"The first-ever history of New York's pioneering art space, with film stills, ephemera, and photography in a scrapbook style...Organized into four main sections that delve into the former school's rich history as an art center during the 1970s, 1980s and 1990s up to the present, the book features in-depth conversations between Heiss and Klaus Biesenbach, the director of MoMA PS1 from 2010 to 2018, and more than 40 recollections by artists, curators and critics closely associated with the institution—including Marina Abramovic, James Turrell, agnès b, Rebecca Quaytman, Carolee Schneemann and Andrea Zittel. ... [details]
"This book brings together new texts written to accompany 79 exhibitions organized by Bob Nickas between 1984 and 2011. Nickas chose one work to represent the memory of each exhibition, and through this visual "lens" he reflects on his activity as a curator, offering many behind-the-scenes views to the art world of the 1980s and 90s, as well as intimate recollections of the artists he worked with, and the art works he encountered over the years. ... [details]
Exhibition catalogue published in conjunction with show held March 13 - September 26, 2005. Curated by Klaus Biesenbach, Alanna Heiss, Glenn Lowry, Bob Nickas, Amy Smith-Stewart and Ann Temkin. Introduction and text by Klaus Biesenbach. ... [details]
Exhibition catalogue published in conjunction with show held September 26, 2008 - January 4, 2009. Interview by Mary-Kay Lombino with Jeanne Greenberg Rohatyn. Artists include Barry X. Ball, Tamy Ben-Tor, Huma Bhabha, Glenn Brown, Jennifer Cohen, Benjamin Edwards, Katy Grannan, David Hammons, Sarah Lucas, Julie Mehretu, Marilyn Minter, Wangechi Mutu, Tim Noble and Sue Webster, Richard Prince, Aïda Ruilova, Laurie Simmons, Rudolf Stingel and Piotr Uklanski. ... [details]
"How can an art exhibition function as a stand-in for the artists and their studios? How can a gallery project provide greater insight into an artist's practice, the way the formality of a slide lecture or the intimacy of a studio visit can? How can the back-story of the work on display be understood, without being solely reliant on a curatorial statement, catalogue essay or press release? This exhibition allows art to be understood as an ongoing and slippery practice, and less the finite, linear and object-oriented one assumed by the standard exhibition format. ... [details]
Issue edited by Tim Griffin. Essays "Editor's Letter: Waiting for Godot," by Tim Griffin; "Film: Best of 2007," by John Waters, Amy Taubin, James Quandt, Chrissie Iles, and T.J. Wilcox; "Music: Best of 2007," by Damon Krukowski, Kim Gordon, David Byrne, Marissa Nadler, Alex Waterman, and Julian House; "Books: Best of 2007," by Brigid Doherty, Arthur C. ... [details]