Edited by Joan Copjec, Douglas Crimp, Rosalind Krauss, Annette Michelson, and Terri L. Cafaro. Essays "Andy Warhol, or The Machine Perfected," by Thierry de Duve; "The Aesthetic Transformation of the Image of the Unimaginable," by Gertrud Koch; "Anselm Kiefer: The Terror of History, the Temptation of Myth," by Andreas Huyssen; "Fatal Attractions: Leni Riefenstahl's The Blue Light," by Eric Rentschler; "Contribution to Points of Reference 38/88," by Hans Haacke; "The Monument is Invisible, the Sign Visible," by Werner Fenz; "A Note on Gerhard Richter's October 18, 1977," by Benjamin H. ... [details]
Edited by Joan Copjec, Douglas Crimp, Rosalind Krauss, and Annette Michelson. Essays "The Philosophical Brothel," by Leo Steinberg; "The Word of God: "I am dead,' " by Denis Hollier; "Foucault's Art of Seeing," by John Rajchman. [details]
Summer 1987 issue of October, edited by Joan Copjec, Douglas Crimp, Rosalind Krauss and Annette Michelson. Contents include: "Jeremy Bentham's Panoptic Device," by Jacques-Alain Miller; "Postmodern History at the Musée d'Orsay," by Patricia Mainardi; "Learn to Read, She Said," by Ann Smock; "Ramble City: Postmodernism and Blade Runner," by Guiliana Bruno; "An Interview with Steve Fagin," by Peter Wollen; and "Gramophone, Film, Typewriter," by Friedrich Kittler. [details]
Issue edited by Rosalind Krauss, Annette Michelson, Joan Copjec, Yve-Alain Bois, Benjamin H.D. Buchloh, Hal Foster, Denis Hollier, John Rajchman. Essays "The Rat's Ass," by Molly Nesbit; "The Unsecret Life: A Warhol Advertisement," by David James; "'Where Is Your Rupture?': Mass Culture and the Gesamtkunstwerk," by Annette Michelson; "Armor Fou," by Hal Foster; "From Detail to Fragment: Décollage Affichiste," by Benjamin H. ... [details]
Edited by Joan Copjec, Rosalind Krauss, Annette Michelson, and Martha Buskirk. Essays "The Emergence of Cultural Studies and the Crisis of the Humanities," by Stuart Hall; "Federal Papers," by Catharine Stimpson; "Political Detention: Countering the University," by Barbara Harlow; "Words without Things: The Mode of Information," by Mark Poster; "Power and Freedom: Opposition and the Humanities," by Paul A. ... [details]
Issue edited by Rosalind Krauss, Annette Michelson, Joan Copjec, Yve-Alain Bois, Benjamin H.D. Buchloh, Hal Foster, Denis Hollier, John Rajchman. Essays "Postmodernism in Parallax," by Hal Foster; "The Bullfight as Mirror," by Michel Leiris; "The Simple Life: Pastoralism and the Persistence of Genre in Recent Art," by Thomas Crow; "Before 'Bed,'" by Helen Molesworth; "The Psychoanalysis of AIDS," by Tim Dean. ... [details]
Exhibition catalogue published in conjunction with show held at the Museum of Contemporary Art, Cambridge, MA, March 4 - July 16, 2007, organized by Cornelia H. Butler and Lisa Gabrielle Mark. "There had never been art like the art produced by women artists in the 1970s--and there has never been a book with the ambition and scope of this one about that groundbreaking era. ... [details]
Exhibition catalogue published in conjunction with touring exhibition [no venues or dates noted within catalogue]. Show organized by Livet Reichard Co, Inc., New York to promote the work of Alan Belcher, Gretchen Bender, Jennifer Bolande, Sarah Charlesworth, Clegg & Guttman, Jessica Diamond, Peter Halley, Kevin Larmon, Richard Milani, Peter Nagy, Joseph Nechvatal, Joel Otterson, Steven Parrino, David Robbins, Laurie Simmons, Haim Steinbach, and Julie Wachtel. ... [details]
Exhibition catalogue for show held in five venues: YM / YWHA, Philadelphia, March 13 - 31, 1968 ; Contemporary Arts Center, Cincinnati, April 25 - May 19 ; Lakeview Center, Peoria, Illinois, June 7 - 28 ; University Art Museum, Berkeley, January 13 - February 16, 1969 ; Lamont Gallery, Phillips Exeter Academy, Exeter, New Hampshire, February 25 - March 18, 1969. ... [details]
Prospectus published by Kineticism Press announcing the collaboration of Willoughby Sharp and Paul Maenz. Includes statement, biographies, and program of books, catalogs, exhibitions, radio and television, and multiples to be issued by the Press. ... [details]
