Exhibition catalogue published in conjunction with show held November 10, 2011 - January 29, 2012. Curated by Johanna Burton and Elisabeth Sussman. Essays by Johanna Burton, Elisabeth Sussman, Thomas Crow, David Joselit, Maria H. ... [details]
Issues number two through six of Edizione Cenobio Visualità. Issue two edited by Bernar Venet, 1980. Essay by Bernar Vernet. Artists include Bernar Venet, Alexander Rodchenko, Kazimir Malevitch, Wladyslaw Strzeminski, Katarzyna Kobro, Theo van Doesburg, Georges Vantongerloo, Richard Paul Lohse, Max Bill, Sol LeWitt, Dan Flavin and Donald Judd. ... [details]
Exhibition catalogue published in conjunction with show held April 18 - May 22, 1988. Catalogue is divided into two sections "Theoretical Texts," with contributions by Stephan von Weise, Manfred Leve, Maria Kreutzer, Ute Klophaus, Johannes Meinhardt, Katharina Sieverding, Max Reithmann, Bernd Jansen, Gislind Nabakowski and Henning Christiansen. ... [details]
Exhibition catalogue published in conjunction with show held April 18 - May 22, 1988. Catalogue is divided into two sections "Theoretical Texts," with contributions by Stephan von Weise, Manfred Leve, Maria Kreutzer, Ute Klophaus, Johannes Meinhardt, Katharina Sieverding, Max Reithmann, Bernd Jansen, Gislind Nabakowski and Henning Christiansen. ... [details]
Exhibition catalogue published in conjunction with shows held December 1984 - April 1989. Text by Alessandro Baricco. Artists include Ulay Abramovic, Marina Abramovic, Carl Andre, Giovanni Anselmo, Karel Appel, Armando, Christian L. ... [details]
Full run set of of the biannually published periodical Gagarin. "Gagarin The artists in their own words is entirely dedicated to the publication of unpublished written texts by artists who are now working, anywhere in the world. ... [details]
Collection of critical essays concerning art, perception, and time. "The passage of time, central to all aspects of human experience, is fundamental to the perception of works of art. However - unlike problems of space - it has only rarely been addressed by art historians. ... [details]