Issue edited by Ingrid Sischy. Essays "Michael Tracy: A Full-Blown Geophysical Presence," by Lisa Liebmann; "Contention between Two Cities about a Disagreeable Beauty," by Max Kozloff; "The Patients and the Doctors," by Julian Schnabel; "Conceptual Art," by Ian Wilson; "Models of Our Present," by Kathy Acker; "The Auto-Representation of Pina Bausch," by Franco Quadri; "These Things Are in the Hands of God," by David Frankel; "Books: Jack Flam on 'Jazz' and 'Cinéma 'Calendrier du coeur abstrait. ... [details]
Issue edited by Ingrid Sischy. Essays "Bill Woodrow: Material Truths," by Mark Francis; "In the Heart of the Tinman. An Essay on John Chamberlain," by Duncan Smith; "A Project by Pontus Hulten and Jean Tinguely;" "Freeing Dance from the Web: On Collaboration, Trisha Brown's 'Set and Reset,' and 'Lucinda Childs' Available Light," by Thomas McEvilley; "Two Sides of the Brain: Molissa Fenley's Hemisphere's," by RoseLee Goldberg; "Up Rocking, Locking, Old Style, 1990 Moves," by Michael Holman; "Selected Funk Lessions: a project," by Adrian Piper; "A Use for Beauty," by Kenneth Baker; "Executioner's Song," by Greil Marcus; "Books: Gilles Deleuze on Francis Bacon," by Gilles Deleuze; "Forum," by Kate Linker. ... [details]
Issue edited by Ingrid Sischy. Essays "The Real Experiment," by Allan Kaprow; "Triumph of Representation, a project," by Giulio Paolini; "Against the Return to Order," by Nicolas Calas; "A Project," by Sigmar Polke; "Dispensable Friends, Indispensable Ideologies: Andre Bréton's Surrealism," by Donald Kuspit; "Popcorn and Canvas," by Carrie Rickey; "Books: Frederic Tuten on 'Ranxerox' (continued)," by Frederic Tuten; "Forum," by Glenn O'Brien. ... [details]
Issue edited by Ingrid Sischy. Essays "A Note Concerning Francis Picabia," by Harald Szeemann; "Imagining Nowhere: Richard Tuttle's 'Monkey's Recovery,'" by Klaus Kertess; "Breaking the Contract: A Conversation with Peter Greenaway," by Stuart Morgan; "Triple Entendre," a project by General Idea; "Enchantment and Revolution - Joan Miró," by Roland Penrose; "Jack Goldstein: The Trace of Absence," by Jean Fisher; "Vija Celmins: Drawings without Withdrawing," by Kenneth Baker; "Susan Sontag's Unguided Tour," by Gary Indiana; "'Books': Frederic Tuten on 'Ranxerox,'" by Frederic Tuten; "Gulliver Speaks," by Greil Marcus; "Forum," by John Howell and Lisa Liebmann. ... [details]
Issue edited by Ingrid Sischy. Essays "Who's Afraid of Red, Yellow, and Blue?," by Thierry de Duve; "Tadanori Yokoo: Between Painting and Graphic Art," by Yoshiaki Tono; "Richard Artschwager," by Coosje van Bruggen; "Marina Abramovic," by Thomas McEvilley; "Der Hang zum Gesamtkunstwerk," by Germano Celant; "Brice Marden: Two Drawings"; "Photograph into Sculpture," by Sam Wagstaff; "Books: Carrie Rickey on 'Overlay,'" by Carrie Rickey; "Airtime," by Greil Marcus; "Forum," by Richard Armstrong. ... [details]
Issue edited by Ingrid Sischy. Essays "Robert Cumming's Subject Object," by Charles Hagen; "Unpopular Culture (Travels in Kienholzland)," by Carrie Rickey; "A Project," by Nancy Graves; "Carroll Dunham: Painting Against the Grain - Painting with the Grain," by Klaus Kertess; "Getting Ready for the Golden Eighties: A Conversation with Chantal Akerman," by Gary Indiana; "Art in the Dark," by Thomas McEvilley; "A Fvnny Thing Happened on the Way to the Forvm (In the Name of Love)," by Duncan Smith. ... [details]
Special Issue edited by Ingrid Sischy. "I am on a train moving eastward," by Mark Holborn; "For some time now, in order to write this wretched article, I have been thinking about automatons," by Eugenio Battisti; "The monster and the city have always been symbiotic," by Philip Strick; "Since the late 18th century the function of art as a form of value, and how that value was to be defined, has been anything but clear," by Sidney Tillim; "There is more of traditional beauty in Modernist art than we care to admit," by Carter Ratcliff; "ANKEBUTA, AN ANCIENT BABYLONIAN SCIENTIST, WROTE A WORK ON ARTCRITICAL PRODUCTIONS IN WHICH HE CLAIMED TO HAVE MANUFACTURED A LIVING HUMAN BEING," by Thomas McEvilley; "God made the first copy," by Glenn O'Brien; "Culture in the most fertilized substance," by Edit deAK; "At this quick and weightless moment late in the Century of Abstraction. ... [details]
Issue edited by Ingrid Sischy. Essays "Forum"; "Uncivil War," by Donald Kuspit; "'Guernica' and Guernica," by Phyllis Tuchman; "Hanne Darboven's Time: The Content of Consciousness," by Annelie Pohlen; "Time and Time Again," by Mario Perniola; "Nicola's Way," by Ida Panicelli; "How We Live: The Paintings of Robert Birmelin, Eric Fischl, and Ed Paschke," by John Yau. ... [details]
Issue edited by Ingrid Sischy. Essays "Books: Peter Galassi on 'Photography: A Concise History,'" by Peter Galassi; "David True's 'Pendulums,'" by John Yau; "William Eggleston's Color Photographs: Matters of Record"; "Eikoh Hosoe and Yukio Mishima: The Shadow in the Time Machine," by Mark Holborn; "Statuary Versus Idols," by Alain Kirili; "Escher or Newman: Who Puts the Ghosts in the Machine?" by Gary Stephan; "Bracusi + Mondrian: A Sum, a Summa," by Sidney Geist. ... [details]
Issue edited by Ingrid Sischy. Essays "David Bowie's Survival," by Carter Ratcliff; "Biographical Notes on a Metaphysical Argonaut - Alberto Savinio," by Maurizio Fagiolo dell'Arco; "'I'm Really Scared When I Kill in My Dreams,' (from a lyric by Glenn Branca)," by Kim Gordon; "Barry Le Va's Sculpture: Ellipsis and Ellipse," by Klaus Kertess, a project by Barry Le Va; "The 20th New York Film Festival: Virtue and Vice on 65th Street," by Barbara Kruger; "The 20th New York Film Festival: A Penny for the Peep Show," by Gary Indiana; "Books: Kathy Acker on Hans Magnus Enzensberger's 'Critical Essays,'" by Kathy Acker; "The Appearance of the Zeitgeist," by Wolfgang Max Faust. ... [details]
