Issue edited by Ingrid Sischy. Essays "Museum Piece: On the Job," by Jan Hoet; "Ground Up: Dresser and Bureaus of Internal Affairs," by Herbert Muschamp; "Like Art: H-h-h-heads and Tails," by Glenn O'Brien; "Speaker to Speaker: S--f-censorship," by Greil Marcus; "What in the World: Missing Sign Language," by Andrew Solomon; "Production Values: Tinkering with Toys," by Dan Cameron; "On Location: At Noriyuki Haraguchi's Studio on Tokyo Bay," by Kazue Kobata; "Customs: A Roman Correspondent Observes a New York Instituition," by Ida Panicelli; "A Canvas of Episodes: Mazel Tov," by Frederic Tuten; "The Dictatorship of Clement Greenberg: A Critic Looks at a Critic," by Kay Larson; "The Adventure of the Third Essay: In Which We Lose Our Bearings and Gain Our Freedom. ... [details]
Issue edited by Ingrid Sischy. Essays "Animarum Venator (Hunter of Souls): An Interpretation of Arcimboldo," by Massimo Cacciari; "'I Like the Free World.' Arcadian Settlements on the Edge of the Unknown from the 1600s to the Present: Part II of a Series on Different Styles of Vision," by Carter Ratcliff; "Louis Sullivan's Clay Gardens: Pod-Modernism," by Colin Westerbeck; "Harlequinade for an Empty Room: On David Salle, Classical Steps Toward the Year 2000," by Lisa Liebmann; "Jannis Kounellis and the Reenchantment of Contradiction: Diverting Fact to Possibility," by Kenneth Baker; "Who Told Thee That Thous Was't Naked: The Immaculate Commission in the Emperor's New Clothes," by Thomas McEvilley; "Museum Piece: Los Angeles' Recent Acquisitions," by Joseph Giovannini; "Icons at Large: Knowing Who Your Friends Are," by Lisa Liebmann; "Like Art: Birthday Suits for Different Parties," by Glenn O'Brien; "Speaker to Speaker: Listening to the Words," by Greil Marcus; "Books: A Review of Art Spiegelman's Maus: A Survivor's Tale," by Richard Gehr; "A Canvas of Episodes: On the Wings of Love, Rex Finds Out What Give-and-take is All About," by Frederic Tuten. ... [details]
Issue edited by Ingrid Sischy. Essays "Esthetics and Loss: AIDS," by Edmund White; "Imi Knoebel's Triangle: The Ecology of Nonobjectivity," by Donald Kuspit; "The Mirror Turned Lamp: Lily Tomlin and Jane Wagner defy the Forces of Gravity," by C. ... [details]
September 1987 issue edited by Ingrid Sischy. Essays "The Tale That Wags the Dog: Documenta 8. A Bite Before the Show"; "What Was that Masked Museum? The Mind's Construction in the Face. Gaetano Pesce," by Germano Celant; "Hugo: Ink into Ocean," by Donald Kuspit; "A Foundry of the Figure: Antonin Artaud, To be Somebody," by Stephen Barber; "Nuclear Towers Town & Country: A Project for Artforum," by Ilona Granet; "An Encounter with a Secret: The Sculpture of Susana Solano," by Gloria Moure; "Untitled Drawings: A Project for Artforum," by William Bailey; "The Critics' Way: Sculpture Goes to Town," by Donald Kuspit, Max Wechsler, Dan Cameron, Pier Luigi Tazzi, and Ingrid Rein, with photography by Shigeo Anzai; "Icons at Large: Icontact," by Lisa Liebmann; "Like Art: Amaretto di Ollie," by Glenn O'Brien; "Believe it or Not: Comrades in People," by J. ... [details]
Issue edited by Ingrid Sischy. Essays "Remembrance of Objects Past," by Rosetta Brooks; "Andy Warhol: Top Gun and Brancusi," by J. Hoberman; "Flurries of Design," by Joost Elffers; "Decoding the Coating," by Seigow Matsuoka; "An Ornamented Joke," by Joyce Kozloff; "Representing Paper," by Sidney Tillim; "The Lovers," by Ulay & Marina Abramovic; "Art to the Power N," by Germano Celant; "Ground Up," by Herbert Muschamp; "Icons at Large," by Lisa Liebmann; "Objects," by Alessandro Mendini; "Like Art," by Glenn O'Brien; "A Canvas of Episodes," by Frederic Tuten; "The Cave," by Wolfram Schutte; "Speaker to Speaker," by Greil Marcus. ... [details]