Issue edited by Ingrid Sischy. Essays "[Thump Thump]," by Richard Nonas; "Picasso's Absinth Glasses: Six Drinks to the End of an Era," by Brooks Adams; "Spero's Apocalypse," by Donald B. Kuspit; "The Expulsion from the Garden: Environmental Sculpture at the Winter Olympics," by Kay Larson; "Michael Asher: Recent Work," by Anne Rorimer; "The Lightning Field," by Walter De Maria; "Progress--Discontinuous," by Regina Cornwell; "Perfecting the Imperfect: Noguchi's Personal Style," by Margaret Sheffield; "Books: Dore Ashton's 'A Fable of Modern Art'," by Kate Linker. ... [details]
Issue edited by Ingrid Sischy. Essays "In Search of Religion," by Komar and Melamid; "Three Oblique Situations," by Nicolas Calas; "Peggy Guggenheim," by Marie Cosindas; "Marcel Broodthaers: Allegories of the Avant-Garde," by Benjamin Buchloh; "Ree Morton," by Mary Delahoyd; "Editorial Comment," by Ingrid Sischy; "Essential Differences: A Comparison of the Portraits of Lisette Model and Diane Arbus," by Shelley Rice; "Books: 'Lisette Model: An Aperture Monograph'," by Ronny H. ... [details]
Issue edited by Joseph Masheck. Essays "Mel Bochner: Getting from A to B," by Jeff Perrone; "Bodyworks and Porpoises," by Nicolas Calas; "Komar and Melamid and the Luxury of Style," by Marc Fields; "The Russianness of "Petrouchka," by Ann Farkas; "Inside Europe Outside Europe," by Jan van der Marck; "Taking the Long View," by Colin L. ... [details]
Issue edited by Joseph Masheck. Essays "Minimalism and Critical Response," by Phyllis Tuchman; "Clyfford Still: The Ethics of Art," by Donald B. Kuspit; "Notes on Narrative and History Painting," by Sidney Tillim; "On George Segal's Reliefs," by Leo Rubinfien; "Snelson and Structure," by Deborah Perlberg; "Garry Kennedy: Painting Painting Itself," by Eric Cameron; "Shape and Form in Ron Gorchov's Painting," by Morris Kearse; "Ensor in His Milieu," by Diane Lesko. ... [details]
Issue edited by Joseph Masheck. Essays "Magic of the Possible: Five California Artists," by Peter Clothier; "Sun Tunnels," by Nancy Holt; "In Pursuit of Acconci," by Edward Levine; "Troubles With British Art Now," by Peter Fuller; "James Collins' Double Portraits," by Margaret Sheffield; "Flavin 'According to His Lights,'" by Ross Skoggard; "Surrealism and New York Painting 1940-1948: A Reminiscence," by John Bernard Myers; "A Note on Surrealism and the Beat Generation," by Joseph Masheck. ... [details]
Issue edited by Joseph Masheck. Essays "American Women Architects," by John Lobell; "'Words': When Art Takes a Rest," by Jeff Perrone; "The Icon and Russian Modernism," by Margaret Betz; "Donald Judd: Past Theory," by Kenneth Baker; "Terry Fox Meanders," by Knute Stiles; "Outerbridge from Cubism to Fetishism," by Graham Howe; "Cruciformality," by Joseph Masheck. ... [details]
Issue edited by Joseph Masheck. Essays "Robert Irwin'S Recent Work," by Edward Levine; "Peter Hutchinson: From Earth Art to Story Art," by Eric Cameron; "The Man in the Crowd," by Leo Rubinfien; "Technique and Meaning: The Example of Andean Textiles," by Barbara Blum; "Drawing Toward Architectural Drawings," by James Hoekema; "Andy Warhol's 'Folk and Funk,'" by John Brooks; "The New York Film Festival: A Cultural Landmark?" by Regina Cornwell; "Tepid Yesterdays," by Carrie Rickey; "David Hare's 'Cronus' Series," by Deborah Perlberg. ... [details]
Issue edited by Joseph Masheck. Essays "False Objects: Duplicates, Replicas and Types," by John Perreault; "Elizabeth Murray's Dandyish Abstraction," by Donald B. Kuspit; "Chicago Dialectic," by C.L. Morrison; "To Be or To Act: On the Problem of Content in Nonobjective Art," by Andréi B. ... [details]
Issue edited by Joseph Masheck. Essays "Leon Polk Smith: The Completely Self-Referential Object," by Ted Castle; "Neo-Neo," by Joseph Masheck; "Space and Subectivity: Four Painters," by Anita Feldman; "Stealing Time: An Ontological Odyssey," by Peter Plagens; "Avant-Garde Issues in Seventies Music," by Thomas DeLio; "Clinton Hill," by Jeremy Gilbert-Rolfe; "Books: Where the English Draw the Line," by Stephen Bann. ... [details]
Issue edited by Joseph Masheck. Essays "Situation Esthetics: Impermanent Art and the Seventies Audience"; "John Gutmann: A Transported Vision," by Carol Squiers; "Beuys: The Twilight of the Idol," by Benjamin H. ... [details]