Exhibition catalogue published in conjunction with show held March 14-June 1, 1999. Exhibition curated by, edited by, and with an essay by Kynaston McShine. Texts by artists and Lilian Tone, Birgit Pelzer, Brian Wallis, Susan Stewart, Magdalena Dabrowski, Ecke Bonk, Jodi Hauptman, Kristen Erickson, Coosje van Bruggen, James Trainor, Thomas McEvilley, Sally Yard, Thomas Kellein, James Roberts, Kitty Scott, Kate Linker, Dave Hickey. ... [details]
Forth book in Afterall Books' "Exhibition Histories" series focusing on ‘Magiciens de la Terre,’ an exhibition held in Paris in 1989 featuring over a hundred artists. Introduction by Pablo Lafuente. Text by Lucy Steeds, Jean-Marc Poinsot, Rasheed Araeen, Jean Fisher, Thomas McEvilley, Jean-Hubert Martin, Gayatri Chakravorty Spivak, Frédéric Bruly Bouabré, Barbara Kruger. ... [details]
Exhibition catalogue / critical theory published in conjunction with show held at the Art Gallery of Ontario, Toronto, April 2 - May 15, 1983. Traveled to Musee d'Art Contemporain, Montreal, September 15 - October 30, 1983; and Glenbow Museum, Calgary, November 18, 1983 - January 7, 1984. ... [details]
"We owe our idea of the contemporary exhibition to Harald Szeemann--the first of the jet-setting international curators. From 1961 to 1969, he was Curator of the Kunsthalle Bern, where in 1968 he had the foresight to give Christo and Jeanne-Claude the opportunity to wrap the entire museum building. ... [details]
Critical theory publication edited by Christian Rattemeyer. Texts by Wim Beeren, Charles Harrison, Harald Szeemann, Tommaso Trini, Claudia Di Lecce, Steven ten Thije. Introduction by Teresa Gleadowe. "Afterall Books' new Exhibition Histories series responds to an increased interest in exhibition history with its inaugural volume on two of the most famous exhibitions of the 1960s: Wim Beeren's 'Op Losse Schroeven' (Stedelijk Museum, 1969) and Harald Szeemann's 'Live in Your Head : When Attitudes Become Form' (Kunsthalle Berne, also 1969). ... [details]
Exhibition catalogue published in conjunction with show held January 29 - March 27, 1988. Introduction by David A. Ross. Essays by Fredric Jameson, Eric Michaud, Elisabeth Sussman, David Joselit, Abigail Solomon-Godeau, Alice Jardine. ... [details]
Issue edited by Bice Curiger. Essays "Scott Burton," by Nancy Princenthal; "Contributions By: Jeanne Silberthorne, Patrick Frey, Rein Wolfs, Chris Dercon, Robert Storr," by Bruce Nauman; "Daredevil - Narrative Strategies In Everyday Myths," by Michael Fitzgerald and Justen Ladda; "Hanne Darboven - Or The Dimension Of Time And Culture," by Jean-Pierre Bordaz; "For Enzo Cucchi's Exhibition At The Guggenheim-Museum, New York, Spring 1986," by Mario Diacono; "Les Infos Du Paradis, The Reina Sofia Art Center, Madrid," by Francisco Calvo Serraller; "Cumulus Von Europa," by Annelie Pohlen; "Cumulus From America," by Richard Armstrong; "Mario Botta in Conversation With Bice Curiger," by Mario Botta. ... [details]
Exhibition catalogue published in conjunction with show held January 13 - February 13, 1983. Curated and with essay by Cynthia Charters and L. Price Amerson. Artists include Bruce Nauman, William Allan, Robert Arneson, Jerrold Ballaine, Richard C. ... [details]
Issue edited by Bice Curiger. Essays "William Forsythe: Where Balance is Lost and the Unfinished Begins," by Heidi Gilpin; "Geoff Lowe and Tower Hill," by Robyn McKenzie; "Matthew Barney's Gonadotrophic Cavalcade," by Norman Bryson; "Mannerist Variations on Matthew Barney," by Michel Onfray; "Matthew Barney and Beyond," by Keith Seward; "Matthew Barney 95: Suspension, Secretion, Secret," by Thyrza Nichols Goodeve; "She Gives as Good as She Gets," by Jerry Saltz; "Where Does It All End?," "A Conversation with Sarah Lucas," by Jan van Adrichem; "The Fine Line Between This and That," by Collier Schorr; "Bollocks," by Carl Freedman; "Roman Signer: Prometheus's Delay," by Jean-Yves Jouannais; "Roman Signer's Sculptural Events," by Konrad Bitterli; "Sculptural Laboratory Experiments," by Christoph Doswald; "Rupture or Continuity," by Pia Viewing; "Action With a Fuse: Modifying the Denotation of Detonation," by Max Wechsler; "In Sachen Roman Signer," by Colin Deland; "It's Not Just an Image," by Michael Tarantino; "Cumulus Europa," by Thomas McEvilley; "Cumulus from America," by Neville Wakefield; "Garderobe," by unattributed artists. ... [details]
Exhibition catalogue published in conjunction with show held May 19 - June 19, 1969, and symposium held June 17, 1969 via telephone hook-up form New York, Ottawa and Burnaby. Short texts by the artists in the exhibition describing their work. ... [details]
