November 1971 issue of Studio International, with a cover specially designed for this issue by Allen Jones. Edited by Peter Townsend. Contents include: "Some Concern in fine art education - II," by Linda Morris, Digby Jacks, Charles Harrison; "Report from Vienna," by Kristian Sotriffer; "Correspondence;" "News and Notes;" "Edward Ihnatowicz's Senster," by Jonathan Benthall; "PASTA MOMA, or the strike-bound Modern," by Jeannie Weiffenbach; "Notes on a piece by Barry Le Va - Extended vertex meetings: blocked; blown outward;" "Some Memories of Mondrian," by Nelly van Doesburg; "Aspects of Islamic pattern," by Keith Albarn; "An Interview with Dennis Oppenheim," by Willoughby Sharp; "UK Commentary," by Mark Haworth-Booth, Norbert Lynton, Richard Morphet; "The Synoptic Loft," by Dore Ashton; "The State and the arts in Great Britain," by Andrew Faulds MP; "Supplement: new and recent art books," reviews by John Gage, Tim Hilton, William Vaughan, Tim Clark, Peter Wollen, Peter Gidal, Andrew Forge, Frank Whitford, and Laura Mulvey. [details]
September 1971 issue of Studio International, with a cover specially designed for this issue by Eduardo Paolozzi. Edited by Peter Townsend. Contents include: "Some Concerns in fine-arts education," by Philip Pilkington, Kevin Lole, David Rushton, and Charles Harrison; "Report from Canada," by Charlotte Townsend; "Correspondence;" "News and notes;" "The Inflation of art media," by Jonathan Benthall; "The Los Angeles look today," by Helene Winer; "A question of epistemic adequacy," by Ian Burn and Mel Ramsden; "Speculative illustrations," Eduardo Paolozzi in discussion with J. ... [details]
September 1971 issue of Studio International, with a cover specially designed for this issue by Eugenio Carmi. Edited by Peter Townsend. Contents include: "The State of the Arts," by Lord Eccles; "Correspondence;" "News and Notes;" "Anatomy of an Anomaly," by Jonathan Benthall; "A Joseph Beuys Primer," by Georg Jappe; "Sculpture at Sonsbeek," by Carel Blotkamp; "Signals for the Imagination," by Eugenio Carmi; "A procedural proposition: selection, repetition, extension, exchange," by Michael Craig-Martin; "Ensor's 'Entry of Christ into Brussels,'" by Frank Whitford; "New Public Galleries: Tel Aviv, Belfast, project for Les Halles," by J. ... [details]
July / August 1971 issue of Studio International. Edited by Peter Townsend. Contents include: "What is Reality? The Theme of Documenta 5," by Georg Jappe; "This Spring in West Germany," by Robert Kudielka; "Science in Art," by Marcello Salvadori; "Correspondence;" "News and Notes;" "Experimental Art: Stubbs to Sonfist," by Jonathan Benthall; "Sydney: Art in the Universities," by Donald Brook; "'True Patriot Love': Joyce Wieland at the National Gallery of Canada;" "Bridget Riley," by David Thompson; "Three Shows at the Hayward: Hodler and Böcklin," by Frank Whitford and "Henri Laurens," by William Tucker; "Letter from Bucharest," by Radu Varia; "A Tail of Two Exhibitions," by Barbara Reise; "Background to the Foreground: The Haacke Exhibition History," by Edward Fry and Thomas M. ... [details]
March 1971 issue of Studio International, edited by Peter Townsend. Contents include: "Project 84," by David Dickson; "Date with fate at the Tate," by Felipe Ehrenberg; "News and Notes;" "Correspondence;" "Haacke, Sonfist and Nature," by Jonathan Benthall; "Christo," by Lawrence Alloway; "Tantric imagery: affinities with twentieth-century abstract art," by Virginia Whiles; "Robert Medley's new paintings," by Bryan Robertson; "Commentary," by John Russell; "Albert Irvin," by Andrew Forge; "Andy Warhol and Ad Reinhardt," by Max Kozloff; "The conditional probability machine: a new work by Eduardo Paolozzi," by Diane Kirkpatrick; "Between spring and ocean," by Klaus Rinke; "Lawrence Weiner," by Anthony Lovell; "Works by Lawrence Weiner;" "Supplement: new and recent art books," reviews by Jonathan Benthall, Bernard Denvir, Andrew Forge, Peter Gidal, Andrew Higgens, Timothy Hilton, Colin Moorcraft, John Picton, Barbara Reise, and Frank Whitford. ... [details]
