Exhibition catalogue published in conjunction with show held April - May 1984. Features texts by Duchamp, Gloria Moure, Eulalia Serra, Ignasi Sola-Morales, John Cage, Anne d'Harnoncourt, Dawn Ades, Yosihaki Tono, Octavia Paz, Maurizio Calvesi, and Germano Celant. ... [details]
Exhibition catalogue published in conjunction with show held May 12 - June 12, 1998. Includes writing by the artist, an interview between Graham and Mike Metz, and essays by Alexander Alberro, Friedrich Wolfram Heubach, Brian Hatton, Mark Francis, Gloria Moure, Christine van Assche, and Adachiara Zevi. ... [details]
Monograph of Sigmar Polke's work. Edited by Gloria Moure. "Starting from the profane material of everyday culture, Polke interprets images of reality rather than reality itself, satirizes tendencies in contemporary painting, questions the role of the artist as author, breaks down the trivial visual worlds of media photography, and always, but always, takes off on the most magnificent flights of imagination. ... [details]
Issue edited by Bice Curiger. Essays "When You Offer Stones You Get Stones," by Edward Leffingwell and Lawrence Weiner; "François Boucher," by Andrei Kowaljow; "On The Sigmar Polke Retrospective In The U. ... [details]
Critical anthology of the art journal Interfunktionen. Edited by Gloria Moure. Texts by Friedrich Wolfram Heubach and Birgit Pelze. Artists include Vito Acconci, Keith Arnatt, John Baldessari, Lothar Baumgarten, Bill Beckley, Joseph Beuys, George Brecht, K. ... [details]
Issue edited by Ida Panicelli. Essays "Exits and Entrances: John Howell on Voguing," by John Howell; "Folio: Andrew Solomon on Bookbinding," by Andrew Solomon; "Believe It of Not: J. Hoberman on American Myths," by J. ... [details]
Issue edited by Ingrid Sischy. Essays "At the Whitney Biennial," "Good Morning America," by Charles Hagen, "Almost Home," by Lisa Liebmann; "The Marketplace," by Lucas Samaras; "From Inside the Whale," by Michael Newman; "Kitsch in Cuba," by Eva Sperling CockCroft, "I Think Therefore I Art," by Thomas McEvilley; "Farewell to Marc Chagall," by André Verdet; "An Art of Regret," by Rene Ricard; "Rosenquist's Rouge," by Carter Ratcliff; "From Sam Cooke in Heaven," by Greil Marcus. ... [details]
Exhibition catalogue published in conjunction with show held December 3, 2002 - February 16, 2003. "Peter Heisterkamp, AKA Blinky Palermo, is, perhaps, the artist who best summarizes the contemporary history of painting as a constant expansion of what is pictorial as well as an impulse to reunite reality with drawing, tracing, and color. ... [details]
Exhibition catalogue published in conjunction with show held at the Centro Galego de Arte Contemporánea, Santiago de Compostela, Spain, July 23 - October 13, 1996. Traveled to the Kunsthalle Düsseldorf, Düsseldorf, Germany, October 31 - December 29, 1996; the Fundació Antoni Tàpies, Barcelona, Spain, January 21 - March 30, 1997; the Miami Art Museum of Dade County, Miami, Florida, June - August 1997, and the Museum of Contemporary Art (MOCA), Los Angeles, California, August 10 - November 2, 1997. ... [details]
Issue edited by Ingrid Sischy. Essays "Letters: On 'Doctor Lawyer Indian Chief: 'Primitivism' in 20th Century Art' at the Museum of Modern Art in 1984;'" "Jonathan Borofsky: What Kind of Fool Is This?," by Jeanne Silverthorne; "Paul Delvaux's Imagination," by Ronny Cohen; "Too Much and/or Not Enough: A Note on Howard Hodgkin," by Kenneth Baker; "Kids R Us or Viva Poland or Laudable Odds and Ends," by Barbara Kruger; "The Dead and the Quick," by Greil Marcus; "Many Farber and Landscape," by Kevin Parker; "From the Night of Consumerism to the Dawn of Simulation," by Rosetta Brooks; "Forum," by Jeanne Silverthorne. ... [details]