Monograph of Enrique Martínez Celaya''s work. Contributions by Daniel A. Siedell, Christian Williams, John Felstiner, Thomas McEvilley. "...Celaya''s aesthetic project revives and reinterprets the classic Western metaphysical tradition that relates aesthetics to ethics, the Beautiful to the Good and the True. ... [details]
Critical theory by Lucy R. Lippard focusing on art from various ethnic backgrounds. "Mixed Blessings is the first book to discuss the crosscultural process taking place in the world of Latino. Native-, African-, and Asian-American artists. ... [details]
Issue edited by John Wilcock. Cover photo by Shunk Kender. "Young Italians : Italian Art of the Mid-Sixties," by Alan Solomon, with art by Michelangelo Pistoletto, Valerio Adami, and Laura Grisi; "Look Out, Whitey! Black Power's Gon' Get Your Mama!" by Julius Lester; "Big Brother Watches," collage by Ray Johnson, with poetry by Armand Kihl and Meher Baba; "The Sky Is Falling," by Ronald J. ... [details]
Issue edited by John Wilcock. Essays "The Fiery Death of Sampati Koer," by K.L. Gauba; "Unconfirmed Bachelor," by Sivakami; "Auroville : Where Science Meets the Wisdom of the Past," by John Wilcock; "Priesthood Holds Progress to Ransom," by Ratan Lal Bansal; "Bombay Bootlegger," by Kulamarva Baladrishna; "Sadhana Tattwa," by H. ... [details]
Issue edited by John Wilcock. Cover art "From the Chelsea Hotel with Love," by Mimmo Rotella. Essays "Using the Brain as a Computer," by Edward de Bono; photographs by Benedict J. Fernandez; comic by Radical American Comics; "Life," poem by Michael O'Donoghue; "Cruising in L. ... [details]
Issue edited by John Wilcock. Cover photo "Waldo Ballard and Friend," by Shunk Kender. Essays "I Might Get Busted if I Join the Union but I Don't Want to Go to Vietnam : Interview with Andy Stapp"; "Under Shelley's Poet's Tree," by Tuli; graphic by Tadanori Yokoo; "Filthy Limericks," by Michael O'Donoghue; "Il Corpo il Suo d'Intorno, Anche," by Gianni Emilio Simonetti; "Underground Cinema Eroticism & Visual Poetry Supplement," by Gerard Malanga; "Out-Takes," by Liza Williams; stills from "Lovemaking" by Stan Brakhage and "Fuck" by Andy Warhol; "Untitled Calligraphy" illustration by Angus MacLise; centerfold collage by Charles Henri Ford; "How to Dispose of Garbage," by Jane Jacobs; "The Warm Gun in the Great Depression," by John Peck; " 'Pretty Boy' Floyd," by Sam & Janet Evening; "Weird Wedding Practices," by Leonid Mikhailov; "Penis Tax : A New Way for the Government to Screw You," by Jay Gaulding; rear wrapper comic "The Beauty and the Beat," by Cuti. [details]
Issue edited by John Wilcock. Essays "Liza Williams," by Liza Williams; "The Rich, Full Life of Billy the Kid," by Pete Young; "Simon Says," by Simon Vinkenoog; "Banzai! The Bamboo-Cutting Ceremony of Kurama's Warrior Monks," by Martin Cohen; "Anybody Can Climb This Mountain," by John Wilcock; "Escaping the Cage," by Kerry & Cara Thornley; illustration by C. ... [details]
Issue edited by John Wilcock. Essays "Meet the Press!" by John Wilcock; "Why Not Go Live in the Woods?" by Bradford Angier; reprint of original John Wilcock "Other Scenes" newsletter published in LA in 1967; "What's It All About -- Anarchy?" by Louise Crowley; "Russians! Get Off Your Fannies!" by Lawrence Lipton; "Meatballs & Other Monkey Business," by Daniel Spoerri; "Harry the Hipster," by John Bryan; "Amerika : Which Side Are You On?" centerfold collage; "Rock Collage," by Jim Rodger; "Let's End These Archaic Feuds," by F. ... [details]
Issue edited by John Wilcock. Cover art by Redhead's Comicsxcs. Contents include "Revolution? It's Good for (Smith & Wesson) Business," by Sheila Ryan; "Perspectives of the Revolution," by Anita Hoffman, Lannes Kenfield, Tuli Kupferberg, Wolf Lowenthal, Hank Williams, Israel Young, and Jerry Rubin; "Osaka Expo '70," by Tatsuo Shibata; "Practical Karate : Fundamentals"; "East Side Best Side," by Ken Weaver; "Robert Wolf : Incoming," by Robert Wolf; "For a Common Ground," by Hank Williams; "Visions of the Apocalypse," by Ted Folke. [details]
Monograph / exhibition catalogue published in conjunction with a series of shows of Paul Ruscha's artwork and personal collection: "DINNER FOR DUBYA," held at Bert Green Fine Art, Los Angeles, September 17 - October 1, 2005 and at Pharmaka Gallery, Los Angeles, October 3, 2005 - November 12, 2005; and "Paul Ruscha's Full Moon," held at Pharmaka Gallery, Los Angeles, September 17 - November 12, 2005. ... [details]
