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Between C & D : New Writing from the Lower East Side Fiction Magazine
  • fiction / literature
  • pictorial wrappers
  • offset-printed
  • glue bound
  • black-and-white
  • 19.8 x 12.8 cm.
  • 194 pp.
  • edition size unknown
  • unsigned and unnumbered
  • ISBN 0140105700

Between C & D : New Writing from the Lower East Side Fiction Magazine

Joel Rose, Catherine Texier, Kathy Acker, Roberta Allen, Peter Cherches, Dennis Cooper, Gary Indiana, Tama Janowitz, Patrick McGrath, Reinaldo Povod, Lynne Tillman, Barry Yourgrau, David Wojnarowicz, Lisa Blaushild, Rick Henry, Susan Daitch, Darius James, Lee Eiferman, Joan Harvey, Don Skiles, Craig Gholson, John Farris, Ron Kolm, Emily Carter, Bruce Benderson, Barbara Kruger

A collection of short fiction drawn from the periodical "Between C & D." Edited by Joel Rose and Catherine Texier. Introduction by Joel Rose and Catherine Texier. Essays include: "Self-Portrait in Twenty-Three Rounds,"; by David Wojnarowicz; "Witness," by Lisa Blaushild; "Subject: Petri Ganton," by Rick Henry; "Male," by Kathy Acker; "George: Wednesday, Thursday, Friday," Dennis Cooper; "The Fedora," by Catherine Texier; "Dirty Windows," by Peter Cherches; "Camera Obscura," by Susan Daitch; "Negrophobia," by Darius James; "Case History #179: Tina," by Tama Janowitz; "I Am Candy Jones," by Gary Indiana; "Summer Flying," by Lee Eiferman; : "Things to Do Today," by Reinaldo Povod; "Plagiarism," by Joan Harvey; "The Loft," by Don Skiles; "Dead Talk," by Lynne Tillman; "The Woman in the Shadows," by Roberta Allen; "Lush Triumphant," by Patrick McGrath; "Temple to the Economics of Love," by Craig Gholson; "You Can Keep Your Razors & Guns But Check Your Loud Mouths at the Door," by John Farris; "Duke and Jill," by Ron Kolm; "All the Men are Called McCabe," by Emily Carter; "A Visit from My Mom," by Bruce Benderson; and "The Sunshine of Paradise Alley," by Joel Rose. ... [details]

New York, NY: Penguin Books,
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$3.76
Condition:  Used
Artforum
  • periodical
  • pictorial wrappers
  • offset-printed
  • staple bound
  • black-and-white & color
  • 27 x 26.5 cm.
  • 94 pp.
  • edition size unknown
  • unsigned and unnumbered

Artforum

Vol. 10, No. 9 (May 1972)

John Coplans, Carter Ratcliff, Leon Golub, Rosalind Krauss, Steve Reich, Emily Wasserman, John Elderfield, P. Adams Sitney, Carter Ratcliff, April Kingsley, Peter Plagens, Lizzie Borden, Robert Pincus-Witten, Kenneth Baker, Paul Arthur, Jo Baer

Issue edited by John Coplans. Essays "Jo Baer: Notes on 5 Recent Paintings," by Carter Ratcliff; "Utopia/Anti-Utopia," by Leon Golub; "Keith Sonnier: Video and Film as Color-Field," by Robert Pincus-Witten; "Richard Serra: Sculpture Redrawn," by Rosalind Krauss; "An Interview with Composer Steve Reich," by Emily Wasserman; "London: Roeluf Louw," by Kenneth Baker; "Grids," John Elderfield; "The Films of Harry Smith," by P. ... [details]

New York, NY: Artforum,
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out of stock
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  • exhibition catalogue
  • boxed edition
  • ink jet printed
  • stitch bound
  • black-and-white & color
  • 23 x 14 cm.
  • [unpaginated]
  • edition size 100
  • unsigned and numbered

Annotations

[21 Volume Box Set]

