Issue edited by Herbert George. Essays "Sites/Non-Sites: Smithson's Influence on Recent Landscape Projects," by Roelof Louw; "Statue in the Air," by Jirí Kolár; "Cross Out or Add," by Jirí Kolár; "Writings," by Piet Mondrian; "Natural Phenomena as Public Monuments," by Alan Sonfist; "Chapter 4 from PLEASURE," by Barbara Baracks; "My Molding, Flowing Conception of Image, and How It Affects the Universe," by Bernie Maisner; "Berkeley and Bullfighting," by Bruce Boice; "DEAN MARTIN/entertainment as Theater," by Dan Graham; "Past Tense," by Dorothy Dehner; "Two Lives," by Dorothy Dehner; "The Grotesque and the Classical in Sculpture," by Seymour Lipton; "Contexts," by Rosemary Mayer and Nancy Wilson Kitchel; "Fishing," by Dorothy Alexander; "What a Journey (Horror Trip to Poland)," by Harold Vogl; "A Parable," by Steve Martinot; "Tracings," by Jacki Apple; "Abstract architectural Space - The Empty Building," by Will Insley; "Man (=1, That is, Plus or Minus Being = X)," by Cioni Carpi; "Four Poems," by Barbara Kruger; "She Makes the Wrong Choices," by Barbara Kruger; "For Granny (1881 - ) Whose Lamps are Going Out: A Short Lecture on the Effects of Afterimages," by Alice Aycock; "Billy Builder, or The Painfull Machine," by Carl Andre. ... [details]
"A conceptual collection of xeroxes of drawings, notices and other material of artists and other people, put together by Michalis Pichler. The title is a paraphrase of Mel Bochners landmark project from 1966 as organized with the SVA, which is nowadays considered the first exhibition of conceptual art. ... [details]
