Advanced uncorrected proof of an anthology of text on art and activism. Introduced and edited by Nina Felshin. Text by Robert L. Pincus, Richard Meyer, Jan Avgikos, Jan Cohen-Cruz, Eleanor Heartney, Patricia C. ... [details]
Issue no. 10/12 of Das Kunstwerk covering the New York art scene, with snapshots of the New York contemporary art and gallery scene in the mid-60s featuring photos of artists at work in their studios and work on display. ... [details]
A collection of concrete and visual poetry edited by Richard Kostelanetz, with contributions from Raymond Federman, Liam O'Gallagher, Herb Lubalin, Gay Beste, Robert P. Brown, Ferdinand Kriwet, Robert Lax, Ruth Jacoby, Robert Indiana, John Hinde, Allan Kaprow, Michael Joseph Phillips, Emmett Williams, Patrick Bridgewater, Michael Heller, Tom Phillips, Edwín Morgan, Chryea, John Furnival and many others. ... [details]
Edited by Richard Kostelanetz. [details]
Forty-nine postcards (one for each artist + title card), laid in cardboard box. Includes images by Vito Acconci, Mac Adams, Eleanor Antin, John Jack Baylin, Jeff Berner, G.A. Cavellini, James Collins, Diego Cortez and Katharina Sieverding, Coum Transmissions, Robin Lee Crutchfield, Robert Cumming, Dadaland, Peter Daglish, Lowell Darling, Jimmy de Sana, Mario Diacono, Robert Filliou, Hervé Fischer, Charles Henri Ford, General Idea, Geoffrey Hendricks, Dick Higgins, Davi Det Hompson, Victor Hugo, Peter Hujar, Ray Johnson, Allen Jones, Marcel Just, Alison Knowles, Richard Kostelanetz, Les Levine, Glenn Lewis, Sol LeWitt, Robert Mapplethorpe, Gordon Matta-Clark, Eric Metcalfe, Michael Morris, Hermann Nitsch, Footsy Nutzle, Tom Phillips, Yvonne Rainer, Clive Robertson, Edward Ruscha, Willoughby Sharp, Vincent Trasov a. ... [details]
Critical theory by Cynthia Maris Dantzic, "...an extensive review of New York painters and their widely diverse works. It presents an overview of styles, mediums, subjects, even philosophies of art found in galleries, museums, and artists' studios of present-day New York, the oft-acknowledged Art Capital of the contemporary world. ... [details]
Exhibition catalogue published in conjunction with show held on the 35th anniversary of the Angela Flowers Gallery. Introduction by Robert Heller. Artists include Glenys Barton, Glen Baxter, George Blacklock, Boyd and Evans, Edward Burtynsky, Stephen Chambers, Bernard Cohen, Ken Currie, Amanda Faulkner, John Gibbons, Alan Gouk, Friedemann Hahn, David Hepher, Nicola Hicks, Derek Hirst, Carole Hodgson, Peter Howson, Patrick Hughes, Neil Jeffries, Lucy Jones, John Keane, Michael Kidner, John Kirby, Henry Kondracki, Tim Lewis, John Loker, John McLean, Jiro Osuga, Eduardo Paolozzi, Freya Payne, Tom Phillips, Steven Pyke, Carol Robertson, Tai-Shan Schierenberg, Jack Smith, Richard Smith, Trevor Sutton, Renny Tait, Brian Wall and Gary Wragg. [details]
Issue edited by Ingrid Sischy. Essays "Fluxus Focus: Photographs by Peter Moore," by Peter Moore; "George Maciunas: A Finger in Fluxus," by Barbara Moore; "Growing Up," by Patricia C. Phillips and James Wines; "Paikvision," by Bruce Kurtz; "Dali's Dreadful Relevance," by Carter Ratcliff; "Documenta 7: Continued," by Richard Flood, Donald Kuspit, Lisa Liebmann, Stuart Morgan, Annelie Pohlen, and Schuldt. ... [details]
Issue edited by Ingrid Sischy. Essays "The Real Experiment," by Allan Kaprow; "Triumph of Representation, a project," by Giulio Paolini; "Against the Return to Order," by Nicolas Calas; "A Project," by Sigmar Polke; "Dispensable Friends, Indispensable Ideologies: Andre Bréton's Surrealism," by Donald Kuspit; "Popcorn and Canvas," by Carrie Rickey; "Books: Frederic Tuten on 'Ranxerox' (continued)," by Frederic Tuten; "Forum," by Glenn O'Brien. ... [details]
Issue edited by Ingrid Sischy. Essays "Chasing Dreams: Victor Hitchcock and Alfred Burgin," by Jean Fisher; "Obsessive Pictures or Opposition to the Norm: Noteworthy Aspects of the Engaged Imagination in the New German Art," by Annelie Pohlen; "A Progression by Chuck Close: Who's Afraid of Photography?" by Chuck Close; "The Death of Semiotics (In Late Modern Architecture); The Corruption of Metaphor (In Post-Modernism); The Birth of the 'Punctum' (In Neomania)," by Douglas Davis; "Romare Bearden Sees in a Memory," by Myron Schwartzman; "Books: For Georges Remi/Hergé," by Frederic Tuten; "Free Speech," by Greil Marcus; "Forum," by Max Kozloff, Kay Larson, and Donald Kuspit. ... [details]