Public-Holiday Project, Champion Fine Art, Rachel Foullon, Matt Keegan, Laura Kleger, Sara Greenberger, Adam Putnam, Alex Robbins, Halsey Rodman, Carter Mull, Michael Zahn, Rebecca Chamberlain, Christopher Chiappa, John Pilson, Jeroen Kooijmans, Guy Richards Smit, Michael Smith, William Wegman, Kelly Breslin, Meredith Danluck, Alice Könitz, Jeff Ono, Michelle Lopez, Kate Grinnan, Tom Texas Holmes, Slylar Haskard, Anna Sew Hoy, Joe Scanlan, Stephen Shore, Kelley Walker, Flora Wiegmann, Drew Heitzler, James Welling, Eric Wesley, Carey Young, Walead Beshty, Rose Kallal, Fia Backström, Michael Phelan, Jonah Freeman, Chuck Nanny, Adam McEwen, John Tremblay, Peter Coffin, Craig Kalpakjian, John Armleder, Cyprian Gaillard, Jan Groover, Kevin Landers, Olivier Mosset, Amy O'Neill, Kirsten Mosher, Jordan Wolfson, Samuel Casebolt, Candace Cole, Charles Goldman, Alix Lambert, Brian Bress, Jeff Burton, Corinna Schnitt, Monique van Genderen, Terra Fuller, Benjamin Butler, Suzanna Vapnek, Franklin Evans, Mari Eastman, Charles Irvin, Holly Coulis, Brian Belott, Bella Foster, Melissa Brown, Brendan Cass, Charlotta Westergren, Ellen Altfest, Tyson Reeder, Scott Reeder, Claudia Pena, Katherine Bernhardt, Nick Barna, Scott Cassidy, Tom Costa, Erik Frydenborg, Hannah Greely, Jesse Kamm, Kalup Donte Linzy, Shana Lutker, Avigail Moss, Stephen Rhodes, Joaquin Spengemann, Jonas Wood, Heather Cantrell, Rachel Corry, Drew Dominick, Ernest Gibson, Raffi Kalenderian, Shio Kusaka, Nate Lowman, Tony Matelli, Adrian Paules, Bert Rodriguez, Keith Vaughn, Matt Johnson, Jonas Nobel, Jessica Jackson Hutchins, Frederik Söderberg, Dan Torop, Roe Ethridge, Nina Andersson, Ron Jude, Kevin Landers, Aleksandra Mir, Andrew Rodgers, Chris Verene, Matt Ducklo, Huma Bhabha, Jennifer Sirey, Nancy Shaver, Susan Jennings, Jennifer Coates, David Shaw, Valetin Carron, Gardar Eide Einarsson, Fabrice Gygi, Alex Morrison, Mai-thu Perret, Aidas Bereikis, Bettina Funcke, Seth Price, Bill Saylor, Anke Weyer, Wendy White, Emily Sunblad, Josh Smith, Lizzie Bougatsos, Amy Granat, Elizabeth Valdez, Steven Parrino, Alex Kwartler, Macrae Semans, Molly Welch, Allyson Vieira, Jarrett Mellenbruch, Adam Raymont, Emily Miranda, Carol Bove, Christian Brown, Robert Medvedz, Jon Widman, Lorenzo de Los Angeles, Gordon Terry, Hisham Akira Bharoocha, Bjorn Copeland, Scott Wolniak, Andrew Jeffrey Wright, Reed Anderson, Larry Bamburg, Sylvie Fleury, Adam Frelin, Vincent Szarek

"How can an art exhibition function as a stand-in for the artists and their studios? How can a gallery project provide greater insight into an artist's practice, the way the formality of a slide lecture or the intimacy of a studio visit can? How can the back-story of the work on display be understood, without being solely reliant on a curatorial statement, catalogue essay or press release? This exhibition allows art to be understood as an ongoing and slippery practice, and less the finite, linear and object-oriented one assumed by the standard exhibition format. ... [details]

out of stock
Let us know if you’d like to be notified if this item becomes available: send us an email.
Artforum
  • periodical
  • pictorial wrappers
  • offset-printed
  • glue bound
  • black-and-white & color
  • 26.5 x 26.7 cm.
  • 144 pp.
  • edition size unknown
  • unsigned and unnumbered

Artforum

Vol. 30 No. 2 (October 1991)

Ida Panicelli, Herbert Muschamp, Hilton Als, Maurice Berger, Ann Marlowe, Greil Marcus, Krystine Kryttre, Terri Sutton, James Wines, Thomas McEvilley, Carol Squiers, Luc Deleu, Elizabeth Hess, Richard Serra, Pat Ward Williams, James Lewis, Max Kozloff, Margaret Morton, Terry Williams, Mira Schor, Bojana Pejic, Lisa Liebmann, Matthew Weinstein, David Rimanelli, Rhonda Lieberman, Jan Avgikos, Tom Kalin, Donald Kuspit, Ronny Cohen, Jenifer P. Borum, Lois E. Nesbitt, Kirby Gookin, Charles Hagen, Thomas McEvilley, Dena Shottenkirk, John Yau, Patricia C. Phillips, Kathy O'Dell, Vivian Sobchack, James Yood, Tom Moody, Maria Porges, Lane Relyea, Benjamin Weissman, Colin Gardner, Buzz Spector, Maria Nadotti, Luciana Rogozinski, Giorgio Verzotti, Michael Tarantino, Olivier Zahm, Miriam Rosen, Jean-Pierre Criqui, Markus Brüderlin, Norbert Messler, Noemi Smolik, Sobine B. Vogel, Lars O. Ericsson, Michael Corris, Charles Green, Tom McGlynn, Emily Carter

Issue edited by Ida Panicelli. Essays "Ground Up: Herbert Muschamp on Paper Architecture," by Herbert Muschamp; "The Cave: Hilton Als on Gus van Sant's 'My Own Private Idaho," by Hilton Als; "Troubleshooters: Maurice Berger on Todd Haynes' 'Poison,'" by Maurice Berger; "Undertone: Ann Marlowe on Platonic Rock," by Ann Marlowe; "Real Life Rock: Greil Marcus' Top Ten," by Greil Marcus; "Commedia Dell'Arte: A Project for Artforum," by Krystine Kryttre; "Media Kids: Terri Sutton on Bad-Girl Cartoonists," by Terri Sutton; " Green Dreams," by James Wines; "Famous Changes at the Last Minute," by Thomas McEvilley; "Domestic Blitz: The Modern Cleans House," by Carol Squiers; "Barcelona (Tumbling) Apartments: A Project for Artforum," by Luc Deleu; "No Place Like Home," by Elizabeth Hess; "Panoramic View: A Stretch-camera Project for Artforum," by Richard Serra; "Sigalert: A Stretch-camera Project for Artforum," by Pat Ward Williams; "Home Boys," by James Lewis; "Julio Galán's Memories of the Future," by Max Kozloff; "From the Tunnel Project," photographs by Margaret Morton, text by Terry Williams; "You Can't Leave Home Without It," by Mira Schor; "Openings: Maria Eichhorn," by Bojana Pejic. ... [details]

New York, NY: Artforum,
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out of stock
Let us know if you’d like to be notified if this item becomes available: send us an email.
objects: 4
1