Issue edited by Ingrid Sischy. Essays "William Klein and the Radioactive Fifties," by Max Kozloff; "Tattoo: the State of the Art," by Marcia Tucker; "Pressing On: Thomas Nozkowski's Paintings," by Joseph Masheck; "Leon Golub's Murals of Mercenaries: Aggression, 'Ressentiment,' and the Artist's Will to Power," by Donald B. ... [details]
Issue edited by Ingrid Sischy. Essays "An Imprint Is Never Alone," by René Denizot; "Architecture and Limits: Introduction," by Bernard Tschumi, "The Writing of the Walls," a project by Anthony Vidler, and "Masque," a project by John Hejduk; "The 18th New York Film Festival," by J. ... [details]
Issue edited by John Coplans. Essays "Nadar and the Republic of Mind," by Max Kozloff; "How Others Live: Some Recent Photography Books," by Colin L. Westerbeck, Jr.: "The Anti-Photographers," by Nancy Foote; "The Directorial Mode: Notes Toward a Definition," By A. ... [details]
Issue edited by John Coplans. Essays "On Arthur Dove," by Sanford Schwartz; "Photos Within Photographs," by Max Kozloff; "The Story of 'A', Book Review," by Peter Plagens; "Ways of Seeing, Book Review," by Alan Wallach; "Three Sculptors: Mark di Suvero, Richard Nonas, Charles Ginnever," by Nancy Foote; "Beaux-Arts at the Modern," by Stanley Abercrombie; "Hercules Florence, Inventor do Photographia," by Weston Naef. ... [details]
Issue edited by John Coplans. Essays "Pygmalion Reverse," by Max Kozloff; ""The Myth of the Androgyne," by Robert Knott; "Eros or Thanatos - The Surrealist Cult of Love Reexamined," by Whitney Chadwick; "On Contemporary Primitivism," by Carter Ratcliff; "Altman in Music City," by Stephen Farber. ... [details]
Special painting issue edited by John Coplans. Essays "'Painters Reply," by Rudolf Baranik, Gene Davis, Stephen Greene, Buffie Johnson, Wolf Kahn, R.B. Kitaj, Terence La Noue, Ellen Lanyon, Adele Leonard, Allan McCollum, Dona Nelson, Pat Passlof, Tony Robbin, Jim Roche, Edwin Ruda, Peter Saul, David Simpson, Joan Snyder, Paul Staiger, May Stevens, Sidney Tillim, John Torreano, Mario Yrissary; "Painting and Anti-Painting: A Family Quarrel," by Max Kozloff; "Painting and the Struggle for the Whole Self," by Andrew Forge; "Patterns, Grids, And Painting," by Amy Goldin; "Remarks on Their Medium by Four Painters," by Pat Adams, Nancy Graves, Budd Hopkins, Irving Petlin: "None Dare Call it Boho," by Peter Plagens. ... [details]
Issue edited by John Coplans. Essays "'Aligned with Nazca," by Robert Morris; "Landscape Permuted: From Painting to Photography," by Barbara Novak; "A Portfolio of Western Landscape Photographs," photographs by C. ... [details]
Issue edited by John Coplans. Essays "The Great Curatorial Dim-Out," by Lawrence Alloway; "Accumulation: Power and Display in African Sculpture," by Arnold Rubin; "A Tough Nut to Crack," by Nicolas Calas; "The Lord Nelson of Painting," by Max Kozloff; "The Groupie and The Commissar: Revolutionary Posters and Capitalist Billboards," by Peter Plagens; "A Conversation on Knokke and the Independent Filmmaker," by Annette Michelson and P. ... [details]
Issue edited by Philip Leider. Essays "American Sculpture at the Los Angeles County Museum," by Philip Leider; "Art Objecthood," by Michael Fried; "Notes on Sculpture, Part 3," by Robert Morris; "Claes Oldenburg's Soft Machines," by Barbara Rose; "Towards the Development of an Air Terminal Site," by Robert Smithson; "Mark di Suvero," by Max Kozloff; "Richard A. ... [details]
Issue edited by Philip Leider. Essays "Roy Lichtenstein at the Guggenheim," by Max Kozloff; "Place and Process," by Willoughby Sharp; "The origins of Ray Gun, " by Barbara Rose; "The Partial Figure," by Albert Elsen; "557,087: Seattle," by Peter Plagens; "El Lissitzky's 'Prouns', Part II," by Alan C. ... [details]