Issue edited by Michelle Kuo. Essays "Books: J. Hoberman on 'Mad' Magazine's Early Imitators," by J. Hoberman; "Film: Michael Wood on Grant Gee's 'Patience (After Sebald),'" by Michael Wood; "News: Elizabeth Schambelan talks with Curator Carolyn Christov-Bakargiev About Documenta 13," by Elizabeth Schambelan; "Slant: Ken Okiishi on Forrest Bess," by Ken Okiishi; "Slant: Elizabeth Mangini on Arte Povera in Naples," by Elizabeth Mangini; "Top Ten," by Adriana Lara; "Summer 2012 Exhibitions: 45 Shows Worldwide"; "Graham Bader on 'Roy Lichtenstein: A Retrospective,'" by Graham Bader; "Image of the People: Mike Kelley (1954-2012)," by Ann Goldstein, Michael Smith, Tony Oursler, Paul McCarthy, Jim Shaw, and Kim Gordon; "Magnificent Obsession: The Films of Werner Schroeter," by James Quandt; "False Front: The Art of Ming Wong," by Joan Kee; "A Room of Their Own: Three Views on the Whitney Biennial," by David Rimanelli, Amy Taubin, and David Velasco; "1000 Words: Kraftwerk," by Michelle Kuo; "After Effects: The Art of Anja Kirschner and David Panos," by Martin Herbert; "Openings: Dave Miko," by Sam Pulitzer. ... [details]
Exhibition catalogue published in conjunction with show held at MAK - Österreichisches Museum für Angewandte Kunst, Wien, September 11 - November 10, 1996. Traveled to the Kunsthaus Zürich, December 6, 1996 - February 23, 1997. ... [details]
Exhibition catalogue published in conjunction with show held March 16 - April 14, 2007. Essay by Martin Herbert. Includes checklist, bibliography, solo and group exhibitions, solo and group exhibition catalogues. [details]
Exhibition catalogue published in conjunction with show held May 10 - June 29, 2007. Essay by Betsy Fahlman. Artists include Herbert Adams, Carl E. Akeley, John White Alexander, Thomas Anshutz, Karel Appel, Richmond Barthé, Frédéric-Auguste Bartholdi, Antonie-Louis Barye, George Bellows, Thomas Hart Benton, Albert Bierstadt, Oscar Bluemner, Norman Bluhm, Ernest Blumenschein, Jacob Boelen, Isidore Jules Bonheur, Solon H. ... [details]
Survey of the work of L.A. based artists before 1980. Edited by Lyn Kienholz with contributing editors Elizabeta Betinski and Corinne Nelson. Includes appendix. "'L.A. Rising SoCal Artists Before 1980' is the first comprehensive pictorial showcase of the diverse universe of artists working in the Los Angeles area during the formative period of Los Angeles' art history. ... [details]
Exhibition catalogue published in conjunction with show held at the Staatgsalerie Stuttgart , February 1 - May 19, 1997. Writing by Karin v. Maur, Ina Conzen, Dietmar Guderian, Stefan Heinlein, Helga de la Motte-Haber, Jérôme Peignot, and Karl Riha, with essays by the following artists Johannes Molzahn, Max Bill, Bernar Venet, Mel Bochner, Roman Opalka, and Rune Mields. ... [details]
Issue edited by Bice Curiger. Contents include: "Jay Sanders Reads John Knight," by Jay Sanders and John Knight; " "Coexistence, Yes, Equivalence, No." Francesco Bonami in conversation with H.D. Buchloh; "What Do You Plan to Do Next?," John Baldessari in conversation with James Welling; "Revealing Concealing," by Rainer Fuchs; "With Baldessari's Marilyn," by Alexander van Grevenstein; "The Problem with Library Taxonomy," Carol Bove in conversation with Philip Smith; "The Wormhole Theory," by Martin Herbert; "Style and Pastiche," Carol Bove in conversation with Bettina Funcke; "Shadow Play,"by Tom McDonough; "About Overlapping Cultural Histories of Production in Art, Design, and Fashion," by Josiah McElheny in conversation with Lynne Cooke; "Play and Display," by Branden W. ... [details]
"The Pennsylvania Academy of the Fine Arts, Philadelphia, America's oldest museum and school of fine arts, was founded in 1805. Today, the Academy boasts one of the nation's finest collections of American art and a roster of alumni representing the greatest artists this country has produced. ... [details]
Issue edited by Herbert George. Essays "Sites/Non-Sites: Smithson's Influence on Recent Landscape Projects," by Roelof Louw; "Statue in the Air," by Jirí Kolár; "Cross Out or Add," by Jirí Kolár; "Writings," by Piet Mondrian; "Natural Phenomena as Public Monuments," by Alan Sonfist; "Chapter 4 from PLEASURE," by Barbara Baracks; "My Molding, Flowing Conception of Image, and How It Affects the Universe," by Bernie Maisner; "Berkeley and Bullfighting," by Bruce Boice; "DEAN MARTIN/entertainment as Theater," by Dan Graham; "Past Tense," by Dorothy Dehner; "Two Lives," by Dorothy Dehner; "The Grotesque and the Classical in Sculpture," by Seymour Lipton; "Contexts," by Rosemary Mayer and Nancy Wilson Kitchel; "Fishing," by Dorothy Alexander; "What a Journey (Horror Trip to Poland)," by Harold Vogl; "A Parable," by Steve Martinot; "Tracings," by Jacki Apple; "Abstract architectural Space - The Empty Building," by Will Insley; "Man (=1, That is, Plus or Minus Being = X)," by Cioni Carpi; "Four Poems," by Barbara Kruger; "She Makes the Wrong Choices," by Barbara Kruger; "For Granny (1881 - ) Whose Lamps are Going Out: A Short Lecture on the Effects of Afterimages," by Alice Aycock; "Billy Builder, or The Painfull Machine," by Carl Andre. ... [details]