April 15-21, 1981 issue of SoHo News. Issue edited by Josh Friedman. Cover stories include: "What Do Women See in Dominique Sanda?" by Carlos Clarens; "Masada: ABC's Rocky Horror Bible Show," by Brian Winston; "Swiss Youth: Banking on Revolution," by Ian Savage and Hugo Lafayette; "Getting Off with the U. ... [details]
Flyer / poster published in conjunction with show held March 23 - April 12, 1962. Artists included Robert Beauchamp, Nell Blaine, James Brooks, Charles Cajori, Giorgio Cavallon, Jean Cohen, Elaine de Kooning, Perle Fine, Jane Freilicher, Sidney Geist, Michael Goldberg, Sidney Gordin, John Grillo, Joseph Groell, Philip Guston, Alex Katz, Sally Hazelet, Angelo Ippolito, Ben Isquith, Corrado Marcarelli, Al Jensen, Lester Johnson, Joseph Stefanelli, Ibram Lassaw, William King, Nicholas Marsicano, Fred Mitchell, Joan Mitchell, George Ortman, Fairfield Porter, Philip Pearlstein, Milton Resnick, Raymond Rocklin, Ludwig Sander, Miriam Schapiro, Sal Sirugo, David Smith, George Spaventa, Richard Stankiewicz, Earl Kerkam, Jane Wilson, Albert Terris, Franz Kline, Jack Tworkov, and Esteban Vicente. [details]
1983 issue of the art magazine Art Com edited by Carl E. Loeffler. Articles include "Beta Reports;" "Videotex Services," by Gregory McKenna; "Interactive Videodisc: Interview with Sandra Devlin, Interview with Mitchell Kriegman, Visions of Interactivity," by Gregory McKenna,"; "Publications" reviews by Irwin Irwin; "Music, Electronics: Diamanda Galas on Music and Performing," by Carl Heyward;" "Anonomanifesto," by Irwin Irwin; "Present Tense/Rites of Passage," by Michael Nash; "San Francisco Performance Art," by Irwin Irwin; "Disappearing into the Culture as a Frequency: Bytes from a Conversation," by Lynnette Taylor; "Toward a Criticism of Television Art," by Carl Loeffler; "Video Art Out to Lunch: Jaime Davidovich Interviews Les Brown," edited by Yvonne Stahr; "Four-Sided Fable: Bay Area Producers Stake Out Their Corner of the Video Market," by Eric Knorr; "Music Television Emerges," by Robin Reidy; "On the Tube in the Apple," by Patrice Thomson. [details]
Issue edited by Beryl Korot and Ira Schneider. Essays "Notes on Videotherapy," by Vic Gioscia; "Video Tape for the Exceptional," by H.F. Weisborg; "Multiple Image Video Self Confrontation," by Milton Berger; "What Can a Portapak Do?" by Alan Kaplan and Stelios Spiliadis; "Critical Mass," by Bob Sandidge; "Video as a Tool in Instituitional Analysis," Abram Engelman and Tom Johnson; "Video Enclosing," by Randy Sherman; "Shirley Clarke: An Interview"; "Antioch College M. ... [details]
Double sided poster / oversized flyer published in conjunction with show held June 6 - July 4, 1970. Exhibition included works by Alice Adams, Laurie Anderson, Lewis Bell, Michael Beresford, Richard Calabro, Steve Chapin, Ronald Clark, Tom Doyle, Fred Escher, Audrey Hemenway, Richard Housner, Nelson Howe, Ted Knerr, Irene Krugman, Mark Lepage, Rick Librizzi, Bert Markland, Stanley Mistel, Warren Owens, Benten Peugh, Joseph Phillips, Steven Phillips, Raivo Prusemp, Sig Rennels, Bruno Romelda, Douglas Sander, Morris Shulman, Bob Stanley, Alexander Starkey, Mike Sweeney, and Adrianne Wortzel. [details]
Program for series of performances staged at the Judson Memorial Church on May 22, 23, 24, 26, 27, 28 and June 3, 4, 5, 1966. Program included "Patter for Soft-Shoe Dance" by George Dennision with music by Al Carmines and choreography by Remy Charlip; "March" choreographed and danced by Jame Waring; The Mind is a Muscle" by Yvonne Rainer; "Tambourine Dance" by Waring; "Home Movies" by Rosalyn Drexler with music by Carmines and directed by Lawrence Kornfeld and paintings by Jon Hendricks; "Promenade" by Maria Irene Fornes with music by Barmines and directed by Kornfeld; "Morning Raga with Yellow Chair" choreographed and danced by Arlene Rothlein; "April and December" choreographed by Charlip and danced by Aileen Passloff; "What Happened" by Gertrude Stein with music by Carmines, directed by Kornfled and performed by Joan Baker, Lucinda Childs, Passloff, Rainer, Rothlein, Carmines, Hunt Cole, Masato Kawasaki and Burton Supree with set by Geoffrey Hendricks; "Pomegranada" by H. ... [details]
Oversized program for three performances held on March 7, 1967 at Loeb Student Center of New York University. Performances included Robert Rauschenberg's "Outskirts" performed by Trisha Brown, Lucinda Childs, Alex Hay, Deborah Hay, Barbara Lloyd, Yvonne Rainer, and Elaine Sturtevant; "Critic" by Les Levine performed by critics Nicholas Callas, Michael Benedikt, Brian O'Doherty, Annette Mitchelson, John Gruen, Julia Gruen, Irving Sandler, Peter Schjeldahl, Jill Johnston, Gene Swenson, Max Kozloff, Ted Berrigan, John Perreault, and David Bourdon' and "Raspberry" by John Giorno read by Rainer, Rauschenberg and Schjeldahl. [details]
Issue edited by Philip Leider. Essays "The New York School in Los Angeles," by Philip Leider; "Jackson Pollock," by Michael Fried; "The Biomorphic Forties," by Lawrence Alloway; "An Interview with Matta," by Max Kozloff; "The Club," by Irving Sandler; "Postscript: The Forties," by Robert Goodnough; "An Interview with Robert Motherwell," by Max Kozloff; "Color-Light in Mark Rothko," by Max Kozloff; "The Figure in Abstract Expressionism," by Sidney Tillim; "An Interview with Friedel Dzubas," by Max Kozloff; "The Second Generation," by Barbara Rose. ... [details]
Vinyl record complication of audio by musicians and visual artists. Edited by Barbara Ess and Glenn Branca. Produced with the assistance of White Columns. Contributions by Larry Simon, Dara Birnbaum, Carla Liss, Bobby G, Wharton Tiers, Carol Parkinson, Nina Canal, Lee Ranaldo, Jenny Holzer, Annea Lockwood, Michael Smith, A. ... [details]
Exhibition catalogue published in conjunction with show held March 1 - May 27, 2012. Curated by Elisabeth Sussman and Jay Sanders. Essays by Adam D. Weinberg, Eric Banks, Jay Sanders, Elisabeth Sussman, Thomas Beard, Ed Halter, John Kelsey, and Andrea Fraser. ... [details]
