TriQuarterly issue 32, edited by Lawrence Levy and John Perreault. Features artists projects by "Anti-Object" artists Ira Joel Haber, Lawrence Weiner, Joseph Beuys, Christo, Agnes Denes, Marjorie Strider, Douglas Huebler, Gregg Powell, Brenda Miller, John Baldessari, Gilbert & George, LeAnnn Bartok Wilchusky, Vito Acconci, Hans Haacke, Richard Serra, Will Insley, Phil Berkman, Michael Crane, Michael Kirby, Spephen Zaima, Eleanor Antin, Jan Sullivan, Nancy Holt, Adrian Piper, Robert Barry, Richard Long, Sol LeWitt, Robert Smithson, Joseph Kosuth, Alice Aycock, A. ... [details]
Exhibition catalogue published in conjunction with show held at Fondazione Prada, ca' Corner della Regina, Venice, Italy, June 1 – November 3, 2013. Exhibition was based on the original 1969 show—"Live in Your Head : When Attitudes Become Form : Works, Concepts, Processes, Situations, Information / wenn Attitüden Form werden : Werke, Konzepte, Vorgänge, Situationen, Information / quand les attitudes deviennent forme : oeuvres, concepts, processus, situations, information / quando attitudini diventano forma : opere, concetti, processi, situazioni, informazione"—held at Kunsthalle Bern, Bern, Switzerland, March 22 - April 27, 1969, curated by Harold Szeemann. ... [details]
Issue number 14 of Art-Rite, the artists' books issue, edited by Walter Robinson and Edith deAk. Contents include: "Market Research," statements about artists' books by Kathy Acker, John Baldessari, Luciano Bartonlini, Roberta Allen, Ulises Carrion, Daniel Buren, Robert Delford, Brown, Robert Cumming, Ted Castle, Agnes Denes, Peter Downsbrough, Mary Fish, Jon Gibson, Peter Grass, George Griffin, Judith A. ... [details]
Large-scale exhibition catalogue published in conjunction with show "The Love of Art Comes First: Art & Project at the Kröller-Müller Museum," held at Kröller-Müller Museum, Netherlands, September 30, 2023 - February 25, 2024. ... [details]
Issue number 1 of Extensions. Edited by Suzanne Zavrain and Joachim Neugroschel with original contributions by Vito Acconci, Jack Anderson, Corrado Augias, André Du Bouchet, Robert David Cohen, Stanley Cooperman, Gail Deeb, Lane Dunlop, Dan Graham, Allan Kaplan, Steve Katx, Ursule Molinaro, Miodrag Pavlovic, Tony Perniciaro, John Perreault, Carter Ratcliff, Erling Salmonsen, George Schneeman, Ron Padgett, Hugh Seidman, Stephen Stepanchev, Hannah Weiner, Pete Winslow, and Student Graffiti (France). [details]
Exhibition catalogue published in conjunction with Prospect 69 held September 30 - October 12, 1969. Conceived of and organized by Konrad Fischer and Hans Strelow. Edited section by Seth Siegelaub incorporates interviews with Robert Barry, Douglas Huebler, Joseph Kosuth, and Lawrence Weiner conducted individually by themselves. ... [details]
Exhibition catalogue housed in paperboard binder published in conjunction with show held March 22 - April 27, 1969. Exhibition traveled to Institute of Contemporary Art, London, with variant catalogue. ... [details]
Exhibition catalogue published in conjunction with show held September 28 - October 27, 1969. Exhibition traveled to Institute of Contemporary Art, London, as variant of exhibition originally held at Kunsthalle Bern. ... [details]
Anthology of records by artists from 1958 - 1990 organized and with an essay by Giorgio Maffei. Artists / bands include: Marina Abramovic, Yaakov Agam (Jacob Gipstein), Albrecht D., Lucio Amelio, Cy Twombly, Robert Mapplethorpe, Charles Amirkhanian, Laurie Anderson, Karel Appel, Art & Language, The Red Crayola, Richard Artschwager, Robert Ashley, Attersee, Gerhard Rühm, Vittore Baroni, Robert Barry, François Baschet, Bernard Baschet, Jacques Lasry, Georg Baselitz, Cathy Berberian, Harry Bertoia, Marco Bertoni, Enrico Serotti, Joseph Beuys, Henning Christiansen, Nam June Paik, Bill Bissett, Eric Bogosian, Claus Böhmler, Christian Boltanski, Jean-François Bory, Glenn Branca, Jean-Louis Brau, Gil J. ... [details]
This issue of Studio International contains a 48-page "exhibition" organized by Seth Siegelaub: "The content of the 48-page exhibition in this issue was organized by requesting six critics to each edit an 8-page section of the magazine, and in turn, to make available their section to the artist(s) that interest them. ... [details]