Exhibition catalogue / guide published in conjunction with show held August 7 - September 14, 1987. Artists include Giovanni Anselmo, Peter Baren, Christian Boltanski, James Lee Byars, Francesco Clemente, René Daniëls, Jan van den Dobbelsteen, Dokoupil, Rob Scholte, Lili Dujourie, Marlene Dumas, Barry Flanagan, Daan van Golden, Kees de Groot, JCJ van der Heyden, Jenny Holzer, Niek Kemps, Rob van Koningsbruggen, Wolfgang Laib, David Mach, Pieter Laurens Mol, Titus Nolte, Nam June Paik, Jan van de Pavert, Sarkis, Struycken, David Tremlett, Alan Uglow, Mirjam de Zeeuw and Rhonda Zwillinger. ... [details]
Boxed reprint of the original periodical "Salon," a magazine with original contributions by contemporary artists. Published originally in 12 issues between April 1977 and October 1983. Edited by Gerhard Theewen. ... [details]
Issue edited by Ida Panicelli. Essays "Like Art," Glenn O'Brien on Advertising; "The Cave: Maria Nadotti on Film"; "Here, There & Otherwise," John Welchman on Elsewhere; "Object," Alessandro Mendini on Design; "Remote Control," Barbara Kruger on Television; "Curies' Children," Vilém Flusser on Discovery; "Special Effects," by Carol Squiers on the News and Its Pictures; "William Eggleston: Democracy & Chaos," by Mark Holborn; "Seductive Lures: Shirazeh Houshiary," by Pier Luigi Tazzi; "The Ground Has Been Covered," by Jimmie Durham and Jean Fisher; "Hinged Victories," by Patricia C. ... [details]
Edited by Joan Copjec, Rosalind Krauss, and Annette Michelson. Essays "The Cultural Logic of the Late Capitalist Museum," by Rosalind Krauss; "Rossellini: Woman as Symptom of Man," by Slavoj Žižek; "Fetish Envy," by Marjorie Garber; "Ragnarök of Illusion: Richard Wagner's "Mystical Abyss" at Bayreuth," by Beat Wyss; "Free, Single, and Disengaged: Listening Pleasure and the Popular Music Object," by John Corbett; "Images of Decay: Photography in the Picturesque Tradition," by Wolfgang Kemp; "AIDS Timeline," by Group Material. [details]
Collection of critical essays concerning art, perception, and time. "The passage of time, central to all aspects of human experience, is fundamental to the perception of works of art. However - unlike problems of space - it has only rarely been addressed by art historians. ... [details]