Exhibition catalogue published in conjunction with show held November 26, 1968 - January 12, 1969. Text by Max Kozloff. Includes exhibition checklist, bibliography, and exhibition history. Printed in black-and-white. [details]
"For his 1966 work 'Critic,' Les Levine made a video projection with two-minute clips of art critics sharing their thoughts on contemporary criticism. In the years following its only public screening (at New York University's Loeb Student Center on March 7, 1967) the work's video component was lost. ... [details]
Arts Yearbook 7. Edited by James R. Mellow, with written contributions by Hilton Kramer, Donald Judd, Michael Fried, Vivien Raynor, Sidney Tillim, Max Kozloff, Clement Greenberg, George Dennison, Sonya Rudikoff, and Philip Pearlstein. ... [details]
Critical theory on documentary photography. Edited by David Feathertone, with contributions by Beaumont Newhall, Bill Jay, Maria Morris Hambourg, Anne Wilkes Tucker, Alan Trachtenberg, Max Kozloff, William S. ... [details]
Issue edited by Bice Curiger. Essays "Gilles Peress And The Politics Of Space," by Max Kozloff; "'Nothing's Final - The Sculptural Principle - Flight Into Mania' Thoughts On The Roles Of Form And Material In George Herold's Work," by Friedemann Malsch; "Places For Here And Now In Impenetrable Places, Mario Merz's Travel Pictures 1987," by Marlis Grüterich; "Mario Merz's Future Of An Illusion," by Jeanne Silverthorne; "Did I Say It Or Didn't I?," by Mario Merz; "The 'Jen' Of Kung Fu-Tse And The Merzian City," by Demosthenes Davvetas; "Presence - Riddle - Entities," by Harald Szeemann; "The Work's Present," by Denys Zacharopoulos; "Francesca Woodman," by Brunella Antomarini; "René Daniels: The Space Of Transitive Images," by Alain Cueff; "Les Infos Du Paradis: Decently Facing The 21st Century The Publisher Johannes Gachnang," by Rudolf Schmitz; "Cumulus From America," by Dan Cameron; "Cumulus Aus Europa," by Renate Puvogel; "Balkon: Butchery And Slaughter," by Danielle Bazzi. ... [details]
March 1971 issue of Studio International, edited by Peter Townsend. Contents include: "Project 84," by David Dickson; "Date with fate at the Tate," by Felipe Ehrenberg; "News and Notes;" "Correspondence;" "Haacke, Sonfist and Nature," by Jonathan Benthall; "Christo," by Lawrence Alloway; "Tantric imagery: affinities with twentieth-century abstract art," by Virginia Whiles; "Robert Medley's new paintings," by Bryan Robertson; "Commentary," by John Russell; "Albert Irvin," by Andrew Forge; "Andy Warhol and Ad Reinhardt," by Max Kozloff; "The conditional probability machine: a new work by Eduardo Paolozzi," by Diane Kirkpatrick; "Between spring and ocean," by Klaus Rinke; "Lawrence Weiner," by Anthony Lovell; "Works by Lawrence Weiner;" "Supplement: new and recent art books," reviews by Jonathan Benthall, Bernard Denvir, Andrew Forge, Peter Gidal, Andrew Higgens, Timothy Hilton, Colin Moorcraft, John Picton, Barbara Reise, and Frank Whitford. ... [details]
Exhibition catalogue published in conjunction with show held 1981. Essays by Constance Schwartz, Max Kozloff, and Dore Ashton. Artists in the exhibition include William Baziotes, Willem de Kooning, Arshile Gorky, Adolph Gottlieb, Hans Hofmann, Franz Kline, Lee Krasner, Robert Motherwell, and Jackson Pollock. ... [details]
Anthology of critical essays by Richard Kostelanetz, Harris Dienstfrey, Max Kozloff, Jonathan Cott, Jill Johnston, and Eric Salzman. Edited by Richard Kostelanetz. [details]
Periodical on political art. Edited by Keith Christensen, Lucy R. Lippard, Barney Pace, Randy Wade, and Irving Wexler. Essays "AHOP: The First Battle," by Michael Anderson; "What Are the Answers?"; "Street"; "An Image Brawl: The Politics of Street Painting," by Miriam Brofsky and Eva Cockcroft; "Cowboys and Guerrilla's," by Jerry Kearns, Lucy Lippard and Diane Neumaier; "The Street = Private Property and the Public Domain," by Julie Spriggs; "Out of the Darkroom: Cuban Photography Now," by Mel Rosenthal, Rudolf Baranik, Max Kozloff, Fred Ritchen, Eva Cockcroft, Walter Rosenblum, and Susan Meiselas; "International Poster Modernism," by Barbara Hall, Jan McKay, Poster-Film Collective; "Out of Sight, Out of Mind (I): Native American, Black and White Artists in Search of Cultural Democracy," by Jerry Kearns, Mel Edwards, Jaribu Hill, Jolene Richard, Irving Wexler, Peter Jemison, Herb Perr, Jaribu Hill, Randy Wade, Mel Edwards, Ngoma Hill, and Jolene Rickard; "Detours, Sharp Turns and Little Naggy Feelings: Turning Points in the Lives of Art Activists"; "Turning Points," by Rae Langston, Jerry Kearns, Lucy R. ... [details]
