Exhibition catalogue published in conjunction with inaugural exhibition held at P.S. 1, June 9 - 26, 1976 featuring site-specific installations in the rooms of the then largely unrenovated building. Includes installation images and images of artists installing their works, texts by artists within show, statements, and acknowledgments. ... [details]
June - July 1975 issue of Journal, edited by Peter Clothier. Includes introduction to the issue by Peter Clothier; "Boxed Thinking," by John Baldessari; "Language and Structure," by Richard Kostelanetz; "Untitled," Guy de Cointet; "Language of Ligh,t" by Greg S. ... [details]
Summer 1987 issue of October, edited by Joan Copjec, Douglas Crimp, Rosalind Krauss and Annette Michelson. Contents include: "Jeremy Bentham's Panoptic Device," by Jacques-Alain Miller; "Postmodern History at the Musée d'Orsay," by Patricia Mainardi; "Learn to Read, She Said," by Ann Smock; "Ramble City: Postmodernism and Blade Runner," by Guiliana Bruno; "An Interview with Steve Fagin," by Peter Wollen; and "Gramophone, Film, Typewriter," by Friedrich Kittler. [details]
January / February 1988 issue of Artscribe International, edited by Stuart Morgan. Contents include: "View," reviews by John Miller, Brian Hatton, Nancy Spector, and Stuart Morgan; "Taking Cover: Louise Bourgeois," interviewed by Stuart Morgan; "Exemplary Exhibitions," by Paul Wood; "From Site to Situation," by Arielle Pelenc; "Grenville Davey: Degree Zero," by Stuart Morgan; "Slow Time: Sherrie Levine's New Work," by Ronald Jones; "The Consumption of Everyday Life," by John Miller; "Joseph Beuys: In Camera," by Stuart Morgan; "Mythos Berlin," Brian Hatton; "Jan Vercruysse," by Alain Cueff; "Et In Arcadia Ego," by Paul Groot; "Review;" and "Books. ... [details]
Exhibition catalogue published in conjunction with show held at the Cleveland Center for Contemporary Art, Ohio, February 11 - May 1, 1994; and the Snug Harbor Cultural Center, Staten Island, New York, February 26 - June 18, 1995. ... [details]
Compendium of all eleven issues of the newspaper originally published by Fluxus Art Collective between January 1964 and March 1979 under various titles, and edited by The Fluxus Editorial Council for Fluxus. ... [details]
Exhibition catalogue published in conjunction with show held [June 6 - 24], 1960. Foreword by Martha Jackson. Texts "Junk Culture as Tradition" by Lawrence Alloway, and "Some Observations on Contemporary Art" by Allan Kaprow. ... [details]
Exhibition catalogue published as an overview of performances and exhibitions held at The Kitchen in New York in 1974 and 1975. Introduction by Bruce Kurtz. Artists include: Ant Farm, Eleanor Antin, John Baldessari, Kirsten Bates, Connie Beckley, David Behrens, David Behrman, Carmen Beuchat, Scott Billingsley, Trisha Brown, Jim Burton, Jim Byrne, Peter Campus, Cornelius Cardew, Sergio Cervetti, Rhys Chatham, Peggy Cicierska, Andy Mannik, Jim Cobb, David Cort, Alvin Curran, Barbara Dilley, Juan Downey, Jean Depuy, Susan Ensley, Henry Flynt, Nova'Billy, Simone Forti, Jon Gibson, Davidson Gigliotti, Frank Gillette, Tina GIrouard, Dan Graham, Amy Greenfield, Ellen Grossman, Noel Harding, Julia Heyward, Nancy Holt, Gerard Hovagimyan, Nelson Howe, Tannis Hugill, Tom Johnson, Joan Jonas, Beryl Korot, Jill Kroesen, Shigeko Kubota, Robert Kushner, Richard Landry, Darcy Lange, Garrett List, Anna Lockwood, Alvin Lucier, Jackson Mac Low, Ingram Marshall, Michael McClard, Mike Metz, Dick Miller, Phill Niblock, Steve Paxton, Liz Phillips, Virginia Quesada, Eliane Radique, Steve Reich, Jonathan Richman, Ripert Center, Joost Romeu, Jim Rosenberg, Leon Rosenblatt, Martha Rosler, Arthur Russell, Ira Schneider, Robin Schwartz, Allen Sekula, S. ... [details]
Zone was a short-lived, oversized journal edited by Jonathan Crary, Michel Feher, Hal Foster, Sanford Kwinter and designed by design-demi-God Bruce Mau. Zone 6 was edited by Jonathan Crary and Sanford Kwinter and features texts on the convergence of machines and organisms, edited by Jonathan Crary and Sanford Kwinter. ... [details]
Collaborative artists' book edited by Aleksandra Mir and Tim Griffin, with contributions by 150 artists. "Bad reviews of 150 artists who submitted their worst reviews for reprint. Beginning in the 1960s and including translations from thirteen languages, this collaborative project makes for the broadest historical and geographical survey of severe Art Criticism, its shifting form, nature, and impact, by those directly subjected to it--the artists. ... [details]