Exhibition catalogue published in conjunction with show held February 3 - April 28, 2002. Texts by Lionel Bovier, Fabrice Stroun, Helene Winer, Laurie Anderson, Morgan Fisher, Douglas Crimp, David Salle, Thomas Lawson, Carter Ratcliff, Michael Newman, John Hutton, Craig Owens, Therese Lichtenstein, Jean Fisher, Chris Dercon, Hal Foster, Jak Bankowsky, Rosetta Brooks, Philip Pocock, Bruce Grenville, and Goldstein. ... [details]
"How can an art exhibition function as a stand-in for the artists and their studios? How can a gallery project provide greater insight into an artist's practice, the way the formality of a slide lecture or the intimacy of a studio visit can? How can the back-story of the work on display be understood, without being solely reliant on a curatorial statement, catalogue essay or press release? This exhibition allows art to be understood as an ongoing and slippery practice, and less the finite, linear and object-oriented one assumed by the standard exhibition format. ... [details]
Issue edited by Joseph Masheck. Essays "False Objects: Duplicates, Replicas and Types," by John Perreault; "Elizabeth Murray's Dandyish Abstraction," by Donald B. Kuspit; "Chicago Dialectic," by C.L. Morrison; "To Be or To Act: On the Problem of Content in Nonobjective Art," by Andréi B. ... [details]
Issue edited by Joseph Masheck. Essays "Art in Relation to Architecture/Architecture in Relation to Art," by Dan Graham; "Semiology, Sensuousness and Ian Wallace," by Eric Cameron; "The Big Show: The First Exhibition of the Society of Independent Artists, Part I," by Francis Naumann; "Mentalism Versus Painting," by Ross Neher; "Natural Structures: Michael Singer's Sculpture and Drawings," by Margaret Sheffield; "Another Look at Edvard Munch," by Deborah Perlberg; "Painting = Colored Space," by Andréi B. ... [details]
Issue edited by Joseph Masheck. Essays "Mark Tobey's Paintings of New York," by Fred Hoffman; "The Language of Forms and Colors," by Andréi B. Nakov; "Planar Straight Line and the Primary Plane," by Erik Saxon; "Snow-bound Camera," by Regina Cornwell; "Bernard Berenson, Twenty Years After," by James Beck; "The Big Show: The First Exhibition of the Society of Independent Artists, Part 2," by Francis Naumann; "Toward a Theory/Practice of Painting in France," by Paul Rodgers; "Books: On Reading Architecture," by Grahame Shane. ... [details]
Issue edited by Joseph Masheck. Essays "What's All This About Photography?" by Richard Hennessy ; "Pictures of Art," by Joseph Masheck ; "Seeing Burgoyne Diller," by Deborah Rosenthal ; "Cy Twombly: Major Changes in Space, Idea, Line," by Margaret Sheffield ; "Jeremy Gilbert-Rolfe's 'North Group' Paintings," by Hal Foster ; "Howard Buchwald: Perspective Once Again a Problematic," by Donald B. ... [details]
Issue edited by Joseph Masheck. Essays "Leon Polk Smith: The Completely Self-Referential Object," by Ted Castle; "Neo-Neo," by Joseph Masheck; "Space and Subectivity: Four Painters," by Anita Feldman; "Stealing Time: An Ontological Odyssey," by Peter Plagens; "Avant-Garde Issues in Seventies Music," by Thomas DeLio; "Clinton Hill," by Jeremy Gilbert-Rolfe; "Books: Where the English Draw the Line," by Stephen Bann. ... [details]
Issue edited by Joseph Masheck. Essays "Situation Esthetics: Impermanent Art and the Seventies Audience"; "John Gutmann: A Transported Vision," by Carol Squiers; "Beuys: The Twilight of the Idol," by Benjamin H. ... [details]
Issue edited by Ingrid Sischy. Essays "Projects" by William Wegman, Jenny Holzer, Peter Nadin, Art & Language, Gilbert & George, Judy Rifka, Ed Ruscha ; "Seeing Between the Pages," by Ronny Cohen ; "Art Magazines and Magazine Art," by Clive Phillpot ; "Projects," by Kim MacConnel, Heresies, Victor Burgin, Laurie Anderson, Michelle Stuart, Anne and Patrick Poirier, Just Another Asshole, Richard Long, Joseph Beuys, Dan Graham ; "Copy," by Edit deAk. ... [details]
Issue edited by Ingrid Sischy. Essays "A Letter to Peder Bonnier from Lucio Pozzi"; "'Some Place Enormously Moveable' - The Collaboration of Arakawa and Madeline H. Gins," by Robert Creeley; "Long Walks," by Nancy Foote; "Malcolm Morley: Talking About Seeing," by Klaus Kertess; "Suzanne Harris: The Energy of Time," by Ted Castle; "In the Streets of China," by Joel Meyerowitz; "Working n the Streets of Shanghai and Guilin," by Charles Simonds; "The Ten Frustrations, or, Waving and Smiling Across the Great Cultural Abyss," by Lucy R. ... [details]