Issue no. 42 of Parkett, edited by Bice Curiger. Contents include: "Robert Frank: From Compromise to Collaboration," by Vince Leo; "Weiner's Werkatätte," by Brooks Adams; "Providing Metaphor Needs: Lawrence Weiner's Specific & General Works," by Frances Richard; "Public Freehold," by Dieter Schwarz; "The Meaning that Comes Away from the Work of Art," by Daniela Salvioni; "The Public Reacts to Smashed To Pieces (In The Still Of The Night)," by unattributed artists; "But Can She Bake a Cherry Pie?," by Lane Relyea; "& Vers les Etoiles," by Edward Leffingwell; "Rachel Whiteread: Separation Anxiety and the Art of Release," by Neville Wakefield; "Whiteread's Ghost," by Trevor Fairbrother; "The Curbed Monumentality of the Invisible," by Rudolf Schmitz; "About the House," by Simon Watney; "Cursive," by Ingrid Schaffner; "Les Infos Du Paradis: Claude Ritschard on Markus Raetz," by Claude Ritschard; "Cumulus Aus Europa," by Guy Brett; "Cumulus From America," by Martha Fleming; and "Balkon," by Robert Ohrt. ... [details]
Issue edited by Bice Curiger. Essays "Orozco in Paris," by Claude Gintz; "Kasseböhmer's Trees," by Walter Grasskamp; "Felix Gonzalez-Torres: Travelogue," by Nancy Spector; "In Purgatory: The Work of Felix Gonzalez-Torres," by Simon Watney; "Felix Gonzalez-Torres: Social Works," by Susan Tallman; "A Room by Wolfgang Laib in the Centre Pompidou," by Didier Semin; "More than Myself," by Clare Farrow; "A Waxroom in the Mountain," by Jean-Marc Avrilla; "Medicine Man - Proposing a Context for Wolfgang Liab's Work," by Thomas McEvilley; "Matthew Barney's Fornication with the Fabric of Space," by Neville Wakefield; "Les Infos Du Paradis: On Burt Barr," by Lynne Cooke and Klaus Kertess; "Cumulus Aus Europa," by Eric Troncy; "Cumulus From America," by Meyer Vaisman; "Balkon," by Laura Arici. ... [details]
A photogravure edition, "Untitled," by Christopher Wool. Printed by Niels Borch Jensen and published by "Texte Zur Kunst" in conjunction with issue number 15 in 1994. "Christopher Wool's picture shows a fragmentary and incomplete scene - no story is told, and it is not possible to reconstruct a sequence of events. ... [details]
Large-scale folded exhibition announcement poster published in conjunction with show held November 19 - December 17, 1994. [details]
Catalogue raisonné of the prints of Roy Lichtenstein 1948 - 1993 by Ruth E. Fine and Mary Lee Corlett, published in conjunction with a retrospective exhibition of Lichtenstein's prints held at the National Gallery of Art, Washington, DC, October 30, 1994 - January 8, 1995. ... [details]
Exhibition catalogue published in conjunction with show held at the Cleveland Center for Contemporary Art, Ohio, February 11 - May 1, 1994; and the Snug Harbor Cultural Center, Staten Island, New York, February 26 - June 18, 1995. ... [details]
Single-fold exhibition announcement card published in conjunction with show held September 10 - October 29, 1994. Includes accordion fold black-and-white image insert printed on vellum illustrating "Untitled, 1993-94," a suite of four woodcuts by Judd. [details]
Two-sided card / announcement published in conjunction with show held September 17 - October 15, 1994. Recto features pattern made of Carl Andre's signature "@" and "Cu" the periodic table notation for copper in the artist's hand. [details]
Exhibition catalogue published in conjunction with show held June 30, 1994. Includes introduction by Dirk Schwarze as well as an artist's exhibition list. Includes three original "slipped-in" copy art pieces attached to inside of front cover. ... [details]
Heavy weight board with affixed color photograph, drawing and text by Peter Hutchinson announcing the opening of his exhibition at Holly Solomon Gallery, January 8, 1994.
"In playful collages, Peter Hutchinson mixes color photographs of luscious gardens with vistas of snowcapped mountains, using paint to cover the edges between the photographs.
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