Issue edited by John Coplans. Essays "A Talk with George Kubler," by Robert Joseph Horvitz; "Hanne Darboven: Deep in Numbers," by Lucy Lippard; "Theater of the Conceptual: Autobiography and Myth," by Robert Pincus-Witten; "Robert Smithson on Duchamp, An Interview," by Moira Roth; "The Suppression of Art in the McCarthy Decade," by William Hauptman; "Pointing, Hybrids, and Romanticism: John Baldessari," by James Collins; "What is Content? Notes Toward an Answer," by Douglas Davis; "'Anemic Cinema,' Reflections on an Emblematic Work," by Annette Michelson; "Brancusi: The Centrality of the Gate," by Sidney Geist; "In Support of Meta-Art," by Adrian Piper; "L. ... [details]
Issue edited by John Coplans. Essays "Rays of Hope, Particles of Doubt," by Peter Plagens; "The Birth of de Stijl, Part Two: Bart van der Leck," by Rudolf W. Oxenaar; "Hans Haacke's Gallery Visitors' Profile," by Hans Haacke and Bruce Boice; "Rose Hobart and Monsieur Phot: Early Films from Utopia Parkway," by Annette Michelson; "The Uncanny Portrait: Sander, Arbus, Samaras," by Max Kozloff; "Seeing Stella," by Louis Finkelstein; "Notes on Batya Zamir," by Lucinda Childs; "Book Review," by Mel Bochner. ... [details]
Issue edited by John Coplans. Essays "Things and Theories," by James Collins; "Max Ernst: Speculations Provoked by an Exhibition," by Rosalind Krauss; "Gerald Hayes: The Creativity of the Psychological Eye," by Virginia Gunter; "American Painting During the Cold War," by Max Kozloff; "No/Yes on the West Coast," by Peter Plagens; Meredith Monk: "An Introduction," by Angela Westwater; "A Metamorphic Theater," by Mark Berger; "Love and Death in Picasso's Early Work," by Theodore Reff; "Book Review," by Carol Duncan. ... [details]
Issue edited by John Coplans. Essays "Agnes Martin," by Lawrence Alloway; "Reflections," by Agnes Martin; "Early Work," by Lizzie Borden; "Jan Dibbets; The Photograph and the Photographed," by Bruce Boice; "The Birth of de Stijl, Part I: Piet Mondrian, The Subject Matter of Abstraction," by Robert P. ... [details]
Issue edited by John Coplans. Essays "Institution: Whitney Annual," by Lawrence Alloway; "16 Whitney Museum Annuals of American Painting, Percentages 1950-72," by Leon Golub; "Yes! Says Arakawa," by Joseph Masheck; "Eadweard Muybridge: Fragments of a Tesseract," by Hollis Frampton; "Ferdinand Hodler: Expressionism Versus Symbolism," by Robert Pincus-Witten; "Roughly Ordered Thoughs on the Occasion of the Bruce Nauman Retrospective in Los Angeles," by Peter Plagens; "2D/3D," by Leon Golub; "Women Choose Women," by April Kingsley; "Unconscious Formalism, A Response to Andre's Note on the Bechers," by Joe Masheck; "Kandinsky: 'On the Artist'," by Wassily Kandinsky; "An Interview with Emile de Antonio," by Tanya Neufeld; "Joseph Kosuth: 2 Shows," by Bruce Boice. ... [details]
Issue edited by John Coplans. Essays "In Memoriam: Joseph Cornell," by Hans Namuth; "Kozloff: Criticism in Absentia," by Preston Heller and Andrew Menard; "Sam Francis: From Field to Arabesque," by Lawrence Alloway; "Some Splashes in the Ebb Tide," by Robert Morris; "Lucinda Childs: A Portfolio," by Lucinda Childs; "Miró," by Kermit Champa; "Frederick Law Olmsted and the Dialectical Landscape," by Robert Smithson; "After the Quality Problem," by Bruce Boice; "Book Review," by Max Kozloff. ... [details]
Issue edited by John Coplans. Essays "Camera Lucida/Camera Obscura," by Annette Michelson; "Eisenstein on Mayakovsky," by Sergei Eisenstein; "Stan Brakhage: Four Films," by Paul Arthur; "The Third Meaning: Notes on Some of Eisenstein's Stills," by Roland Barthes; "'Scenes From Under Childhood,'" by Phoebe Cohen; "For God and Country," by Noël Carroll; "Montage 'October': Dialectic of the Shot," by Rosalind Krauss; "'Western History' and 'The Riddle of Lumen,'" by Fred Camper; "Stan and Jane Brakhage, Talking," by Hollis Frampton; "Brakhage Filmography," by Joyce Rheuban. ... [details]
Issue edited by John Coplans. Essays "Documenta: A Portfolio:" "'Reality': Ideology at D5," by Lawrence Alloway; "Claes Oldenburg, An Interview," by Angela Westwater Reaves; "Cultural Confinement," by Robert Smithson; "Adversary Spaces," by Carter Ratcliff; "Cosmologies," by Lizzie Borden. ... [details]
Tenth Anniversary Issue edited by John Coplans. Essays "Network: The Art World Described as a System," by Lawrence Alloway; "The Trouble with Art-as-Idea," by Max Kozloff; "Talking at Pomona," by David Antin; "A View of Modernism, " by Rosalind Krauss; "Notes on Patronage: the 1960s," by Francis V. ... [details]
Issue edited by John Coplans. Essays "An Interview with James Rosenquist," by Jeanne Siegel; "Derealized Epic," by Lawrence Alloway; "Kandinsky and Abstraction," by Rose-Carol Washton Long; "Ryman, Marden, Manzoni: Theory, Sensibility, Mediation," by Robert Pincus-Witten; "Russia's Underground Art Market," by Sybil Schwarz; "An Interview with Anthony Caro," by Phyllis Tuchman; "Caro's New Sculpture," by Walter D. ... [details]
