Exhibtion catalogue published in conjunction with show held October 1 - 31, 1987. Text by show's curator, Kellie Jones. Artists include Lillian Ball, Marina Cappelletto, David Gesualdi, Cynthia Hawkins, Lisa Mann, Hunter Reynolds, Cari Rosmarin, Carol Sun, Felix Gonzalez-Torres, and Fred Wilson. ... [details]
Inaugural issue of Journal 188, edited by Meredith Allen, Joan Ratajack, and Lynette Diaz. Contents include: "Cutting," by D. Travers Scott; "Invisible Girls," by Barbara Seyda; "(excerpt from) The Double Standard," by Kathe Burkhart; "Poetry," by Kathleen McShane, John Hosford, Robert Monda, Nancy Taylor, Leslie Ladds, Catherine Jackson; and "Art," by Jude Schwendenwien, Chuck Agro, Joel Peter Johnson, Ebon Fisher, Lisa Haney, Terry Corgey, Susan Cowles, Robin Locke Monda, Alfred Stuart, Carol Sun, Doug Aitken, Rebecca Bailen, Guerrilla Girls, Joyce Roeutter, Madonna Dunbar, Yael Routtenberg, Kerr & Malley, and Deborah Whitney; and "Bios. ... [details]
A tabloid style artists' project based on notions of exchange between Huebler and fifty artists. Text from cover: "50 signed original copies of this statement, (priced at $150 each), will constitute the only from of this piece for an indeterminate period of time. ... [details]
Program for 24 hour performances held during the 5th Annual New York Avant Garde Festival presented by Charlotte Moorman in cooperation with the New York City Department of Marine and Aviation, September 29 - 30, 1967. ... [details]
Promotional poster for the 5th Annual New York Avant Garde Festival presented by Charlotte Moorman in cooperation with the New York City Department of Marine and Aviation held September 29 - 30, [1967]. ... [details]
Two sided card / announcement published in conjunction with show of video work titled "Oriental Nights," held November 19 - 28, [1998]. Screenings included: "The Rebel," starring Tony Hancock; "The History of Glamour," by Jeremy Blake, Theresa Duncan, and Karen Kilimnik; "Call of the Wylie," directed by Fisher Stevens, starring Patrick Breen; "My Girlfriend's Wedding," by Jim McBride featuring Clarissa Dalrymple; "Phantom India," by Louis Malle; Fancy Pantz presents "The New York Society of Attachment and Fondness;" Mark Handforth reading a bed-time story and Rob Pruitt presenting a celebrity; "Tune in, Turn on, Drop by," by Aleksandra Mir with Mohrinder Singh; and additional screenings by Carola Dertnig, Hiroshi Sunairi, and Jonathan Horowitz. ... [details]
Exhibition catalogue published in conjunction with show held at the Moderna Galerija, Ljubljana, Yugoslavia (now Slovenia), July 7 - August 7, 1978 and at the Collegium Artisticum, Sarajevo, Yugoslavia (now Bosnia and Herzegovina), September 4 - 18, 1978. ... [details]
Exhibition catalogue published in conjunction with show held by The Marie Walsh Sharpe Art Foundation at Ace Gallery in New York, May 17 to June 1, 2002. Artists in the catalogue include Foundation, Jennifer Adams, Alice Albert, Bill Davenport, Rafael Fuchs, David Greenstein, Katia Gushue, Michiko Itatani, Pamela Keech, Paul Laffoley, Lim Choong Sup, Kathryn Myers, Jill O'Bryan, Blake Stimson, Terry Ray Thompson, Rosa Valado, Rhonda Zwillinger, Xenobia Bailey, Tom Burckhardt, Susanna Coffey, Peter Dudek, Garth Evans, Christopher Giglio, Edward M. ... [details]
Issue edited by Jack Bankowsky. Essays "Passages: Robert Storr on Rudy Burckhardt," by Robert Storr; "News: Brian Wallis on the Pew Charitable Trust," by Brian Wallis; "News: Peter Plagens on Marla Prather," by Peter Plagens; "News: Andrew Ross Talks with Amy Adler about the 'Sensation' Sensation," by Andrew Ross; "News: James Hall on Trafalgar Square," by James Hall; "News: Alissa Quart on Paulo Herkenhoff," by Alissa Quart; "Hot List," by jodi. ... [details]
"How can an art exhibition function as a stand-in for the artists and their studios? How can a gallery project provide greater insight into an artist's practice, the way the formality of a slide lecture or the intimacy of a studio visit can? How can the back-story of the work on display be understood, without being solely reliant on a curatorial statement, catalogue essay or press release? This exhibition allows art to be understood as an ongoing and slippery practice, and less the finite, linear and object-oriented one assumed by the standard exhibition format. ... [details]