Fifth printing of an exhibition catalogue published in conjunction with show held at the Solomon R. Guggenheim Museum, New York, in 1978. Traveled to the Museum of Fine Arts, Houston; the Walker Art Center, Minneapolis; and the Los Angeles County Museum of Art, Los Angeles. ... [details]
Poster published in conjunction with the publication of "Mechanism of Meaning : Work in Progress (1963 - 1971, 1978)" by Shusaku Arakawa and Madeline H. Gins. [details]
Catalogue highlighting the art and design artifacts in the collection of the Metropolitan Museum of Art, New York. Text by R. Craig Miller. Photographs by Mark Darley. Includes notes, appendices, and index. ... [details]
Monograph on the work of Piet Mondrian. Essay by David Shapiro. Includes chronology, bibliography, notes. Printed in color and black-and-white. [details]
Critical theory. "A coloring book prepared by artists featured in New Art... for 'New York is Art Country'" Artists include Jonathan Borofsky, Richard Bosman, James Brown, Agnes Denes, Jonathan Ellis, Rodney Alan Greenblat, Keith Haring, Jenny Holzer, Barbara Kruger, Stephen Lack, Mary Miss, Tom Otterness, Louis Renzoni, Kenny Scharf, Pat Steir, Mark Tansey, William Wegman, David Wojnarowicz and Rhonda Zwillinger. [details]
Comprehensive monograph on the artist Paul Klee. Text by Will Grohmann. Includes excerpts from Klee's lectures and education writings, classified catalogue, chronological catalogue of all works reproduced, biography, index of names, general index, and bibliography. ... [details]
Monograph on the life and work of Piet Mondrian. Edited by Milton S. Fox. Text by Michel Seuphor and Georg Schmidt. Includes index, bibliography, biography and artist's exhibition history. 606 illustrations, of which 34 are in full-color and tipped-in. [details]
Large-scale monograph on Robert Rauschenberg. Text by Mary Lynn Kotz. Includes notes, chronology, selected awards and honors, selected museum collections, exhibition history, selected bibliography, and index. ... [details]
Large-scale monograph on the life and work of Reginald Marsh by Lloyd Goodrich. "Reginald Marsh's vision centered on humanity; wherever the crowds were thickest, he found his themes. He loved the multitudinous life of New York City, and in his art captured its entire social range, from dime-a-dance joints to the Stork Club and the Metropolitan Opera. ... [details]
An Abram's Facsimile Reproduction Sketchbook edited by Constance and Jack Glenn. Laid-in pamphlet with a text by Constance Glenn which explains that "The term "sketchbook" is hardly reflective of the wide variety of formats artists choose to record their initial inspirations, their pictorial commentary, their highly personal notations, or exacting blueprints for future works. ... [details]
