Issue edited by John Coplans. Essays "Jo Baer: Notes on 5 Recent Paintings," by Carter Ratcliff; "Utopia/Anti-Utopia," by Leon Golub; "Keith Sonnier: Video and Film as Color-Field," by Robert Pincus-Witten; "Richard Serra: Sculpture Redrawn," by Rosalind Krauss; "An Interview with Composer Steve Reich," by Emily Wasserman; "London: Roeluf Louw," by Kenneth Baker; "Grids," John Elderfield; "The Films of Harry Smith," by P. ... [details]
Issue edited by John Coplans. Essays "The Whitney Annual, Part I," by Carter Ratcliff; "The Films of Peter Kubelka," by Elena Pinto Simon; "Notes from Underground," by Kenneth Frampton; "Vito Acconci and the Conceptual Performance," by Robert Pincus-Witten; "Léger, Le Corbusier, and Purism," by Rosalind Krauss; "Epic Cubism and the Manufactured Object," by John Elderfield; "Video Obscura," by Douglas Davis; "A Note on Caro Influence: Five Sculptors from Bennington," by Joseph Masheck; "Michael Asher: The Thing of It Is. ... [details]
December 1972 issue of Artforum, edited by John Coplans. Contents include: "Mel Bochner: The Constant as Variable," by Robert Pincus-Witten; "American Geometric Abstraction in the Late Thirties," by John Elderfield; "Oskar Schlemmer Sculpture," by Karin von Maur; "Notes on Recent Dance," by Don McDonagh; "Pivot," by Robert Dunn; "Performance, A Conversation," by Stephen Koch; "A Note on Bernhard and Hilla Becher," by Carl Andre; "Man Ray as Film Maker," by Steven Kovács; "Los Angeles: The Ecology of Evil, " by Peter Plagens; "Bonnard Drawings," by Joseph Masheck; and "Reviews," by Joseph Masheck, April Kingsley, Bruce Boice, Lizzie Borden, and Carter Ratcliff. ... [details]
Issue edited by John Coplans. Essays "Dorothea Rockburne: A Note," by Mel Bochner; "Dorothea Rockburne: Works and Statements," edited by Robert Pincus-Witten; "Dorothea Rockburne: An Interview," by Jennifer Licht; "Reflections on the State of Criticism," by Leo Steinberg; "Larry Poons' New Paintings," by Michael Fried; "On Style: An Examination of Roy Lichtenstein's Development," by Lawrence Alloway; "'The Man with the Movie Camera': From Magician to Epistemologist," by Annette Michelson; "From the Notebooks of Dziga Vertov," translated by Marco Carynnyk; "Ed Moses: The Problem of Regionalism," by Peter Plagens. ... [details]
Issue edited by John Coplans. Essays "Bruce Nauman: Another Kind of Reasoning," by Robert Pincus-Witten; "An Interview with John Chamberlain," by Phyllis Tuchman; "On Chamberlain's Interview," by Barbara Rose; "The Futurist Campaign," by Max Kozloff; "Meditations Around Paul Strand," by Hollis Frampton; "Minneapolis: Burgoyne Diller," by Robert Pincus-Witten; "Richard Diebenkorn: Cloudy Skies over Ocean Park," by Jerrold Lanes; "Drawing and the True Rodin," by Albert Elsen; "Mondrian and the Issue of Relationships," by William C. ... [details]
Issue edited by Philip Leider. Essays "Bochner at MOMA: Three Ideas and Seven Procedures," by Robert Pincus-Witten; "Color, Culture, The Stations: Notes on the Barnett Newman Memorial Exhibition," by Lawrence Alloway; "Stella's New Work and the Problem of Series," by Rosalind Krauss; "Thomas Bang," by Kenneth Baker; "Mondrian, Newman, Noland: Two Notes on Changes of Style," by John Elderfield; "Mondrian in New York," by Barbara Rose; "Four Short Essays on Vuillard," by Max Kozloff; "Meaning in the Art of Duchamp (Part I)," by Willis Domingo. ... [details]
Issue edited by Philip Leider. Essays "Eva Hesse: Post-Minimalism into Sublime," by Robert Pincus-Witten; "Color and Area: New Paintings by Ellsworth Kelly," by John Elderfield; "Noland's New Paintings," by Walter D. ... [details]
Issue edited by Philip Leider. Essays "Harlequins, Saltimbanques, Clowns, and Fools," by Theodore Reff; "Picasso: Drawing as if to Possess," by Leo Steinberg; "Sonsbeek: Speculations, Impressions," by Kasha Linville; "Quality in Louis," by Barbara Rose; "The 'Art and Technology' Exhibition at the Los Angeles County Museum (Two Views) Corporate Art," by Jack Burnham; "The Multimillion Dollar Art Boondoggle," by Max Kozloff; "Keith Sonnier at the Modern," by Kenneth Baker; "Anglo-American Standard Reference Works: Acute Conceptualism," by Robert Pincus-Witten. ... [details]
Issue edited by Philip Leider. Essays "On the Liberation of Architecture," by Melvin Charney; "The Panama Canal and Some other Works of Work," by Joseph Masheck; "Recent Paintings by Joan Snyder," by Marcia Tucker; "An Interview with Robert Ryman," by Phyllis Tuchman; "Christopher Wilmarth: A Note on Pictorial Sculpture," by Robert Pincus-Witten; "On Constructivism," by John Elderfield; "Five Photographs," by Diane Arbus; "The Art of Maurice Sendak," by Selma G. ... [details]
Issue edited by Philip Leider. Essays "Cubist Object Treatment: A Perceptual Analysis," by Charles M. Rosenberg; "John Marin: Dynamism Codified," by Abraham A. Davidson; "Unveiling the Consort: Part II," by Jack Burnham; "An Interview with Herbert Ferber," by Phyllis Tuchman; "Peter Young: A Chronology of the Work," by Ellen H. ... [details]