November - December 1980 issue of Art International, edited by James Fitzsimmons. Contents include: "The Chinese Response to Western Art," by Michael Sullivan; "A Letter from Paris: October 1980," by Henry Martin; "Jürgen Brodwolfs Kunst der Kunstfigur," by Bernhard Holeczek; "La Dynastie des Bruegel;" by René Micha; "Notes on Contributors;" "The Art of Terence La Noue," by Valentine Tatransky; "The Daemon and the Night Sea," by Ann McCoy; "An Interview with Fletcher Benton," by Jan Butterfield; "Jack Chambers (1931-1978)," by Malcolm Quantrill; "An Interview with Pierre Soulages," by Michael Peppiatt; "Endetrien Avec Pierre Soulages," by Michael Peppiatt; "London Letter," by Edward Lucie-Smith; "The Age of Spirituality," reviewed by Sir Ellis Waterhouse; "Richard Krautheimer's Rome," reviewed by Sir Ellis Waterhouse; and "Robert Klein's Writings on Art," reviewed by Jaynie Anderson. ... [details]
Summer 1992 issue of October, edited by Rosalind Krauss, Annette Michelson, Joan Copjec, Yve-Alain Bois, Benjamin H.D. Buchloh, Hal Foster, Denis Hollier, and John Rajchman. Contents include: "Introduction: The Question of Identity," by John Rajchman; "Multiculturism and the Politics of Identity," by Joan Scott; "A Matter of Life and Death," by Cornel West; "Citizenship and Political Identity," by Chantal Mouffe; "Freedom's Basis in the Indeterminate," by Homi Bhabha; "Politics, Identification, and Subjectivization," by Jacques Ranciere; "The Inevitability of Nation: German Intellectuals After Unification;" "Universalism, Particularism, and the Question of Identity," by Ernesto Laclau; "Reflections on Identity," by Stanley Aronowitz; and "The Americans," by E. ... [details]
Issue edited by Frances Colpitt. Contents include "The Importance of Permanence," by Donald Judd; "Intentional Acts of Identification : Legrady and Maclay," by Mark Johnstone; "Mr. Smith Goes to the Airport," by Michael Smith; Bruce Nauman Interview with Bob Smith; " Magnificent Obsession : The Drawings of David Smith," by Sally Ruth Bourrie; "Anthony Caro's Emma Lake Sculptures," by Phyllis Tuchman; "The Activity Art of Allan Kaprow and the Notion of Functional Sculpture," by Dan Giesler; "Context : Light and Space as Art," by Jan Butterfield; Artists' Pages by Greg Card, Henk Elenga, Jim Pomeroy, Chauncey Joe Stromie, James Alan Ganzer; artists' biographies, and Colson's Corner. [details]
"Why Are 100 Artists' Spaces Like a Burlap Bag Full of Bobcats? Tacit" by Steven Durland, "A Report on Artspaces Ill" by Janet (McCambridge) Ventura, "Kerouac Is Alive! The Jack Kerouac Festival at Naropa" by Lewis MacAdams, "Performance Art in the San Francisco International Theater Festival" by Linda Burnham, "Fire Dancers and Fibre Optics : Belgium's Banlieue" by Mark Dery, "The Law and The Power : Illegal performance discussed by Lewis MacAdams," "Sitting on Moving Steel "by Michael Ventura, "American Splendor," by Harvey Pekar, "Somebody Being Somebody" by Diane Gage and Constance Rawlings, NEW YORK SECTION : ARTSPACES : "Franklin Furnace : Linda Burnham interviews Martha Wilson and Bill Gordh," "The Kitchen : HIGH PERFORMANCE interviews Howard Halle," "A's" by Arleen Schloss and Linda Burnham, DOCUMENTS : N. ... [details]
Winter 1986 issue of Effects edited by Tricia Collins and Richard Milazzo. Contributions by Tricia Collins, Richard Milazzo, Allan McCollum, James Welling, Oliver Wasow, Carroll Dunham, Tom Brazelton, Ettore Bonessio di Terzat, Frank Majore, Peter Nadin, Robin Weglinkski, Joseph Nechvatal, Meyer Vaisman, Peter Halley, Carlo McCormick, Julie Wachtel, David Robbins, Barry Bridgwood, Kevin Larmon, Gérald Van Der Kaap, Peter Klashorst, Jonathan Lasker, Richard Milani, Franco Marinai, Richard Prince, Vikky Alexander, Joseph Masheck, Craig Adcock, Mark Innerst, Jane Bauman, Susan Davis, and Giuseppe Salvatori. ... [details]
