Issue edited by Bice Curiger. Essays "Eye And I: Bill Viola's Double Vision," by Michael Nash; "Spleen And Ideal," by Stephen Ellis; "Tim Rollins," by Tim Rollins + K.O.S.; "Can These Ruins Live?," by Marshall Berman; "Dialogue 5," "Edition For Parkett," by unattributed artists; "'We Make The Future Tense,'" by Trevor Fairbrother; "Statements," by unattributed artists; "Space Travel With Trisha Brown," by Klaus Kertess; "Les Infos Du Paradis: Architecture by Herzog & De Meuron," by Theodora Vischer / Jacques Herzog; "Cumulus From Amerika," by Joan Acocella; "Cumulus Aus Europa," by Dieter Schwarz; "Balkon: Getting It Exactly Wrong, Andy's Kindergarten From Connoisseurs," by Dave Hickey. ... [details]
![Bericht über den künstlerischen schmuck im neubau der Börse Zürich : im auftrag des kantonalen Hochbauamtes und des Effektenbörsenvereins, 1992 [ Report on the artistic decoration in the new building of the Zurich Stock Exchange: commissioned by the Cantonal Building Construction Office and the Securities Exchange Association, 1992 ]](/objects/images/s39513.jpg "Bericht über den künstlerischen schmuck im neubau der Börse Zürich : im auftrag des kantonalen Hochbauamtes und des Effektenbörsenvereins, 1992 [ Report on the artistic decoration in the new building of the Zurich Stock Exchange: commissioned by the Cantonal Building Construction Office and the Securities Exchange Association, 1992 ]")
Artist's book by Peter Fischli and David Weiss, edited by Hans-Ulrich Obrist. Features images photographed by Niklaus Spoerri, of the installation of works by Fischli and Weiss in the new building of the Zurich Stock Exchange, commissioned by the Cantonal Building Construction Office and the Securities Exchange Association. [details]
Compendium of all three published issues of Black Phoenix, a journal published in the United Kingdom between 1978 and 1979. Edited and published by Rasheed Araeen and Mahmood Jamal. Contributions by Rasheed Araeen, Mahmood Jamal, Guy Brett, Kenneth Coutts-Smith, Ariel Dorfman, Eduardo Galeano, N. ... [details]
Edited by Joan Copjec, Douglas Crimp, Rosalind Krauss, and Annette Michelson. Essays "The Body's Shadow Realm," by Gertrud Koch; "Looking Awry," by Slavoj Žižek; "The Sartorial Superego," by Joan Copjec; "Spectacle, Attention, Counter-Memory," by Jonathan Crary; "The Rock 'n' Roll Ghost," by Andrew Ross. [details]
Issue 49 of the periodical October. Edited by Joan Copjec, Douglas Crimp, Rosalind Krauss, Annette Michelson, and Terri L. Cafaro. Contents include: "Some Functions of Feminist Criticism, or The Scandal of the Mute Body," by Tania Modleski; "Van Gogh, or The Insufficiency of Sacrifice," by Eric Michaud; "French Customs, Literary Borders," by Denis Hollier; "The Orthopsychic Subject: Film Theory and the Reception of Lacan," by Joan Copjec; "Yves Klein, or The Dead Dealer," by Thierry de Duve; "Sontag's Urbanity," by D. ... [details]
Edited by Joan Copjec, Douglas Crimp, Rosalind Krauss, Annette Michelson, and Terri L. Cafaro. Essays "Andy Warhol, or The Machine Perfected," by Thierry de Duve; "The Aesthetic Transformation of the Image of the Unimaginable," by Gertrud Koch; "Anselm Kiefer: The Terror of History, the Temptation of Myth," by Andreas Huyssen; "Fatal Attractions: Leni Riefenstahl's The Blue Light," by Eric Rentschler; "Contribution to Points of Reference 38/88," by Hans Haacke; "The Monument is Invisible, the Sign Visible," by Werner Fenz; "A Note on Gerhard Richter's October 18, 1977," by Benjamin H. ... [details]
Edited by Joan Copjec, Douglas Crimp, Rosalind Krauss, and Annette Michelson. Essays "The Philosophical Brothel," by Leo Steinberg; "The Word of God: "I am dead,' " by Denis Hollier; "Foucault's Art of Seeing," by John Rajchman. [details]
Summer 1987 issue of October, edited by Joan Copjec, Douglas Crimp, Rosalind Krauss and Annette Michelson. Contents include: "Jeremy Bentham's Panoptic Device," by Jacques-Alain Miller; "Postmodern History at the Musée d'Orsay," by Patricia Mainardi; "Learn to Read, She Said," by Ann Smock; "Ramble City: Postmodernism and Blade Runner," by Guiliana Bruno; "An Interview with Steve Fagin," by Peter Wollen; and "Gramophone, Film, Typewriter," by Friedrich Kittler. [details]
Issue edited by Rosalind Krauss, Annette Michelson, Joan Copjec, Yve-Alain Bois, Benjamin H.D. Buchloh, Hal Foster, Denis Hollier, John Rajchman. Essays "The Rat's Ass," by Molly Nesbit; "The Unsecret Life: A Warhol Advertisement," by David James; "'Where Is Your Rupture?': Mass Culture and the Gesamtkunstwerk," by Annette Michelson; "Armor Fou," by Hal Foster; "From Detail to Fragment: Décollage Affichiste," by Benjamin H. ... [details]
Edited by Joan Copjec, Rosalind Krauss, Annette Michelson, and Martha Buskirk. Essays "The Emergence of Cultural Studies and the Crisis of the Humanities," by Stuart Hall; "Federal Papers," by Catharine Stimpson; "Political Detention: Countering the University," by Barbara Harlow; "Words without Things: The Mode of Information," by Mark Poster; "Power and Freedom: Opposition and the Humanities," by Paul A. ... [details]
