"One of the most important contemporary artists working today, Daniel Buren has been creating site-specific installations world-wide for nearly 40 years. Throughout his varied oeuvre, the artist's familiar stripes--8. ... [details]
Critical theory by Cynthia Maris Dantzic, "...an extensive review of New York painters and their widely diverse works. It presents an overview of styles, mediums, subjects, even philosophies of art found in galleries, museums, and artists' studios of present-day New York, the oft-acknowledged Art Capital of the contemporary world. ... [details]
Exhibition catalogue published in conjunction with show held 1966. Essay by Robert A. M. Stern. Architects include James Baker, Hobart D. Betts, Gunner Birkerts, Louis J. Bakanowsky, Peter Chermayeff, Alden B. ... [details]
Critical theory by Andrew Graham-Dixon. "... Graham-Dixon argues decisively against the preconception that the British are not a visual people. Starting with a revelatory account of the almost unknown masterpieces of the Catholic Middle Ages, [Dixon] celebrates the beauty and the brilliance of Britain's artistic heritage - from Thomas Gainsborough to Damien Hirst, William Hogarth to David Hockney, John Constable to Henry Moore. ... [details]
September 1988 issue of Art in America. Edited by Elizabeth C. Baker, with written contributions by Joan Simon, Eleanor Hartley, Holland Cotter, John Ash, Stephen Westfall, Brooks Adams, Ken Johnson, Paul Smith, Carl Little, Walter Thompson, Suzaan Boettger, Gerrit Henry, Lawrence Campbell, Walter Thompson, Donald B. ... [details]
March 1989 issue of Art in America. Edited by Elizabeth C. Baker, with written contributions by Marit Werenskiold, Christopher Finch, Donald B. Kuspit, Robert Storr, Ann Temkin, Brian Wallis, Christopher Lewis, Jill Johnston, Ivan Karp, Nancy Princenthal, Holland Cotter, Ken Johnson, John Zinsser, Amy Fine Collins, Bradley Collins, Jr. ... [details]
July 1997 issue of Art in America. Edited by Elizabeth C. Baker, with written contributions by Kim Bradley, Thyrza Nichols Goodeve, Robert Farris Thompson, Carter Ratcliff, Edmund White, Michael Duncan, Ken Johnson, and Leah Ollman. ... [details]
Issue edited by Philip Leider. Essays "The Art of Existence: Three Extra-Visual Artists," by Robert Morris; "A Conversation with Hans Hofmann," by Irma B. Jaffe; "Problems of Criticism, IX: Art and Technology," by Jack Burnham; "Was There a San Francisco School?," by Mary Fuller; "Joseph Raffael, Carlos Villa, Hank Gobin," by Emily Wasserman; "Jackson Pollock's Drawings," by Rosalind Krauss; "An Interview with Jack Tworkov," by Phyllis Tuchman. ... [details]
Issue edited by Philip Leider. Essays "Looking at the Guggenheim International," by James Monte; "Ron Davis at Castelli," by John Elderfield; "Unconventional Realists, Part II: Sculpture," by Gabriel Laderman; "A Meditation on Painting," by Peter Plagens; "Sound Architecture," by Bernard Leitner; "A Conversation with Gene Davis," by Barbara Rose; "Unveiling the Consort, Part I," by Jack Burnham. ... [details]
Issue edited by Philip Leider. Essays "On the Liberation of Architecture," by Melvin Charney; "The Panama Canal and Some other Works of Work," by Joseph Masheck; "Recent Paintings by Joan Snyder," by Marcia Tucker; "An Interview with Robert Ryman," by Phyllis Tuchman; "Christopher Wilmarth: A Note on Pictorial Sculpture," by Robert Pincus-Witten; "On Constructivism," by John Elderfield; "Five Photographs," by Diane Arbus; "The Art of Maurice Sendak," by Selma G. ... [details]