Anthology of records by artists from 1958 - 1990 organized and with an essay by Giorgio Maffei. Artists / bands include: Marina Abramovic, Yaakov Agam (Jacob Gipstein), Albrecht D., Lucio Amelio, Cy Twombly, Robert Mapplethorpe, Charles Amirkhanian, Laurie Anderson, Karel Appel, Art & Language, The Red Crayola, Richard Artschwager, Robert Ashley, Attersee, Gerhard Rühm, Vittore Baroni, Robert Barry, François Baschet, Bernard Baschet, Jacques Lasry, Georg Baselitz, Cathy Berberian, Harry Bertoia, Marco Bertoni, Enrico Serotti, Joseph Beuys, Henning Christiansen, Nam June Paik, Bill Bissett, Eric Bogosian, Claus Böhmler, Christian Boltanski, Jean-François Bory, Glenn Branca, Jean-Louis Brau, Gil J. ... [details]
August 16, 1970 issue of the National Informer. Contents include: "Editorial;" "Letters To The Editor;" "I Had a Sex Fling With My Sister's Husband," by Joseph Baker; "Criswell Predicts;" "Dear Mrs. Adams;" "Hotsy," comic strip; "Elderly, Poor, Inner-City Folks Now Targets For Handbag Thieves," by Paul Miller; "Author Exposes U. ... [details]
Exhibition catalogue published in conjunction with show held November 20, 1974 - April 1, 1975. Text by Marty Dunn, Peggy Gale, and Gary Neill Kennedy and artist's statements. Artists include David Askevold, Dana W. ... [details]
Artists' periodical compiled by Wallace Berman with contributions by Berman, Herman Hesse, Paul Eluard, Jack Anderson, Mike McClure, Zach Walsh, Eric Cashen, Pantale Xantos, J.B. May, Charles Baudelaire, Lynn Trrocchi, Idell T. ... [details]
Exhibition catalogue published in conjunction with show held January 20 - April 9, 1975. Curated by John Hanhardt, Barbara Haskell, James Monte, Elke Solomon, and Marcia Tucker. Foreward by Tom Armstrong, director of the Whitney Museum. ... [details]
"How can an art exhibition function as a stand-in for the artists and their studios? How can a gallery project provide greater insight into an artist's practice, the way the formality of a slide lecture or the intimacy of a studio visit can? How can the back-story of the work on display be understood, without being solely reliant on a curatorial statement, catalogue essay or press release? This exhibition allows art to be understood as an ongoing and slippery practice, and less the finite, linear and object-oriented one assumed by the standard exhibition format. ... [details]