Fall 1982 issue of Wedge magazine. Edited by Brian Wallis and Phil Mariani. Contents include: "Society of the Spectacle," by Guy Debord; "Psychopathways: Horror Movies and the Technology of Everyday Life," by Jonathan Crary; "'The Thomas Crown Affair,'" by Richard Prince; "An Interview with Rainer Werner Fassbinder," by Bion Steinborn and Rüdiger v. ... [details]
Exhibition catalogue published in conjunction with show held at The Jewish Museum San Francisco, San Francisco, March 7 - June 27, 2004. Traveled to Laguna Art Museum, Laguna Beach, July 24 - October 3, 2004; and Contemporary Art Center of Virginia, Virginia Beach, June 9 - September 4, 2005. ... [details]
A compendium of sixteen essays originally published in the media and visual arts journal "Afterimage." Edited by Grant H. Kester, editor of "Afterimage" from 1990 to 1995. Text by Grant H. Kesser, Maurice Berger, Richard Bolton, Ann Cvetkovich, Coco Fusco, Brian Goldfarb, Mable Haddock, Chiquita Mullins Lee, Ioannis Mookas, Darrell Moore, Lorraine O'Grady, Michael Renov, Martha Rosler, Patricia Thomson, David Trend, Charles A. ... [details]
1983 issue of the art magazine Art Com edited by Carl E. Loeffler. Articles include "Beta Reports;" "Videotex Services," by Gregory McKenna; "Interactive Videodisc: Interview with Sandra Devlin, Interview with Mitchell Kriegman, Visions of Interactivity," by Gregory McKenna,"; "Publications" reviews by Irwin Irwin; "Music, Electronics: Diamanda Galas on Music and Performing," by Carl Heyward;" "Anonomanifesto," by Irwin Irwin; "Present Tense/Rites of Passage," by Michael Nash; "San Francisco Performance Art," by Irwin Irwin; "Disappearing into the Culture as a Frequency: Bytes from a Conversation," by Lynnette Taylor; "Toward a Criticism of Television Art," by Carl Loeffler; "Video Art Out to Lunch: Jaime Davidovich Interviews Les Brown," edited by Yvonne Stahr; "Four-Sided Fable: Bay Area Producers Stake Out Their Corner of the Video Market," by Eric Knorr; "Music Television Emerges," by Robin Reidy; "On the Tube in the Apple," by Patrice Thomson. [details]