Exhibition catalogue published in conjunction with show held November 23, 1986 - March 8, 1997. Traveled to the Museum of Contemporary Art, Chicago, April 17, - July 19, 1997; to the Haags Gemeetemuseum, The Hague, September 1 - November 22, 1987. ... [details]
Exhibition catalogue published in conjunction with inaugural exhibition held at P.S. 1, June 9 - 26, 1976 featuring site-specific installations in the rooms of the then largely unrenovated building. Includes installation images and images of artists installing their works, texts by artists within show, statements, and acknowledgments. ... [details]
Exhibition catalogue published in conjunction with show held at the Museum of Contemporary Art, Cambridge, MA, March 4 - July 16, 2007, organized by Cornelia H. Butler and Lisa Gabrielle Mark. "There had never been art like the art produced by women artists in the 1970s--and there has never been a book with the ambition and scope of this one about that groundbreaking era. ... [details]
1979 issue of High Performance, The Performance Art Quarterly, edited by Linda Frye Burnham. Contents include: "Chris Burden: 'The Curse of Big Job,' 'Interviewed by Jim Moisan,' 'Coals to Newcastle;'" "Gina Pane," interviewed by Barbara T. ... [details]
Issue 5 of Trans> edited by Sandra Antelo-Suarez. Essays include: "Performing Citizenship: Vivo Rio Counters Urban Violence," by George Yúdice; "Country Cousins: The Relative Peripheries in Contact," by Maria Lind; "Analogies and Confrontations: A Museography Polemologic?" by Luis Enrique Pérez Oramas; "The Poetics Project: A Special CD Project for Trans>" by Mike Kelley and Tony Oursler; "Serei A?" by Tungar; "Valentina's Paintings," by José Antonio Hernández Díez; "Continuation from the Representations of Violence in Issue 3&4," Moderator Rubén Gallo; "The Necessity of Revolt," by Julia Kristeva; "Intellectuals and Memoricide," by Juan Goytisolo; "Political Pop," by Luis Camnitzer; "Facing Territory," by Dan Cameron; "Oyvind Fahlström : He Burns Himself on Fires of Nine," by Maureen Sherlock; "Rafael Viñoly or the Problematics of the Late-Capitalist Architect," by Noah Chasin; "Alex Alberro in Conversation with Liisa Roberts," by Alex Alberro; "A Thing is a Thing is a Thing, Agnaldo Farias writes about María Teresa Hincapié," by Agnaldo Farias; "Reflections on Candice Breitz 'Rorschach Series'," by Octavio Zaya; "Ann-Sofi Sidén" by Sabine Russ; "Irán do Espírito Santo," by Félipe Chaimovich; "José Gabriel Fernández: Tauromachy and Maculature," by Luis Enrique Pérez Oramas; "The Ruined Map," by Matthew Ritchie; and "Clandestine Installation II," by Roberto Obregón. ... [details]
Issue no. 2 out of three published issues of Eau de Cologne, a magazine edited by gallerist Monika Sprüth focused on women in the artworld. Includes features on Meret Oppenheim, Christiane Meyer-Thoss, Sophie Taeuber-Arp, Louise Lawler, Jenny Holzer, Marianne Eigenheer, Nancy Dwyer, Annette Lemieux, Gretchen Bender, Anne Loch, Bettina Semmer, Jutta Koether, Ina Barfuss, Katharina Fritsch, and Susan Hiller ; "Louise Bourgeois : LAIR," by Stuart Morgan ; "Russische Konstruktivistinnen Die 'Anderen' der Anderen welt" by Jo-Anna Isaak ; an interview between Eva Hesse and Cindy Nemser ; "Desire" by Ulla Frohne ;"Speech Acts : Tokens of the 1980s," by Paul Taylor ; "If You're Successful Why Do You Feel Like a Fake," by Mary-Anne Staniszewski ; Interviews with Barbara Kruger, Barbara Jakobson, Iwona Blazwick, Catherine Lacey, Maureen Paley, Dorine Mignot, Marie-Claude Jeune, Adelina von Fürstenberg, Carmen Giminez, Maria Corall, Grazia Gunn, Mary Jane Jacob, Lisa Phillips, Linda Shearer, Bernice Rose, Joan Simons, Kathy Halbreich, Sue Grace, Katharina Schmidt, Marie-Luise Syring, Evelyn Weiss, and Marianne Stockebrand. ... [details]
Issue number 6 of the periodical Neue Bildende Kunst, published in 1995. Contents include "Editorial;" "In Bewegung," by András Zwickl; "Zsigmond Károly, György Jovánovics, Imre Bukta, Csaba Nemes, Róza El-Hassan;" "Berlin-Moskau/Moskau-Berlin," by Hiltrud Ebert; "Erhard Monden," by Eugen Blume; "Jana Milev," by Bernd Rosner; "Wolfram Adalbert Scheffler," Künstlerseiten; "Jürgen Schön," by Ralph Lindner; "Maria Eichhorn," by Annelie Lütgens; "Paul Thek," by Friedrich Meschede; "Hadrian Pigott," by Michael Freitag; "John Latham," by Hans-Ulrich Obrist; "Cy Twombly," by Peter Herbstreuth; "Verdorrt die ostdeutsche Museumslandschaft?," by Anke Petermann; "Wovon lebt der Künsterler?," by Olaf Zimmermann; "Der Österreich-Schwerpunkt auf der Frankfurter Buchmesse," by Verena Kuni; "Subrealismus: Eine neue Kunstgattung aus dem Osten," by Viola Michely; "Open House 1995 in Marfa," by Sabine Russ; "Herbstsaison in New York," by Paul Dickerson/Bettina Munk; "Sehnsucht nach dem Paradies," by Peter Nesweda, Sandra Crawford; "Jana Sterbak in Saint-Etienne," by Anna Mohal; "Grenzenlos - Polnische Kunst in Berlin," by Andreas Quappe; "Fragen an die Malerei in der Galerie Wohnmaschine, Berlin," by Nikola Henze; "Martin Rosz im 'Museum," by Karin Bettina Müller; "Clownpower im Haus der Kunst, München," by Michael Glasmeier; "James Lee Byars in Bremen," by Katrin Wittneven; "Pina/Via Lewandowsky: Die Krise als Material in Leipzig," by Meinhard Michael; "Eine Sculptur von Magdalena Jetelová," by Pavel Liska; "Kunst und Gedächtnis: Sarkis in der Bundeskunsthalle," by Thomas Fechner-Smarsly; "Beate Terfloth," by Peter Herbstreuth; "Geschichte en détail. ... [details]
Exhibition catalogue published in conjunction with show held at The Jewish Museum, New York, November 6 - March 27, 2016. Curated by Jens Hoffmann, Daniel S. Palmer, and Kelly Taxter. Edited and with a text by Jens Hoffmann. ... [details]
"This publication represents one of the many spaces occupied by Doug Ashford's work. As the first collection of his writings and conversations, it attempts to encompass the changing ideas to which the artist has subscribed over the past 25 years. ... [details]
Two volume exhibition catalogue published in conjunction with show held at Museum Fridericianum, Neue Galerie, Orangerie, Karlsaue, Kassel, Germany, June 19 - September 28, 1982. Introduction by R.H. Fuchs, artistic director. ... [details]
