Exhibition catalogue published in conjunction with show held July 11 - October 31, 2004. Text by Katherine Bourguignon. Includes works by Richard Avedon, Elaine de Kooning, Willem de Kooning, Jim Dine, Jane Freilicher, Alex Katz, R. ... [details]
"Industrial Landscapes introduces a new aspect to the Bechers' photograph, one that will surprise connoisseurs of their work. Whereas their previously published works concentrated on isolated industrial objects, they now show huge industrial sites amid their natural surroundings. ... [details]
Issue edited by Mark Holborn. Essays "Richard Prince," an interview by David Robbins; "Studio Still Lifes," by Robert Cumming; "Brian De Palma's 'Body Double,'" by Susan Dworkin; "The Future of Photojournalism," by Fred Ritchin; "Fidel Castro on Photography"; "Dream Portraits," photographs by Appalachian children; "People and Ideas: Ray Metzker," by Michael Berryhill; "People and Ideas: In Praise of Agee," by Danny Lyon; "People and Ideas: Agee and the Photographer's Art," by Andrew Mossin. ... [details]
Witness features stories of other-worldy sightings, as collected by Susan Hiller. Produced in conjunction with the installation of the same title, which was first presented from May 16 - June 25, 2000 at The Chapel in London. ... [details]
Published in conjunction with the artist's exhibition, March and April 1983 at Gimpel Fils, London. [details]
"One of the most important contemporary artists working today, Daniel Buren has been creating site-specific installations world-wide for nearly 40 years. Throughout his varied oeuvre, the artist's familiar stripes--8. ... [details]
Exhibition catalogue published in conjunction with show held July 14 - September 2, 1984. Text by curator Hilary Gresty, Charles Harrison, and Victor Burgin with additional artists' statements and essays for each individual artist represented. ... [details]
Issue edited by John Coplans. Essays "MOMA's Castle in the Air," by Suzanne Stephens; "L.A. 1976: The Dark Underside," by Nancy Marmer; "Rosemary Mayer," by Lawrence Alloway"; 'Zaïrian Authenticity,'" by Susan Vogel; "The Paint Thickens," by Carter Ratcliff; "Problems in Folk Art," by Amy Goldin; "The Ins and Outs of Video, " by Jeff Perrone; "Art History Textbooks: The Hidden Persuaders," by Patricia Hills; "An Ad for Ad as Ad, Book Review," by Budd Hopkins. ... [details]
Issue edited by Ingrid Sischy. Essays "Chasing Dreams: Victor Hitchcock and Alfred Burgin," by Jean Fisher; "Obsessive Pictures or Opposition to the Norm: Noteworthy Aspects of the Engaged Imagination in the New German Art," by Annelie Pohlen; "A Progression by Chuck Close: Who's Afraid of Photography?" by Chuck Close; "The Death of Semiotics (In Late Modern Architecture); The Corruption of Metaphor (In Post-Modernism); The Birth of the 'Punctum' (In Neomania)," by Douglas Davis; "Romare Bearden Sees in a Memory," by Myron Schwartzman; "Books: For Georges Remi/Hergé," by Frederic Tuten; "Free Speech," by Greil Marcus; "Forum," by Max Kozloff, Kay Larson, and Donald Kuspit. ... [details]
Issue edited by Ingrid Sischy. Essays "Light," photographs by Joel Meyerowitz; "Light," watercolors by Agnes Martin; "A Light Opportunity," editorial by Edit deAk and Ingrid Sischy; "A Light Compass"; "Northern Lights," by Per Kirkeby and Komar and Melamid; "Eastern Lights, Western Lights," by Francesco Clemente, Eiko Ishioka, Gerhard Richter, Pat Place, and Linda Yablonsky; "Southern Lights," by Nicola De Maria and Peter Magubane; "Shadow Captions. ... [details]