Transcript of a symposium on Postmodernism that took place online in October 2001. Edited with an introduction by Maurice Berger. Contributions by Maurice Berger, Maxwell Anderson, Ian Berry, Dan Cameron, John Carlin, Donna De Salvo, Steve Dietz, Wendy Ewald, Ann Eden Gibson, Jennifer González, Teresa Grandes, Chrissie Iles, Caroline Jones, Kellie Jones, Mason Klein, Michael Leja, Simon Leung, Catherine Lord, Barbara Buhler Lynes, Nicholas Mirzoeff, James S. ... [details]
"Why Are 100 Artists' Spaces Like a Burlap Bag Full of Bobcats? Tacit" by Steven Durland, "A Report on Artspaces Ill" by Janet (McCambridge) Ventura, "Kerouac Is Alive! The Jack Kerouac Festival at Naropa" by Lewis MacAdams, "Performance Art in the San Francisco International Theater Festival" by Linda Burnham, "Fire Dancers and Fibre Optics : Belgium's Banlieue" by Mark Dery, "The Law and The Power : Illegal performance discussed by Lewis MacAdams," "Sitting on Moving Steel "by Michael Ventura, "American Splendor," by Harvey Pekar, "Somebody Being Somebody" by Diane Gage and Constance Rawlings, NEW YORK SECTION : ARTSPACES : "Franklin Furnace : Linda Burnham interviews Martha Wilson and Bill Gordh," "The Kitchen : HIGH PERFORMANCE interviews Howard Halle," "A's" by Arleen Schloss and Linda Burnham, DOCUMENTS : N. ... [details]
Issue edited by Bice Curiger. Essays "William Forsythe: Where Balance is Lost and the Unfinished Begins," by Heidi Gilpin; "Geoff Lowe and Tower Hill," by Robyn McKenzie; "Matthew Barney's Gonadotrophic Cavalcade," by Norman Bryson; "Mannerist Variations on Matthew Barney," by Michel Onfray; "Matthew Barney and Beyond," by Keith Seward; "Matthew Barney 95: Suspension, Secretion, Secret," by Thyrza Nichols Goodeve; "She Gives as Good as She Gets," by Jerry Saltz; "Where Does It All End?," "A Conversation with Sarah Lucas," by Jan van Adrichem; "The Fine Line Between This and That," by Collier Schorr; "Bollocks," by Carl Freedman; "Roman Signer: Prometheus's Delay," by Jean-Yves Jouannais; "Roman Signer's Sculptural Events," by Konrad Bitterli; "Sculptural Laboratory Experiments," by Christoph Doswald; "Rupture or Continuity," by Pia Viewing; "Action With a Fuse: Modifying the Denotation of Detonation," by Max Wechsler; "In Sachen Roman Signer," by Colin Deland; "It's Not Just an Image," by Michael Tarantino; "Cumulus Europa," by Thomas McEvilley; "Cumulus from America," by Neville Wakefield; "Garderobe," by unattributed artists. ... [details]
Winter 1980/1981 issue of the quarterly periodical Cover, edited by Judith Aminoff. Contents include: "The Heart of the Pigeon," by Henry Korn; "Conversation," a conversation between Marcia Hafif, Olivier Mosset, Howard Smith, and Jerry Zeniuk; "Currents," artwork by Christian Poveda, Shirly Pu & R. ... [details]
Flyer / handbill for premiere of the documentary "Urban Struggle: The Battle of the Cuckoo's Nest," held at the Surf Theater, Huntington Beach, CA, Thursday, December 29, [1983]. Performances by Black Flag, Circle Jerks, and T. ... [details]
Exhibition catalogue published in conjunction with show held at The Museum of Modern Art, New York, February 23 - April 25, 1965. Traveled to the City Art Museum of St. Louis, May 20 - June 20, 1965; the Seattle Art Museum, July 15 - August 23, 1965; The Pasadena Art Museum, September 25 - November 7, 1965; and The Baltimore Museum of Art, December 14, 1965 - January 23, 1966. ... [details]
Brief letter on shaped green tissue paper from Charlotte Moorman to Jerry Ordover postmarked June 27, [1972] with hand addressed tissue paper envelope. Note reads: "Dear Jerry, Thank you for being you. ... [details]
Exhibition catalogue published in conjunction with show held May 22 - June 26, 2004. Includes a text by McMillan about Ed Ruscha and an exhibition checklist. [details]
Exhibition catalogue published in conjunction with show held in two parts: "Part I : An Historical Overview," held September 20 - October 5, 1983; "Part II : New Works," held October 12 - October 29, 1983. ... [details]
Poster promoting a dance performance held at Hunter Playhouse 68 at Lexington on Wednesday 23, [1960] by Merle Marsicano, with music by Stefan Wolpe, John Cage, Morton Feldman, Jerry Petersen, and Webern. ... [details]