June 8, 1992 issue of Newsweek, edited by Maynard Parker. Contents include: "Periscope," with bureau reports by Ned Zeman and Lucy Howard; "Let the Walls Down," by Stephen Langfur; "Letters;" "Perspectives;" "Whose Values," by Joe Klein, with artwork by Barbara Kruger; "Playing on the 'V Word,'" by Howard Fineman; "First Lady Culture Clash," by Eleanor Clift; "Values in the Classroom," by Eloise Salholz with Tony Clifton in New York, Patricia King in San Francisco, Karen Springen in Chicago, Howard Manly in Atlanta and Debra Rosenberg in Boston; "A Mother's Guiding Message," Marian Wright Edelman interviewed by Eleanor Clift; "Why the Old Media's Losing Control," by Jonathan Alter; "'You in Congress, Listen Up': Sounding the alarm against those who think the country is only the sum of its special interests," by David H. ... [details]
Exhibition catalogue published in conjunction with show held January 13 - February 8, 1970. This is an expanded, somewhat different version of the Seattle exhibition and catalogue "557,087" which had been organized by Lucy R. ... [details]
Exhibition catalogue published in conjunction with show held November 20, 1974 - April 1, 1975. Text by Marty Dunn, Peggy Gale, and Gary Neill Kennedy and artist's statements. Artists include David Askevold, Dana W. ... [details]
Program for series of performances staged at the Judson Memorial Church on May 22, 23, 24, 26, 27, 28 and June 3, 4, 5, 1966. Program included "Patter for Soft-Shoe Dance" by George Dennision with music by Al Carmines and choreography by Remy Charlip; "March" choreographed and danced by Jame Waring; The Mind is a Muscle" by Yvonne Rainer; "Tambourine Dance" by Waring; "Home Movies" by Rosalyn Drexler with music by Carmines and directed by Lawrence Kornfeld and paintings by Jon Hendricks; "Promenade" by Maria Irene Fornes with music by Barmines and directed by Kornfeld; "Morning Raga with Yellow Chair" choreographed and danced by Arlene Rothlein; "April and December" choreographed by Charlip and danced by Aileen Passloff; "What Happened" by Gertrude Stein with music by Carmines, directed by Kornfled and performed by Joan Baker, Lucinda Childs, Passloff, Rainer, Rothlein, Carmines, Hunt Cole, Masato Kawasaki and Burton Supree with set by Geoffrey Hendricks; "Pomegranada" by H. ... [details]
Collection of "text-sound" art / "sound poetry" texts. Edited by Richard Kostelanetz. Text by Richard Kostelanetz, Walter Abish, Jonathan Albert, Charles Amirkhanian, Beth Anderson, Douglas Barbour, Earle Birney, Bill Bissett, Warren Burt, John Cage, Alissandru Caldiero, Rosemarie Castoro, Guy De Cointet, Geoffrey Cook, Michael Cooper, Philip Corner, Jean-Jacques Cory, Bruce Curley, Charles Dodge, Charles Doria, Jon Erickson, Raymond Federman, Camille Foss, Four Horsemen, Sheldon Frank, Else von Freytag-Loringhoven, Fern Friedman, Terri Hanlon, Kenneth Gaburo, Jon Gibson, Abraham Lincoln GIllespie, Allen Ginsberg, John Giorno, Philip Glass, Anthony J. ... [details]
Large-scale anthology of video art images and texts. Compiled and edited by Ira Schneider, Beryl Korot, and Mary Lucier. Texts by Rebecca Lawrence, George Bolling, Robert Stearns, James Beck, Russell Connor, David Antin, Anne Focke, Peter Frank, John Hanhardt, Wulf Herzogenrath, Bruce Kurtz, David Ross. ... [details]
Exhibition catalogue published in conjunction with show held jointly at Kent Fine Art and Curt Marcus Gallery, New York, November 17 - December 31, 1987. Curated by Douglas Blau, with essay by Blau. Includes works by Troy Brauntuch, Ralph Albert Blakelock, Thomas Moran, Charles Wilson Peale, Johannes Vermeer, William Merritt Chase, Randy Dudley, Chesley Bonestell, Norman Rockwell, John Bowman, Thornton Oakley, Caspar David Friedrich, James Abbott McNeill Whistler, Cindy Sherman, Hans W. ... [details]
Catalogue published in conjunction with the presentaion of e-flux project April 12 - June 14, 2008 at Liverpool School of Art and Design, United Kingdom, and traveled Autumn 2008 to Stills, Edinburgh, Scottland. ... [details]
Exhibition catalogue published in conjunction with show held at the Seattle Art Museum Pavilion, Seattle, Washington, September 5 - October 5, 1969. The catalogue consists of 137 printed 4 x 6 inch index cards containing artists' proposals and conceptual works. ... [details]
"How can an art exhibition function as a stand-in for the artists and their studios? How can a gallery project provide greater insight into an artist's practice, the way the formality of a slide lecture or the intimacy of a studio visit can? How can the back-story of the work on display be understood, without being solely reliant on a curatorial statement, catalogue essay or press release? This exhibition allows art to be understood as an ongoing and slippery practice, and less the finite, linear and object-oriented one assumed by the standard exhibition format. ... [details]
