Exhibition catalogue published in conjunction with show held January 12-March 30, 1986. Contributions by Sam Hunter, James D. Robinson, Elliot B. Barnett, George Bolge, Harry F. Gaugh, Robert C. Morgan, Richard Sarnoff, Malcolm Daniel, Karen Koehler and Kim Levin. ... [details]
First of two issues of the critical theory periodical edited by Kevin Lole, Philip Pilkington and David Rushton, not dissimilar from Art-Language in style and substance. Essays include "Don Judd's Dictum and Its Emptiness," by Philip Pilkington and David Rushton; "On Asserting," by Rushton; "Duchampian Delinquency and the Constitutive Cure," by Pilkington; "Progress in Art and in Science," by Lole; "Obligations," by Terry Atkinson & Michael Baldwin; "Hierarchies: A Note," by Graham Howard; "The Grammarian," by Ian Burn & Mel Ramsden; "Phenomenology as a Hermeneutic of Art," by Peter Smith; and "The Myth of the Aesthetic Attitude," by Christopher Willsmore. [details]
Exhibition catalogue published in conjunction with show held on the 35th anniversary of the Angela Flowers Gallery. Introduction by Robert Heller. Artists include Glenys Barton, Glen Baxter, George Blacklock, Boyd and Evans, Edward Burtynsky, Stephen Chambers, Bernard Cohen, Ken Currie, Amanda Faulkner, John Gibbons, Alan Gouk, Friedemann Hahn, David Hepher, Nicola Hicks, Derek Hirst, Carole Hodgson, Peter Howson, Patrick Hughes, Neil Jeffries, Lucy Jones, John Keane, Michael Kidner, John Kirby, Henry Kondracki, Tim Lewis, John Loker, John McLean, Jiro Osuga, Eduardo Paolozzi, Freya Payne, Tom Phillips, Steven Pyke, Carol Robertson, Tai-Shan Schierenberg, Jack Smith, Richard Smith, Trevor Sutton, Renny Tait, Brian Wall and Gary Wragg. [details]
"How can an art exhibition function as a stand-in for the artists and their studios? How can a gallery project provide greater insight into an artist's practice, the way the formality of a slide lecture or the intimacy of a studio visit can? How can the back-story of the work on display be understood, without being solely reliant on a curatorial statement, catalogue essay or press release? This exhibition allows art to be understood as an ongoing and slippery practice, and less the finite, linear and object-oriented one assumed by the standard exhibition format. ... [details]
A survey of contemporary architecture published in 1982. "Anyone interested in sorting out the diversities and complexities of contemporary architecture - and in speculating on the future shape of contemporary architecture - and in speculating on the future shape of our homes and cities - will enjoy this spirited, up-to-the-minute book. ... [details]
September 1988 issue of Art in America. Edited by Elizabeth C. Baker, with written contributions by Joan Simon, Eleanor Hartley, Holland Cotter, John Ash, Stephen Westfall, Brooks Adams, Ken Johnson, Paul Smith, Carl Little, Walter Thompson, Suzaan Boettger, Gerrit Henry, Lawrence Campbell, Walter Thompson, Donald B. ... [details]
September 1974 issue of Art-Language featuring collaborative contributions. Contributions by Ian Burn, Mel Ramsden, Terry Smith, Terry Atkinson, David Bainbridge, Michael Baldwin, Michael Corris, Charles Harrison, Preston Heller, Graham Howard, Harold Hurrell, Joseph Kosuth, Andrew Menard, Philip Pilkington, David Rushton. ... [details]
Issue edited by Ingrid Sischy. Essays "Bill Woodrow: Material Truths," by Mark Francis; "In the Heart of the Tinman. An Essay on John Chamberlain," by Duncan Smith; "A Project by Pontus Hulten and Jean Tinguely;" "Freeing Dance from the Web: On Collaboration, Trisha Brown's 'Set and Reset,' and 'Lucinda Childs' Available Light," by Thomas McEvilley; "Two Sides of the Brain: Molissa Fenley's Hemisphere's," by RoseLee Goldberg; "Up Rocking, Locking, Old Style, 1990 Moves," by Michael Holman; "Selected Funk Lessions: a project," by Adrian Piper; "A Use for Beauty," by Kenneth Baker; "Executioner's Song," by Greil Marcus; "Books: Gilles Deleuze on Francis Bacon," by Gilles Deleuze; "Forum," by Kate Linker. ... [details]
Issue edited by Ingrid Sischy. Essays "What in the World: Eureka - Mona Helga," by Herbert Muschamp; "Object: Antiques Regain Their Youth," by Alessandro Mendini; "Exits and Entrances: Oedipus in Reverse," by Jon Savage; "Speaker to Speaker: Can We Talk?," by Greil Marcus; "Books: A Review of David Byrne's 'True Stories' and Nan Goldin's 'Ballad of Sexual Dependency," by John Howell; "Like Art: Extrasensory Perception," by Glenn O'Brien; "A Canvas of Episodes: Rex Gets His Feet Wet," by Frederic Tuten; "The Leap of Faith: In Colin McCahon's Paintings, the Cliffs of Otakimiro and Motutara Describe a Path of Grace," by Stuart Morgan; "Ettore Spalletti's Archipelago of Color: Islands and Gardens, Basins, Columnns, and Hills, in Sensuous Dust," by Germano Celant; "Peter Hutton: A Tale of Two Cities, An American Avant-garde Filmaker in Budapest," by J. ... [details]
Issue edited by Ingrid Sischy. Essays "Corporate Arcadias: Green Thumbs and Gray Flannel," by Dan Graham and Robin Hurst; "Haim Steinbach's Wild Wild West: Serving Color on the Horizon," by Germano Celant; "Arms: Around Chet Baker," by Bruce Weber; "Kane's Welles: The Phantom of the Opus, Velásquez in Xanadu," by Brian O'Doherty; "Ventriloquism. ... [details]