The Museum of Modern Art Bulletin documenting MoMA's 25th Anniversary Exhibition "Paintings From Private Collections with Six Important Gifts." Introduction by Alfred H. Barr Jr. "Six Important Gifts" includes works by Paul Cezanne (from David Rockefeller), Henri Matisse (from Mr. ... [details]
Compendium of documentation and artist's projects by / about Vito Acconci, Terry Atkinson, Art & Language, David Bainbridge, John Baldessari, Robert Barry, Frederick Barthelme, Gregory Battcock, Bernhard & Hilla Becherr, Mel Bochner, Daniel Buren, Victor Burgin, Donald Burgy, Ian Burn, Mel Ramsden, Rosemarie Castoro, Jan Dibbets, Dan Graham, Hans Haacke, Douglas Huebler, Stephen James Kaltenbach, On Kawara, Alain Kirili, Joseph Kosuth, Christine Kozlov, Sol LeWitt, Mario Merz, Robert Morris, Bruce Nauman, Iain Baxter [N. ... [details]
Issue edited by Bice Curiger. Essays "Photographs By Wols," by Jan Thorn-Prikker; "Wacky Molière Lines: A Listener's Guide To Ed-Werd Rew-Shay," by Dave Hickey; "Standard Bullshit," by Dennis Hopper; "Edward Ruscha: A Distant World," by Alain Cueff; "The Mnemonic Book: Ed Ruscha's Fugitive Publications," by John Miller; "Against Type: The Silhouette Paintings Of Edward Ruscha," by Christopher Knight; "Tony Cragg: Darking Light," by Lynne Cooke; "'I Hate To Think' The New Paintings Of Julian Schnabel," by Brooks Adams; "Les Infos Du Paradis: Parkett Inquiry, The Artist As A Model Sufferer?," by unattributed artists; "Cumulus From America," by Lucio Pozzi; "Cumulus Aus Europa," by Bernard Blistène; "Balkon: Sigmar Polkes Thermosensible Wandmalerei," by unattributed artists. ... [details]
Issue edited by Bice Curiger. Essays "Carsten Höller - Getting Real," by Michelle Nicol; "Juan Muñoz and the Specularity of the Divided Self," by Lynne Cooke; "The Art of Conversation," by Alexander Melo; "A Conversation, New York, 22 January 1995," by James Lingwood and Juan Muñoz; "A Man in a Room, Gambling," by Gavin Bryars; "Breath," by Robert Creeley; "The Evolution of the Horse," by Ingrid Schaffner; "Paintings as an Immense Feeling," by Jean-Christophe Ammann; "Essential Hesitations," by Mark Stevens; "On Walking and Working. ... [details]
Issue edited by Bice Curiger. Essays "William Forsythe: Where Balance is Lost and the Unfinished Begins," by Heidi Gilpin; "Geoff Lowe and Tower Hill," by Robyn McKenzie; "Matthew Barney's Gonadotrophic Cavalcade," by Norman Bryson; "Mannerist Variations on Matthew Barney," by Michel Onfray; "Matthew Barney and Beyond," by Keith Seward; "Matthew Barney 95: Suspension, Secretion, Secret," by Thyrza Nichols Goodeve; "She Gives as Good as She Gets," by Jerry Saltz; "Where Does It All End?," "A Conversation with Sarah Lucas," by Jan van Adrichem; "The Fine Line Between This and That," by Collier Schorr; "Bollocks," by Carl Freedman; "Roman Signer: Prometheus's Delay," by Jean-Yves Jouannais; "Roman Signer's Sculptural Events," by Konrad Bitterli; "Sculptural Laboratory Experiments," by Christoph Doswald; "Rupture or Continuity," by Pia Viewing; "Action With a Fuse: Modifying the Denotation of Detonation," by Max Wechsler; "In Sachen Roman Signer," by Colin Deland; "It's Not Just an Image," by Michael Tarantino; "Cumulus Europa," by Thomas McEvilley; "Cumulus from America," by Neville Wakefield; "Garderobe," by unattributed artists. ... [details]