Third issue of the Provincetown Review edited by William V. Ward. Author contributions by Harry Bell, John Benson Brooks, Aaron Cohen, Rosalyn Drexler, Stanley Fisher, Ron Forbes, Paul Goodman, Walter Gutman, William Harmon, Howard Hart, LeRoi Jones, Seymour Krim, Peter La Farge, Philip Lamantia, Anne T. ... [details]
May 1980 issue of Art in America. Edited by Elizabeth C. Baker. Written contributions by Donald B. Kuspit, Carrie Rickey, Charles F. Stuckey, Peter Schjeldahl, Carter Ratcliff, Martin Filler, Susan Mullin Vogel, Ann-Sargent, Jeffrey Deitch, Michael Leja, John Perreault, Ronny H. ... [details]
Publication of the work of writers on the "beat scene." With photographs by Fred McDarrah. Edited and with an introduction by Elias Wilentz. With contributions by Paul Blackburn, Ray Bremser, Marvin Cohen, Gregory Corso, Robert Creeley, Richard Davidson, Diane DiPrima, Barbara Ellen, Kenward Elmslie, Bruce Fearing, Lawrence Ferlinghetti, John Fles, David Galler, Allen Ginsberg, Paul Goodman, James Grady, Robert Hanlon, Howard Hart, Richard Higgins, Lenore Jaffee, Ted Joans, LeRoi Jones, Jack Kerouac, Kenneth Koch, Seymour Krim, Tuli Kupferberg, Philip Lamantia, Martin Last, Joseph LeSueur, Michael McClure, Jack Micheline, William Morris, Brigid Murnaghan, E. ... [details]
Critical review of art of the 1980s by Barbara Rose illustrated with portraits of the artists alongside an image of one of their works, and statements by the artists. Portrait photographs by Steven Sloman. ... [details]
Issue edited by Ingrid Sischy. "On Gregory Battcock," by Douglas Davis; "Dorothea Rockburne's 'Egyptian Paintings,'" by Kenneth Baker; "Last Call at Max's," by Bruce Kurtz; "Not All Chairs Are Equal," by John Perreault; "From Walker Evans to Robert Frank: A Legacy Received, Embraced and Transformed," by Tod Papageorge; "Signs," by Dan Graham; "Facing Paint: Michael Tetherow's Recent Work," by Klaus Kertess; "Cold Turkey: 'A New Spirit in Painting' at the Royal Academy of Arts, London," by Stuart Morgan; "Curatorial Conceptions; The Hirshhorn: Danger, Curves Ahead; The Whitney's Latest Sampler; The Guggenheim: Singular Pluralism," by Carrie Rickey. ... [details]
Issue edited by Ingrid Sischy. Essays "Post-Performance," by Douglas Davis; "Last Exit: Painting," by Thomas Lawson; "Paul Thek: Real Misunderstanding," by Richard Flood; "Painting Metaphorically: The Recent Work of Gary Stephan, Stephen Mueller, and Bill Jensen," by Klaus Kertess; "A Project," by Sol LeWitt; "Cashing in a Wolf Ticket (Activist Art and Fort Apache: The Bronx)," by Jerry Kearns and Lucy R. ... [details]
Issue edited by Ingrid Sischy. Essays "Painterly Edge: A Conversation with Ralph Humphrey," by Amy Baker; "Patience, Observation, and Investigation: Learning from Audubon," by Mike Glier; "Abstract Beauty - Friend or Enemy?" by Wu Guan-zhong; "Marks: Cy Twomby," by John Bernard Myers; "Komar and Melamid from Behind the Ironical Curtain," by Jamey Gambrell; "Presenting the Unpresentable: The Sublime," by Jean-François Lyotard; "Fear of Clay," by John Perreault; "Books: Sarah Charlesworth on 'Camerca Lucida,'" by Sarah Charlesworth. ... [details]
Issue edited by Ingrid Sischy. Essays "Melodramatic Tactics," by Kate Linker; "Swallowing Dali," by Carter Ratcliff; "Thieves Like Us," by Judith Russi Kirshner; "Allegorical Procedures: Appropriation and Montage in Contemporary Art," by Benjamin H. ... [details]
Issue edited by Ingrid Sischy. Essays "Fluxus Focus: Photographs by Peter Moore," by Peter Moore; "George Maciunas: A Finger in Fluxus," by Barbara Moore; "Growing Up," by Patricia C. Phillips and James Wines; "Paikvision," by Bruce Kurtz; "Dali's Dreadful Relevance," by Carter Ratcliff; "Documenta 7: Continued," by Richard Flood, Donald Kuspit, Lisa Liebmann, Stuart Morgan, Annelie Pohlen, and Schuldt. ... [details]
Issue edited by Ingrid Sischy. Essays "Forum"; "Uncivil War," by Donald Kuspit; "'Guernica' and Guernica," by Phyllis Tuchman; "Hanne Darboven's Time: The Content of Consciousness," by Annelie Pohlen; "Time and Time Again," by Mario Perniola; "Nicola's Way," by Ida Panicelli; "How We Live: The Paintings of Robert Birmelin, Eric Fischl, and Ed Paschke," by John Yau. ... [details]