Fourth of five editions of the exhibition / collection landmark catalogue designed by Wolf Vostell. Unusually paginated, approximately 500 pages consisting of 32 pages printed on thin styrofoam sheets with contributions by Gert von der Osten, Peter Ludwig, Horst Keller, and Evelyn Weiss, followed by hundreds of pages printed on brown paper, interspersed with portraits of each featured artist printed and / or screenprinted [?] on acetate sheets, graph paper, and illustrated with tipped-in color plates. ... [details]
Exhibition catalogue published in conjunction with show held at the Museum of Contemporary Art, Los Angeles, December 6, 1992 - March 7, 1993. Traveled to the Museum of Contemporary Art, Chicago, April 3 - June 20, 1993; and the Whitney Museum of American Art, New York, July 16 - October 3, 1993. ... [details]
Three volume exhibition catalogue published in conjunction with Documenta IX held in Kassel, Germany, June 13 - September 9, 1992. Texts by Jan Hoet, Denys Zacharopoulos, Bart de Baere, Pier Luigi Tazzi, Claudia Herstatt, Joyce Carol Oates, Jacques Roubaud, Cornelius Castoriadis, Heiner Müller, Paul Robbrecht, Hilde Daem. ... [details]
Exhibition catalogue published in conjunction with show held at the Los Angeles County Museum of Art, April 28 - June 25, 1967; and the Philadelphia Museum of Art, September 15 - October 29, 1967. Text by Maurice Tuchman, Lawrence Alloway, Wayne V. ... [details]
Issue number six of six issues published between 1958 and 1965. Includes lengthily transcript of a two part panel discussion held by the Eighth-Street Club on February 17, 1965 and March 17, 1965. Edited by Natalie Edgar, Isobel Grossman, John McMahon. ... [details]
Double sided postcard published in conjunction with meeting the artists held at Project Studio One / P.S. 1 on November 25, 1979. [details]
Publication on the art of the late 80s defined by Germano Celant as "Unexpressionism." Essay by Celant. "The contemporary is a fleeting and moribund presence. Its manifestations occur before our very eyes, and yet our eyes are unable to control or define them, just as words are incapable of describing them in time, at the same time. ... [details]
Compendium of critical theory edited by Georg Schöllhammer and Christian Kravagna. Texts by Richard Rorty, Paul Freyerabend, Francisco J. Varela, Robert W. Witkin, Barbara Jaffee, Teresa de Lauretis, Jacqueline Rose, Amy Winter, Silvia Eiblmayr, Peter Gorsen, and Douglas Crimp. ... [details]
Exceptionally important critical anthology of early writings on Minimal and Conceptual Art edited by Gregory Battcock. Essays "Systemic Painting," by Lawrence Alloway; "Sculpture as Architecture: New York Letter, 1966-67," by Michael Benedikt; "Serial Art, Systems, Solipsism," by Mel Bochner; "The Razed Sites of Carl Andre," by David Bourdon; "Subject Matter in the Work of Barnett Newman," by Nicolas Calas; "Art and Objecthood," by Michael Fried; "Questions to Stella and Judd," by Bruce Glaser; "Two Exhibitions," by E. ... [details]
May 6-12, 1981 issue of SoHo News. Issue edited by Josh Friedman. Cover stories include: "Kiss & Sell: Sex and Real Estate: Landlords Make Lousy Lovers," by Arnold Klein; "Sex & Language: Cunning Linguists Invade the Plaza," by Edmund White; "Artists Rampage, Smashing Windows," by William Zimmer; "Mark Rappaport's Comedy of Bad Manners," by Jonathan Rosenbaum and Truusje Kushner; "SoHo's Laser Fare," by Stephen Saban; "Rewriting Al Lowernstein's Life," by Allan Wolper; and "Lofts: A New Lease on Life?" by Peter Freiberg. ... [details]
