Issue edited by Ingrid Sischy. Essays "Light," photographs by Joel Meyerowitz; "Light," watercolors by Agnes Martin; "A Light Opportunity," editorial by Edit deAk and Ingrid Sischy; "A Light Compass"; "Northern Lights," by Per Kirkeby and Komar and Melamid; "Eastern Lights, Western Lights," by Francesco Clemente, Eiko Ishioka, Gerhard Richter, Pat Place, and Linda Yablonsky; "Southern Lights," by Nicola De Maria and Peter Magubane; "Shadow Captions. ... [details]
Issue edited by Ingrid Sischy. Essays "Breaking the Box: The Electronic Operas of Robert Ashley and Woody Vasulka," by Charles Hagen; "Inside Out," photographs by Peter Campus; "Child's Play: The Late Work of Elie Nadelman," by Klaus Kertess; "Andy Warhol: Inflation Artist," by Carter Ratcliff; "Cosmic Visions from North and South," by Annelie Pohlen; "Bread and Circuses," by Stuart Morgan; "Books: Greil Marcus on 'Our Lives and Our Children,'" by Greil Marcus; "Books: Frederic Tuten on 'The Innocent Eye,'" by Frederic Tuten; "Short Cut, Fast Lane," by Greil Marcus; "Forum: What a Legend Becomes," by John Howell. ... [details]
Issue edited by Ingrid Sischy. "On Location. A Studio Made en Plein Air: James Nares Reaps the Wind in Golden Green," by Ingrid Sischy; "Marginalia: The Original Sin," by Thomas McEvilley; "Like Art: Docu-Ads, Marketing Realism in 30-second Spots," by Glenn O'Brien; "Turned Out," by William Wilson; "Modern Life. ... [details]
Issue edited by Ingrid Sischy. Essays "On Location: Cindy Sherman's Camera Kabuki," by Ingrid Sischy; "Marginalia: Who Will Occupy the Deep Space in Recent Painting?" by Thomas McEvilley; "The Cave: Claude Lanzmann's Film 'Shoah' (Annihilation) and the Ethics of Reconstructing the Third Reich," by Wolfram Schutte; "Ground Up: Time-Sharing," by Herbert Muschamp; "Object: Duchampian Chance and Poetry in Japanese-Language Word Processors. ... [details]
Issue edited by Ingrid Sischy. Essays "On Location: Milton Resnick, New York City," by Milton Resnick; "Turned Out: Christo in Paris, The Bridge Wore Beige," by John Howell; "Speaker to Speaker: Heart from the Heartland," by Greil Marcus; "Modern Life: AIDS, A Buried Allegory," by Carter Ratcliff; "Ground Up: Parabuilding - The Postmodern Tick on the Modern Elephant," by Herbert Muschamp; "Like Art: The Model Critic, A New Face in the Empire of Signs," by Glenn O'Brien; "Remote Control: Waiting for Gloria," by Barbara Kruger; "Books: Sarah Bodine on 'Moholy-Nagy;' Mark Francis on 'Ian Hamilton Finlay: A Visual Primer;' Charles Hagen on 'The Indelible Image: Photographs of War - 1846 to the Present;' Mark Holborn on 'Tokyo 1970 - 1985;' Donald Kuspit on 'The Sense of Sight;' Greil Marcus on 'Dada/Dimensions;' 'Herbert Muschamp on 'Ballet' and 'Balanchine's Tchaikovsky: Interviews with George Balanchine;' Carter Ratcliff on 'Painters and Public Life in Eighteenth-Century Paris;' Barry Schwabsky on 'Jim Dine Drawings;' Frederic Tuten on 'History of the Universe;'" "Hysterical Painting: Civilization and Francis Bacon's Exhibition of its Discontents," by Donald Kuspit; "A Project for Artforum: Written Leaf," by Mario Merz; "Cultivated Canvases: Richard Diebenkorn's Uneasy Grace," by Susan C. ... [details]
