwoert; "In Your Eyes," by Johanna Burton; "The Paperwork of the Poor," by Elisabeth Lebovici; "Different Subjects, Same Terrain," by Lynne Cooke; "Crystal Futures," by Maria Gough; "Medium-Message," by Julien Fronsacq; "For a Set of Abandoned Futures," by John Miller; "Is Art Criticism Fifty Years Behind Poetry?" by Charles Bernstein; "Ei Arakawa: A Non-Administrative Performance Mystery," by Josef Strau; "Cumulus America," by Jens Hoffmann; "Cumulus Europa," by Hans Rudolf Reust; and "Balkon," by Philip Ursprung. ... [details]