January 1971 issue of Studio International, edited by Peter Townsend. Contents include: "Pay at the turnstile;" "A Policy for the arts," by Lord Eccles talks to Edward Lucie-Smith; "Kokoschka's early work," a conversation between the artist and Wolfgang Fischer; "Correspondence;" "News and Notes;" "Leger's city, and Atget's," by Jonathan Benthall; "The Vienna Secession and its early relations with Great Britain," by Horst-Herbert Kossatz; "Ends and Beginnings: Viennese art at the turn of the century," by Frank Whitford; "Four sculptors (part 4): David Smith," by William Tucker; "Art on TV," by Charles Harrison; "Forces against object-based art," by Andrew Forge; and "New York commentary: Downtown, Uptown, all around the town," by Dore Ashton. ... [details]
Issue edited by Beryl Korot and Megan Williams. Essays "Notes on Biotopology 1972," by Warren Brodey; "Notes from Stephen Waterman," by Stephen Waterman; "The Nutritive Context," by Frank Gillette; "Revolutionary Engineering: Towards a Counter-Technology Videotape Dance Therapy," by Louis Jaffe; "Video Handbook," by Parry Teasdale; "Westbeth: Plugging into the Master Antenna," by Dean Evenson; "Sony Modifications," by Eric Siegel; "Getting Wired: Interview with High Macdonald, Implications of Physiological Feedback Training," by Ralph Ezios; "Acid Programming: A Review of John Lilly's 'Human Biocomputer,'" by Robert Willig; "Game," by Mark LeBrun; "High School," by Danne Borgogno and Sukey Ginsberg, Ken Ryan, Shelley Surpin, and Pat Crowley; "Radio," by Jeff Smith and Lorenzo Milam; "Tegs 1994: A Review of Robert Theobald's 'Teg's 1994,'" by Allen Rucker; "Kybernetic Klassroom: A Report on the Work of Dean Brown using Computers in holistic education"; "Hardware: Converting a Television to a Monitor," by Dick Van Brunt, voiceless Video by Ant Farm, porta-back-pak by Media Access; "Feedback: Television Monologue Psychotherapy," by Harry Wilmer, M. ... [details]
Oversized folded promotional poster for the 8th Annual New York Avant Garde Festival presented by Charlotte Moorman, held at the 69th Regiment Armory, New York, November 19, 1971. Artists included Otto Piene, Eric Siegel, Shirley Clarke, Nam June Paik, Shuya Abe, Frank Lincoln Viner, Douglas Davis, Ralph Hocking, Ken Dominick, Pulsa, Steina and Woody Vasulka, Morton Subotnick, Stefan Tcherepnin, Richard Teitelbaum, Lil Picard, Jud Yalkut, Ed Emshwiller, Stan Vanderbeek, Christo, Yoko Ono, John Lennon, Joe Jones, Robert Watts, Frank Gillette, John Reilly, Rudi Stern, Robert Breer, Ken Dewey, Geoff Hendricks, Ralph Ortiz, Tosun Bayrak, Bici Forbes, Gary Rieveschl, Jackson Mac Low, Philip Corner, Frederic Rzewski, Gregory Battcock, Shigeko Kubota, Joey Skaggs, Al Hansen, Emmett Williams, Jim McWilliams, Joseph Beuys, John Cage, Dick Higgins, Toshi Ichiyanagi, Allan Kaprow, Takehisa Kosugi, Pauline Oliveros, Faith Ringgold, Carolee Schneemann, Aldo Tambellini, Jean Toche, Ben Vautier, Wolf Vostell and many others. ... [details]
Exhibition catalogue published in conjunction with show held in July 1971. Organized by Jorge Glusberg. Artists include Vito Acconci, Eleanor Antin, Arakawa, Sue Arrowsmith, David Askevold, Walter Ave, John Baldessari, Manuel Barbadillo, Robert Barry, Otto Beckmann, Luis Benedit, Mel Bochner, Christian Boltanski, Ian Breakwell, Eugen Brikcius, Stuart Brisley, Stanley Brouwn, Donald Burgy, Don Celender, Jürgen Claus, James Collins, Christo, Agnes Denes, Mirtha Dermisache, Antonio Dias, Geniy Dignac, Gregorio Dujovny, David Dye, Stano Filko, Barry Flanagan, Terry Fox, Dr. ... [details]
Exhibition catalogue in two volumes for show held at the Museum of Fine Arts, Boston, Massachusetts, 1971. First book includes an essay by David Antin, and biographies of the artists in the exhibition, as well as a selected bibliography. ... [details]