Issue edited by Ingrid Sischy. Essays "On Location: Inventing Pangaea, Jon's and Ginzel's Whole-earth Recipe"; "Ground Up," by Herbert Muschamp; "Like Art: The Star-spangled Pitch," by Glenn O'Brien; "The Cave: Local Technicolor," by Wolfram Schutte; "Object: Abracadabra, The Magic Space of Supple Geometry," by Seigow Matsuoka; "Slant: On Success and Pittsburgh's 1985 Carnegie International," by Donald Kuspit; "Modern Life: The Manet Tapes and More Recent Dupes," by Carter Ratcliff; "Speaker to Speaker: The Clash find the Sound of Silence, Plus the 1985 Top Ten," by Greil Marcus; "Ask Not What: The Kennedys, the Camera, and Us," by Thomas McEvilley; "Earth Angles: Michael Heizer's Sculpture at Buffalo Rock, A New Species of Life for Trampled Soil," by Klaus Kertess; "Blinky Palermo: Abstract Medicine for the Senses," by Donald Kuspit; "The Stridentists: Excavating a Forgotten Avant-garde; the Revolutionary Forebears of Mexico's Muralists," by Serge Fauchereau; "Hungary by Heart: A Trip with André Kertész," by Sylvia Plachy; "Project for Artforum: Two Moods," by Sylvia Plimack Mangold. ... [details]
Issue edited by Ingrid Sischy. Essays "On Location: A Park Grows in Paris. bernard Tschumi's La Villette Project"; "Modern Life: After the Loss of Challenger, the Cost of Instant Replay," by Carter Ratcliff; "Like Art: Surrealism with Everything on it," by Glenn O'Brien; "Turned Out: The Return of an Endangered Species - the Artist's Model," by William Wilson; "Ground Up: The Picturesque of the Urbanesque," by Herbert Muschamp; "The Cave: German Film's Archaeology of the Present Past," by Wolfram Schutte; "Speaker to Speaker: Blowing in the Wind or Facing Into It, Writing a Song or Crafting a Career - For Example, Bob Dylan," by Greil Marcus; "Building a Passage: Reflections on the Vision of Gae Aulenti," by Vittorio Gregotti; "The Imagination in Sheep's Clothing: Francois Boucher Delivered from the Guillotine of Taste, and 'Living Fragonardishly' Today," by Lisa Liebmann; "Courbet the Moon, Van Gogh the Wind: Glimpses of the Sound in a Seashell, Project for Artforum," by Pat Steir; "Through the Narrative Portal: Our Stake in the Plot Thickens," by Max Kozloff; "Wrestling the Image into Shape: Rebecca Howland's Vulture-Culture Sculpture," by Carlo McCormick; "Mel Bochner: Point to Point, the Thought of Emotion, The Feel of Thinking," by Jan Van Der Marck. ... [details]
Issue edited by Ingrid Sischy. Essays "Museum Piece: The Solomon R. Guggenheim Museum and Whitney Museum of American Art Additions. Round Two," by Joseph Giovannini; "A Canvas of Episodes: A Test. A Sentence. ... [details]
Issue edited by Ida Panicelli. Essays "Like Art: Glenn O'Brien on Advertising," by Glenn O'Brien; "The Cave: Maria Nadotti on Film," by Maria Nadotti; "Object: Alessandro Mendini on Design," by Alessandro Mendini; "Ground Up: Herbert Muschamp on Architecture," by Herbert Muschamp; "Here There & Otherwise: John Welchman on Elsewhere," by John Welchman; "Museum Piece: Karen Marta on Malcolm McLaren," by Karen Marta; "Something to Do with Jennifer Bolande," by Paula Marincola; "You Are a Camera," by Roselee Goldberg; "Sorry: A Project for Artforum," by Guillaume Bijl; "Ritual Ecstasies: Lars Nilsson," by Lars Nittve; "Not Vital's Relics of the Present," by Donald Kuspit; "Foul Perfection: Thoughts on Caricature," by Mike Kelley; "We Androids," by Doreet Levitte Harten; "Tear Sheet: A Project for Artforum," by Tear Sheet. ... [details]
Issue edited by Ida Panicelli. Essays "Troubleeshooters: C. Carr on Trying Times," by C. Carr; "Remote Control: Barbara Kruger on Courtroom Drama," by Barbara Kruger; "Democracy, Inc.: Our Beating Hearts, A Project for Artforum," by Karen Finley; "Undertone: Miriam Rosen on Ari," by Miriam Rosen; "Commedia Dell'Arte: The Art Deal, A Project for Artforum," by Lynda Barry; "Books: John Miller on 'Notes on the Underground,'" by John Miller; "Believe it or Not: J. ... [details]
