Issue edited by Joseph Masheck. Essays "Oskar Schlemmer's Performance Art," by RoseLee Goldberg; "Art Criticism: Where's the Depth?" by Donald B. Kuspit; "Richard Foreman's 'Book of Levers,'" by Peter Frank; "Gustave Courbet: All the World's a Studio," by Alex Seltzer; "Madness in the Arena," by Nicolas Calas; 'Eva Hesse,' Book Review," by Jeff Perrone; "A View of Kassel," by David Shapiro; "Alice Aycock: Mystery Under Construction," by Margaret Sheffield; "The Private and the Public: Feminist Art in California," by Martha Rosler. ... [details]
Issue edited by Joseph Masheck. Essays "False Objects: Duplicates, Replicas and Types," by John Perreault; "Elizabeth Murray's Dandyish Abstraction," by Donald B. Kuspit; "Chicago Dialectic," by C.L. Morrison; "To Be or To Act: On the Problem of Content in Nonobjective Art," by Andréi B. ... [details]
Issue edited by Joseph Masheck. Essays "Mark Tobey's Paintings of New York," by Fred Hoffman; "The Language of Forms and Colors," by Andréi B. Nakov; "Planar Straight Line and the Primary Plane," by Erik Saxon; "Snow-bound Camera," by Regina Cornwell; "Bernard Berenson, Twenty Years After," by James Beck; "The Big Show: The First Exhibition of the Society of Independent Artists, Part 2," by Francis Naumann; "Toward a Theory/Practice of Painting in France," by Paul Rodgers; "Books: On Reading Architecture," by Grahame Shane. ... [details]
Issue edited by Joseph Masheck. Essays "What's All This About Photography?" by Richard Hennessy ; "Pictures of Art," by Joseph Masheck ; "Seeing Burgoyne Diller," by Deborah Rosenthal ; "Cy Twombly: Major Changes in Space, Idea, Line," by Margaret Sheffield ; "Jeremy Gilbert-Rolfe's 'North Group' Paintings," by Hal Foster ; "Howard Buchwald: Perspective Once Again a Problematic," by Donald B. ... [details]
Critical theory by Jeff Kelley on the work of Allan Kaprow. Foreword by David Antin. Includes notes and list of illustrations. [details]
"Allan Kaprow is among the most influential figures in contemporary American art. Famous for creating Happenings in the 1950s, he is also known for having written and published some of the most thoughtful, provocative, and influential essays of his generation. ... [details]
Exhibition catalogue published in conjunction with show held January 7 - February 6, 1966. Essay by John Coplans. Sculptors include Larry Bell, Tony Delap, David Gray, John McCracken, Kenneth Price. Drawings by Delap, Dan Flavin, Judy Gerowitz [aka Judy Chicago], David Gray, Lloyd Hamrol, Donald Judd, McCracken, Robert Morris, Price. ... [details]
Exhibition catalogue published in conjunction with show held at the Wight Art Gallery, University of California, Los Angeles, September 20 - November 15, 1987. Traveled to the Walker Art Center, Minneapolis, December 6, 1987 - January 31, 1988; the Archer M. ... [details]
Poster announcing a Lawrence Weiner exhibition held at Gallery A-402, mezzanine (opposite elevator), at California Institute of the Arts, Valencia, California from October 31 - November 3, 1972. [details]
"The fashion for 'art and revolution' continues, and so does the effort to prove, more or less a priori, that art has nothing to do with politics. Mr. Clark has written a study of the art of Gustave Courbet in the years directly after the 1848 revolution. ... [details]
