Summer 1987 issue of October, edited by Joan Copjec, Douglas Crimp, Rosalind Krauss and Annette Michelson. Contents include: "Jeremy Bentham's Panoptic Device," by Jacques-Alain Miller; "Postmodern History at the Musée d'Orsay," by Patricia Mainardi; "Learn to Read, She Said," by Ann Smock; "Ramble City: Postmodernism and Blade Runner," by Guiliana Bruno; "An Interview with Steve Fagin," by Peter Wollen; and "Gramophone, Film, Typewriter," by Friedrich Kittler. [details]
Edited by Joan Copjec, Rosalind Krauss, Annette Michelson, and Martha Buskirk. Essays "The Emergence of Cultural Studies and the Crisis of the Humanities," by Stuart Hall; "Federal Papers," by Catharine Stimpson; "Political Detention: Countering the University," by Barbara Harlow; "Words without Things: The Mode of Information," by Mark Poster; "Power and Freedom: Opposition and the Humanities," by Paul A. ... [details]
Issue edited by Bice Curiger. Essays "Richard Prince: Notes Toward A Supreme Fiction," by James Lewis; "Real Monochrome Images," by Helmut Friedel; "Time Of Painting, Time Of Representation," by Ulrich Loock; "Franz Gertsch," by I. ... [details]
Issue edited by Bice Curiger. Essays "Moveable Structure / House In An Open Place," by Theodora Vischer and Maria Nordmann; "Pierre Klossowski," by Claude Ritschard; "Rereading A Fugitive Essay," by Howard Singerman; "The Theater Of The Mind," by Thomas Lawson; "Dialogues, Teachings," by Patrick Frey; "Baldessari's Timing," by James Lewis; "John Baldessari's True Colors," by Dave Hickey; "Excerpt From 'Maya. ... [details]
Issue edited by Bice Curiger. Essays "When You Offer Stones You Get Stones," by Edward Leffingwell and Lawrence Weiner; "François Boucher," by Andrei Kowaljow; "On The Sigmar Polke Retrospective In The U. ... [details]
Issue edited by Bice Curiger. Essays "Scott Burton," by Nancy Princenthal; "Contributions By: Jeanne Silberthorne, Patrick Frey, Rein Wolfs, Chris Dercon, Robert Storr," by Bruce Nauman; "Daredevil - Narrative Strategies In Everyday Myths," by Michael Fitzgerald and Justen Ladda; "Hanne Darboven - Or The Dimension Of Time And Culture," by Jean-Pierre Bordaz; "For Enzo Cucchi's Exhibition At The Guggenheim-Museum, New York, Spring 1986," by Mario Diacono; "Les Infos Du Paradis, The Reina Sofia Art Center, Madrid," by Francisco Calvo Serraller; "Cumulus Von Europa," by Annelie Pohlen; "Cumulus From America," by Richard Armstrong; "Mario Botta in Conversation With Bice Curiger," by Mario Botta. ... [details]
Issue edited by Bice Curiger. Essays "The Philosophical Light and the Light of Art," by Hartmut Böhm; "Rachel Whiteread," by Doris von Drathen; "Ross Bleckner's Icons," by Edmund White; "Memorialising Aids," Simon Watney; "Oscillations," "Ross Bleckner in Conversation with David Seidner," by Jose Luis Brea; "In the Charnel House of Love," by Marina Warner; "The Unfulfillment and the Surfeit," by Anna Tilroe; "Dial 970-Muse: Marlene Dumas's Pornographic Mirror," by Ingrid Schaffner; "Pictures incomprehensible but illuminating," by Ulrich Looke; "Adrian Schiess," by Max Wechsler; "Les Infos Du Paradis," by Martijn Nieuwenhuyzen; "Cumulus From America," by Carolina Ponce de León; "Cumulus Aus Europa," by Adrian Searle. ... [details]
Issue edited by Bice Curiger. Essays "On Schnyderian Art," by Patrick Frey; "James Coleman: Charon," by Dieter Schwarz; "Disarming Perception," by Gary Garrels; "Speculation On Trucks, Cemeteries, Foxes And Other Images," by Julian Heynen; "Setting Standards," by Dan Cameron; "Shimmering Deep-Blue Purple," by Jean-Christophe Ammann; "Living In The Big Light," by Dave Hickey; "Interview James Turrell," by Richard Flood and Carl Stigliano; "The Irish Sky Garden Of James Turrell," by Frederick Ted Castle; "Richard Hamilton," by Lynne Cooke; "Cumulus From Australia," by Louise Neri; "Cumulus From America," by Kim Levin; "Balkon," by Andrei Kovalyov. ... [details]
Issue edited by Bice Curiger. Essays "Interview Sigmar Polke," by Bice Curiger; "Modernism And Günther Förg's Photographs," by John Caldwell; "At The Crossroads Of Disciplines," by Catherine Queloz; "We Are Not Afraid / An Impossible Comparison," by Wilfried Dickhoff; "Philip Taaffe: History Is In The Making," by Jeff Perrone; "A Propos Philip Taaffe," by Edmund White; "Fragment On Ornament," by Francesco Pellizzi; "Philip Of Naples And The Evocative Geometry Of History," by G. ... [details]
Issue edited by Bice Curiger. Essays "Jana Sterbak: Chaos and Self-Creation," by Richard Noble; "Max Neuhaus: Invisible sculpture-molded sound," by Doris von Drathen; "Three Impromptus on the Art of Gerhard Richter," by Jean-Pierre Criqui; "Endless Finalities," by Peter Gidal; "The tragic desire," by Birgit Pelzer; "Sequence of Time," by Gertrud Koch; "Richter in Tahiti," by Dave Hickey; "Lèche Vitrine," by Peter Fleissig; "Dieter Roth: Garbage Clarified," by Patrick Frey; "Meyer Vaisman flips the bird," by Trevor Fairbrother; "Les Infos Du Paradis," by Roselee Goldberg; "Cumulus From America," by Paul Taylor; "Cumulus Aus Europa," by Hans Rudolf Reust; "Balkon," by Claudia Gould. ... [details]
